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A study of a religious organization for youths (aged 13-14) founded in Florence in 1411 that is firmly grounded on archival and contemporary documents, and covers a variety of fields of interest.
Lorenzo Polizzotto examines the educational, religious, political, and philanthropic practices of the Florentine youth confraternity of the Purification. Founded in 1427 at a time of unbounded optimism in Florence's future, the Purification was entrusted with the socialization of the youths.With the right education and training, these youths were expected eventually to lead Florence to its manifest destiny.The Purification's educational practices were solidly grounded in religious and humanist principles. In concert with the other youth confraternities, the Purification pioneered an educational programme which influenced pedagogical practices throughout Europe until the middle of the twentiethcentury. Its success made it an attractive prize for the contending political forces in Florence, becoming first an instrument of Medici ambitions and then of Savonarolan radical millenarism. Once Florence fell under the permanent rule of the Medici, the Purification sought to serve the city byturning to philanthropy, which it dispensed as a moral and educational duty.
Emphasizing on the one hand the reconstruction of the material culture of specific residences, and on the other, the way in which particular domestic objects reflect, shape, and mediate family values and relationships within the home, this volume offers a distinct contribution to research on the early modern Italian domestic interior. Though the essays mainly take an art historical approach, the book is interdisciplinary in that it considers the social implications of domestic objects for family members of different genders, age, and rank, as well as for visitors to the home. By adopting a broad chronological framework that encompasses both Renaissance and Baroque Italy, and by expanding the regional scope beyond Florence and Venice to include domestic interiors from less studied centers such as Urbino, Ferrara, and Bologna, this collection offers genuinely new perspectives on the home in early modern Italy.
Return to Nalini Singh’s darkly passionate Guild Hunter world with this New York Times bestseller, where human-turned-angel Elena Deveraux, consort to Archangel Raphael, is thrust center stage into an eons-old prophecy… Midnight and dawn, Elena’s wings are unique among angelkind—and now they are failing. The first mortal to be turned into an immortal in angelic memory, she’s regressing. Becoming more and more human. Easier to hurt. Easier to kill. Elena and Raphael must unearth the reason for the regression before Elena falls out of the sky. Yet even as they fight a furious battle for Elena’s very survival, violent forces are gathering across the world. In China, the Archangel Favashi is showing the first signs of madness. In New York, a mysterious sinkhole filled with lava swallows a man whole. In Africa, torrential monsoon rains flood rolling deserts. And in Elena’s mind whispers a haunting voice that isn’t her own. This time, survival may not be possible…not even for the consort of an archangel.
In this guest-edited issue of Biblical Reception, edited by Diane Apostolos-Cappadona, contributors examine the reception of the bible in art. Most of the contributions focus on biblical women, or on encounters with women in the bible. The volume is roughly chronological in structure, beginning with two pieces on Eve, one of which compares representations of Eve with those of the Virgin Mary, the other which considers how Eve is presented in Islamic texts and images. Following a contribution on Esther and Sarah the volume moves on to consider New Testament texts, with notable focus on women at the peripheries of society (the woman with the hemorrhage in Mark's gospel and the woman of Samaria). Attention is also paid to representations of Mary Magdalene and of Judith and Salome. The volume concludes with a piece on apocalyptic imagery and the woman clothed with the sun of Revelation 12. Featuring over 50 high quality color images, this volume provides scholarship of the highest level on biblical art.
This collection of 19 essays is the first one devoted to function-oriented analyses of intermedial interrelationships in literature, art, music, and film. The contributors — among others, Werner Wolf, James Heffernan, Walter Bernhart, Siglind Bruhn, Claus Clüver, Valerie Robillard, and Tamar Yacobi — are leading international scholars in the field of intermediality. The common basis of the essays in this volume — ranging from intermedial studies of medieval liturgical practices, early cinema, modernist art, ekphrasis, music and literature, art and literature, film and literature, hymns, and pop music, to the musical and technological aspects of Concrete poetry — is the ambition to pay attention to the cultural contexts that enhance the significance of these intermedial works and trends under examination. Since the contributions cover different types of intermedial endeavours from various periods and times, a kind of historicizing perspective is outlined. So, in pursuit of a still lacking coherent historical survey of cultural functions of intermediality, this volume might be recognized as a step towards such a Funktionsgeschichte for intermedial exploration.
Provides an approach to the book of Tobit from a range of disciplines: literary, feminist, anthropological, imagination, theological, textual and historical. This book considers some Latin manuscripts, encompassing an article introducing a print of the Ceriani Latin text, and includes an overview of the Old Latin textual tradition and context.
In Initiating the Millennium, Robert Collis and Natalie Bayer fill a substantial lacuna in the study of an initiatic society--known variously as the Illuminés d'Avignon, the Avignon Society, the New Israel Society, and the Union--that flourished across Europe between 1779 and 1807. Based on hitherto neglected archival material, this study provides a wealth of fresh insights into a group that included members of various Christian confessions from countries spanning the length and breadth of the Continent. The founding members of this society forged a unique group that incorporated distinct strands of Western esotericism (particularly alchemy and arithmancy) within an all-pervading millenarian worldview. Collis and Bayer demonstrate that the doctrine of premillennialism--belief in the imminent advent of Christ's reign on Earth--soon came to constitute the raison d'être of the society. Using a chronological approach, the authors chart the machinations of the leading figures of the society (most notably the Polish gentleman Tadeusz Grabianka). They also examine the way in which the group reacted to and was impacted by the tumultuous events that rocked Europe during its twenty-eight years of existence. The result is a new understanding of the vital role played by the so-called Union within the wider millenarian and illuministic milieu at the close of the eighteenth century and beginning of the nineteenth century.
An authoritative account of the intellectual and educational history of the late Italian Renaissance. Twenty essays on major themes, institutions, and persons of the Italian Renaissance by one of its most distinguished living historians.