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Winner of the American Academy’s Rome Prize for Fiction and the McKitterick Prize, Eli Gottlieb’s tender, harrowing coming-of-age novel finally returns to print. Denny Graubart, child-narrator and “domestic surveillance expert,” is having some terrible suspicions about his mother and autistic brother. It’s the 1960s, aka the Diagnostic Dark Ages of Autism, and while his mother struggles to keep his brother out of an institution, signs of something more disturbing are beginning to emerge before young Denny’s eyes. Battered by his own tragicomic sexual awakening during a long, hot summer, Denny will eventually find his most horrified suspicions about his family confirmed. A powerfully drawn portrait of two brothers locked into an asymmetrical childhood and a family struggling against a weight of medical ignorance, The Boy Who Went Away is “shockingly, electrically alive” (Phillip Lopate). It is also an indispensable bookend to Gottlieb’s Best Boy, which recounts the impact of autism on the same family from the other side, many years later, in the voice of a middle-aged autistic man.
The astonishing untold history of the million and a half women who surrendered children for adoption due to enormous family and social pressure in the decades before Roe v. Wade. “It would take a heart of stone not to be moved by the oral histories of these women and by the courage and candor with which they express themselves.” —The Washington Post “A remarkably well-researched and accomplished book.” —The New York Times Book Review “A wrenching, riveting book.” —Chicago Tribune In this deeply moving and myth-shattering work, Ann Fessler brings out into the open for the first time the hidden social history of adoption before Roe v. Wade - and its lasting legacy. An adoptee who was herself surrendered during those years and recently made contact with her mother, Ann Fessler brilliantly brings to life the voices of more than a hundred women, as well as the spirit of those times, allowing the women to tell their stories in gripping and intimate detail.
Named one of the Best Books of the Year by the Washington Post, Booklist, BookPage, Library Journal, and Library Reads A New York Times Book Review Editors’ Choice Selection An IndieNext Selection A People Magazine Pick of the Week Winner of the Rome Prize Winner of the American Initiative for Italian Culture “The Bridge” Book Award Longlisted for the International DUBLIN Literary Award Longlisted for the Andrew Carnegie Medal for Excellence (Fiction) "Raw and beautiful. . . . What rises and shines from the page is Todd Aaron, a hero of such singular character and clear spirit that you will follow him anywhere. You won’t just root for him, you will fight and push and pray for him to wrest control of his future. You will read this book in one sitting or maybe two, and, I promise, you will miss this man deeply when you are done.” —Ann Bauer, Washington Post Sent to a “therapeutic community” for autism at the age of eleven, Todd Aaron, now in his fifties, is the “Old Fox” of Payton LivingCenter. A joyous man who rereads the encyclopedia compulsively, he is unnerved by the sudden arrivals of a menacing new staffer and a disruptive, brain-injured roommate. His equilibrium is further worsened by Martine, a one-eyed new resident who has romantic intentions and convinces him to go off his meds to feel “normal” again. Undone by these pressures, Todd attempts an escape to return “home” to his younger brother and to a childhood that now inhabits only his dreams. Written astonishingly in the first-person voice of an autistic, adult man, Best Boy—with its unforgettable portraits of Todd’s beloved mother, whose sweet voice still sings from the grave, and a staffer named Raykene, who says that Todd “reflects the beauty of His creation”—is a piercing, achingly funny, finally shattering novel no reader can ever forget.
The first book in the Angelique De Xavier series, from multi-award-winning author Chris Brookmyre. We all make life choices. Some cause more mayhem than others. Back when they were students, just like everybody else, Ray Ash and Simon Darcourt had dreams about what they'd do when they grew up. In both their cases, it was to be rock stars. Fifteen years later, their mid-thirties are bearing down fast, and just like everybody else, they're having to accept the less glamorous hands reality has dealt them. Nervous new father Ray takes refuge from his responsibilities by living a virtual existence in online games. People say he needs to grow up, but everybody has to find their own way of coping. For some it's affairs, for others it's the bottle, and for Simon it's serial murder, mass slaughter and professional assassination. PRAISE FOR CHRIS BROOKMYRE 'In the pantheon of great crime writers' Elly Griffiths 'Keeps you guessing until the very end' The Times 'Offers a brilliantly scathing portrayal of humanity' Time Out
The "hugely satisfying" story (The Boston Globe) of one man’s search for the truth about his brother—and himself. David Dornstein was twenty-five years old, with dreams of becoming a great writer, when he boarded Pan Am Flight 103 on December 21, 1988. Thirty-eight minutes after takeoff, a terrorist bomb ripped the plane apart over Lockerbie, Scotland. Almost a decade later, Ken Dornstein set out to solve the riddle of his older brother’s life, using the notebooks and manuscripts that David left behind. In the process, he also began to create a new life of his own.
Only a few months ago, Gerry had everything he thought he needed from life. He was passionately in love with his college sweetheart after nearly twenty years of marriage, he had a bright, independent-minded daughter, and he had the surprising addition of a new child on the way. Then everything changed with stunning rapidity.
'There are many boys in the world, all slightly different from one another, and most of them are referred to by names. These are often John or Jack or Desmond, but sometimes they are James or Philip or Simon. Once, and once only, there was a boy whose name was Fizzlebert.' Fizzlebert Stump lives in a travelling circus. But although he gets to hang around with acrobats, play the fool with clowns, and put his head in a lion's mouth every night, he's the only kid there - and he's bored. But then Fizz decides to join a library, and life suddenly gets a lot more exciting, when a simple library card application leads to him being kidnapped by a pair of crazed pensioners! Will he ever see the circus again?
"Should appeal to all rugged individualists who dream of escape to the forest."—The New York Times Book Review Sam Gribley is terribly unhappy living in New York City with his family, so he runs away to the Catskill Mountains to live in the woods—all by himself. With only a penknife, a ball of cord, forty dollars, and some flint and steel, he intends to survive on his own. Sam learns about courage, danger, and independence during his year in the wilderness, a year that changes his life forever. “An extraordinary book . . . It will be read year after year.” —The Horn Book
Perfect for fans of the NYT bestseller Sold on a Monday, this Southern historical novel based on the true story of a boy's mysterious disappearance examines despair, loyalty, and the nature of truth. In 1913, on a summer's day at Half Moon Lake, Louisiana, four-year-old Sonny Davenport walks into the woods and never returns. The boy's mysterious disappearance from the family's lake house makes front-page news in their home town of Opelousas. John Henry and Mary Davenport are wealthy and influential, and will do anything to find their son. For two years, the Davenports search across the South, offer increasingly large rewards and struggle not to give in to despair. Then, at the moment when all hope seems lost, the boy is found in the company of a tramp. But is he truly Sonny Davenport? The circumstances of his discovery raise more questions than answers. And when Grace Mill, an unwed farm worker, travels from Alabama to lay claim to the child, newspapers, townsfolk, even the Davenports' own friends, take sides. As the tramp's kidnapping trial begins, and two desperate mothers fight for ownership of the boy, the people of Opelousas discover that truth is more complicated than they'd ever dreamed.