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A VOW THAT CANNOT BE BROKEN! It’s been years since the kihei appeared without warning and overran the earth. To combat this threat, humanity established the Twilight Academy to train students as soldiers, though most die before graduation. During a mission, Kou Kaguro’s squad is attacked, and he must face his fate as yet another student casualty…or so he thought. A girl in white appears during his final moments and swears to protect him, filling a hole in his heart and setting them both on a path of love and despair.
Known for their violence and prolific profanity, including free use of the n-word, the films of Quentin Tarantino, like the director himself, chronically blurt out in polite company what is extremely problematic even when deliberated in private. Consequently, there is an uncomfortable and often awkward frankness associated with virtually all of Tarantino's films, particularly when it comes to race and blackness. Yet beyond the debate over whether Tarantino is or is not racist is the fact that his films effectively articulate racial anxieties circulating in American society as they engage longstanding racial discourses and hint at emerging trends. This radical racial politics—always present in Tarantino's films but kept very much on the quiet—is the subject of Race on the QT. Adilifu Nama concisely deconstructs and reassembles the racial dynamics woven into Reservoir Dogs, True Romance, Pulp Fiction, Jackie Brown, Kill Bill: Vol. 1, Kill Bill: Vol. 2, Death Proof, Inglourious Basterds, and Django Unchained, as they relate to historical and current racial issues in America. Nama's eclectic fusion of cultural criticism and film analysis looks beyond the director's personal racial attitudes and focuses on what Tarantino's filmic body of work has said and is saying about race in America symbolically, metaphorically, literally, impolitely, cynically, sarcastically, crudely, controversially, and brilliantly.
The Child Ballads are traditional ballads from England and Scotland, collected and anthologized by Francis James Child during the second half of the 19th century. The collection contains examples from the 13th century onward. However, the majority of the ballads date to the seventeenth and eighteenth century. Although some have very ancient influences, only a handful can be definitively traced to before 1600. Child Ballads are heavier and darker than other ballads. The topics of the ballads are romance, enchantment, devotion, determination, obsession, jealousy, forbidden love, hallucination, the suppressed truth, supernatural experiences and deeds, half-human creatures, teenagers, family strife, the boldness of outlaws, authority, lust, death, karma, punishment, sin, morality, vanity, folly, dignity, nobility, and many others. They contain stories of national heroes like Robin Hood and mysterious creatures like elves and fairies.
India Country Study Guide - Strategic Information and Developments Volume 1 Strategic Information and Developments
The seventeen papers on Northern Athapaskan research in ethnology, linguistics, and archaeology published in these two volumes were presented at the National Museum of Man Northern Athapaskan Conference in March 1971. The papers are prefaced by a short introduction that outlines the rationale and accomplishments of the Conference.
From 1505 to 1689, Russia's tsars chose their wives through an elaborate ritual: the bride-show. The realm's most beautiful young maidens—provided they hailed from the aristocracy—gathered in Moscow, where the tsar's trusted boyars reviewed their medical histories, evaluated their spiritual qualities, noted their physical appearances, and confirmed their virtue. Those who passed muster were presented to the tsar, who inspected the candidates one by one—usually without speaking to any of them—and chose one to be immediately escorted to the Kremlin to prepare for her wedding and new life as the tsar's consort. Alongside accounts of sordid boyar plots against brides, the multiple marriages of Ivan the Terrible, and the fascinating spectacle of the bride-show ritual, A Bride for the Tsar offers an analysis of the show's role in the complex politics of royal marriage in early modern Russia. Russell E. Martin argues that the nature of the rituals surrounding the selection of a bride for the tsar tells us much about the extent of his power, revealing it to be limited and collaborative, not autocratic. Extracting the bride-show from relative obscurity, Martin persuasively establishes it as an essential element of the tsarist political system.
The Concise Garland Encyclopedia of World Music comprises two volumes, and can only be purchased as the two-volume set. To purchase the set please go to: http://www.routledge.com/9780415972932
Papers presented at the Second Annual Conference of the Canadian Ethnology Society held in Winnipeg, Manitoba, in 1975 are offered in two volumes. This first volume includes those which were delivered in the “Myth and Culture” and “The Theory of Markedness in Social Relations and Language” sessions. The second contains those from the “Contemporary Trends in Caribbean Ethnology”, “African Ethnology”, “Anthropology in Canada”, “The Crees and the Geese”, “Early Mercantile Enterprises in Anthropological Perspectives” and “Volunteered Papers” sessions.
Some of the poorest regions of historic Britain had some of its most vibrant festivities. Between the sixteenth and nineteenth centuries, the peoples of northern England, Lowland Scotland, and Wales used extensive celebrations at events such as marriage, along with reciprocal exchange of gifts, to emote a sense of belonging to their locality. Bride Ales and Penny Weddings looks at regionally distinctive practices of giving and receiving wedding gifts, in order to understand social networks and community attitudes. Examining a wide variety of sources over four centuries, the volume examines contributory weddings, where guests paid for their own entertainment and gave money to the couple, to suggest a new view of the societies of 'middle Britain', and re-interpret social and cultural change across Britain. These regions were not old fashioned, as is commonly assumed, but differently fashioned, possessing social priorities that set them apart both from the south of England and from 'the Celtic fringe'. This volume is about informal communities of people whose aim was maintaining and enhancing social cohesion through sociability and reciprocity. Communities relied on negotiation, compromise, and agreement, to create and re-create consensus around more-or-less shared values, expressed in traditions of hospitality and generosity. Ranging across issues of trust and neighbourliness, recreation and leisure, eating and drinking, order and authority, personal lives and public attitudes, R. A. Houston explores many areas of interest not only to social historians, but also literary scholars of the British Isles.
The Oxford History of Life-Writing: Volume 1: The Middle Ages explores the richness and variety of life-writing from late Antiquity to the threshold of the Renaissance. During the Middle Ages, writers from Bede to Chaucer were thinking about life and experimenting with ways to translate lives, their own and others', into literature. Their subjects included career religious, saints, celebrities, visionaries, pilgrims, princes, philosophers, poets, and even a few 'ordinary people.' They relay life stories not only in chronological narratives, but also in debates, dialogues, visions, and letters. Many medieval biographers relied on the reader's trust in their authority, but some espoused standards of evidence that seem distinctly modern, drawing on reliable written sources, interviewing eyewitnesses, and cross-checking their facts wherever possible. Others still professed allegiance to evidence but nonetheless freely embellished and invented not only events and dialogue but the sources to support them. The first book devoted to life-writing in medieval England, The Oxford History of Life-Writing: Volume 1: The Middle Ages covers major life stories in Old and Middle English, Latin, and French, along with such Continental classics as the letters of Abelard and Heloise and the autobiographical Vision of Christine de Pizan. In addition to the life stories of historical figures, it treats accounts of fictional heroes, from Beowulf to King Arthur to Queen Katherine of Alexandria, which show medieval authors experimenting with, adapting, and expanding the conventions of life writing. Though Medieval life writings can be challenging to read, we encounter in them the antecedents of many of our own diverse biographical forms-tabloid lives, literary lives, brief lives, revisionist lives; lives of political figures, memoirs, fictional lives, and psychologically-oriented accounts that register the inner lives of their subjects.