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"The Rainbow" tells the story of three generations of the Brangwen family, a dynasty of farmers and craftsmen who live in the east Midlands of England, on the borders of Nottinghamshire and Derbyshire. The book covers a period from the 1840s to 1905, and shows how the love relationships of the Brangwens change against the backdrop of the increasing industrialization of Britain. The first central character, Tom Brangwen, is a farmer whose experience of the world does not stretch beyond these two counties; while the last, Ursula, his granddaughter, studies at university and becomes a teacher in the progressively urbanized, capitalist and industrial world. "Women in Love" is a sequel to novel The Rainbow, and follows lives of the Brangwen sisters, Ursula a schoolteacher, and Gudrun a painter. They meet two men who live nearby, school inspector Rupert Birkin and Gerald Crich, heir to a coal-mine, and the four become friends. Ursula and Birkin begin a romantic friendship, while Gudrun and Gerald eventually begin a love affair. The emotional relationships thus established are given further depth and tension by an intense psychological and physical attraction between Gerald and Rupert. All four are deeply concerned with questions of society, politics, and the relationship between men and women. The novel ranges over the whole of British society before the time of the First World War and eventually concludes in the snows of the Tyrolean Alps.
The Rainbow by D. H. Lawrence follows three generations of the Brangwen family, focusing on the sexual dynamics of, and relations between, the characters. Lawrence's frank treatment of sexual desire and the power plays within relationships as a natural and even spiritual force of life caused The Rainbow to be prosecuted in an obscenity trial in late 1915, as a result of which all copies were seized and burnt. After this ban it was unavailable in Britain for 11 years. Women in Love is a sequel to The Rainbow. Ursula and Gudrun Brangwen are two sisters living in the Midlands of England in the 1910s. Ursula is a teacher, Gudrun an artist. They meet two men who live nearby, Rupert Birkin and Gerald Crich. The four become friends. Ursula and Birkin become involved and Gudrun eventually begins a love affair with Gerald. All four are deeply concerned with questions of society, politics, and the relationship between men and women. Birkin asks Ursula to marry him, and she agrees. Gerald and Gudrun's relationship, however, becomes stormy.
The Rainbow is a novel by British author D. H. Lawrence, first published in 1915. It follows three generations of the Brangwen family living in Nottinghamshire, [2] particularly focusing on the individual's struggle to growth and fulfilment within the confining strictures of English social life. Lawrence's 1920 novel Women in Love is a sequel to The Rainbow
"The Rainbow" tells the story of three generations of the Brangwen family, a dynasty of farmers and craftsmen who live in the east Midlands of England, on the borders of Nottinghamshire and Derbyshire. The book covers a period from the 1840s to 1905, and shows how the love relationships of the Brangwens change against the backdrop of the increasing industrialization of Britain. The first central character, Tom Brangwen, is a farmer whose experience of the world does not stretch beyond these two counties; while the last, Ursula, his granddaughter, studies at university and becomes a teacher in the progressively urbanized, capitalist and industrial world. "Women in Love" is a sequel to novel The Rainbow, and follows lives of the Brangwen sisters, Ursula a schoolteacher, and Gudrun a painter. They meet two men who live nearby, school inspector Rupert Birkin and Gerald Crich, heir to a coal-mine, and the four become friends. Ursula and Birkin begin a romantic friendship, while Gudrun and Gerald eventually begin a love affair. The emotional relationships thus established are given further depth and tension by an intense psychological and physical attraction between Gerald and Rupert. All four are deeply concerned with questions of society, politics, and the relationship between men and women. The novel ranges over the whole of British society before the time of the First World War and eventually concludes in the snows of the Tyrolean Alps.
Originally published in Italian as L'orizzonte mobile: spazio e luoghi nella narrativa di D.H. Lawrence in 1998, this critical study analyzes the work of D.H. Lawrence in light of new theories about space and location, or place and community. This approach is especially useful in examining Lawrence, as place and space are central aspects of all of his work. The introductory chapter explains the theoretical premises, drawing extensively from anthropology especially insofar as the relationship between culture and nature or community and place are concerned. This chapter also offers theories based on semiotics, sociological concerns and recent research in human geography and environmentalism. Succeeding chapters analyze functional aspects of place and space in D.H. Lawrence's work. Lawrence's major novels and stories provide the main focus of this book, but attention is also paid to lesser-known texts, both fiction and nonfiction. This work provides a new approach to studies on D.H. Lawrence, opening up new insights for both scholars and students alike.
The Rainbow tells the story of three generations of the Brangwen family, a dynasty of farmers and craftsmen who live in the east Midlands of England, on the borders of Nottinghamshire and Derbyshire. The book covers a period from the 1840s to 1905, and shows how the love relationships of the Brangwens change against the backdrop of the increasing industrialization of Britain. The first central character, Tom Brangwen, is a farmer whose experience of the world does not stretch beyond these two counties; while the last, Ursula, his granddaughter, studies at university and becomes a teacher in the progressively urbanized, capitalist and industrial world.
Contains alphabetically arranged entries that provide biographical and critical information on major and lesser-known nineteenth- and twentieth-century British writers, and includes articles on key schools of literature, and genres.
Since his death in 1930, D. H. Lawrence has become not only one of the most controversial English novelists of the twentieth century, but also one of the most widely read and quoted writers in the language. In this new study of his major fiction, Alistair Niven revalues all the novels, tracing Lawrence's development through them, both as an artist and as a thinker. At the centre of the book Dr Niven discusses The Rainbow and Women in Love as the diverse products of a single creative intention, nothing less than an exploration of where modern man is going. Lawrence's early novels, The White Peacock and The Trespasser, receive exceptionally close scrutiny. There are also full-length chapters on Lawrence's well-known fiction of sexual self-discovery, Sons and Lovers and Lady Chatterley's Lover. The 'travel' novels - The Lost Girl, Aaron's Rod, The Plumed Serpent and especially the Australian novel Kangaroo, which the author believes has been seriously underestimated by previous critics - are given prominence as evidence of Lawrence's restless desire to find a superior set of values to those he believed had failed in England. Dr Niven's conclusions are derived solely from his close reading of the novels themselves and, when relevant, from Lawrence's correspondence and short stories. This study, with its unusually lively and commonsense approach, confirms Lawrence as not only a great novelist, but a central figure in the development of the modern mind.
The Companion combines a broad grounding in the essential texts and contexts of the modernist movement with the unique insights of scholars whose careers have been devoted to the study of modernism. An essential resource for students and teachers of modernist literature and culture Broad in scope and comprehensive in coverage Includes more than 60 contributions from some of the most distinguished modernist scholars on both sides of the Atlantic Brings together entries on elements of modernist culture, contemporary intellectual and aesthetic movements, and all the genres of modernist writing and art Features 25 essays on the signal texts of modernist literature, from James Joyce’s Ulysses to Zora Neal Hurston’s Their Eyes Were Watching God Pays close attention to both British and American modernism