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No. Not the Palace. Anywhere but the Palace. 12-year-old Alexander Buchan was once content, training as a falconer at Strathbogie Castle in Huntly. But when his Earl sends him to Edinburgh to the court of the newly arrived Mary, Queen of Scots, the boy finds himself lured into a world of intrigue, terror and treachery. Alexander knows right from wrong, but how can he hope to outwit the Earl's murderous messenger? Surely no one can defy such a powerful master whose wife is rumoured to be a witch! Soon, more than the boy's own life is at stake: his friend Lizzie is arrested and the the angry clouds of Reformation Scotland gather around the young Queen. It seems that Alexander must spy – or die.
'Gradually I forgot I was a foreigner.' Barbara Henderson has been Scottish by inclination for 30 years. She fell in love with Scotland and its people when she left Germany at the age of 19. Now a children's author, storyteller and teacher in the Highlands, she gives us a lively glimpse of Scotland through the eyes of an EU immigrant – from her first ceilidh to Brexit and the choppy seas of citizenship. Scottish by Inclination also celebrates the varied contributions of 30 remarkable Europeans – beer brewers, entrepreneurs, academics, artists and activists – who have chosen to call Scotland home. 'All voices matter and deserve to belong. Belonging is more than a privilege. Belonging, I am now convinced, can be a choice.'
12-year-old Kylan is a Viking slave; when he gets the chance to return to the Hebrides, the Lewis Chessmen he helped carve become his only hope of escape and survival.
Two queens, two religions, two visions for the future of the nation. Fleeing to London with a witch hunter on her trail, Alyce discovers her own dark magic and lands herself embroiled in the struggle. Alyce's mother has just been burnt at the stake for practicing witchcraft. With only a thin set of instructions and a witch's mommet for guidance, Alyce must face the world that she's been sealed off from -- a world of fear and superstition. With a witch hunter fast on her trail, she'll need the help of an innkeeper and a boy looking to discover the truth behind his own mother's past. But as her journey continues, another war rages: a hidden war of the supernatural, of the living and the dead. Good and evil are blurred, and nobody's motives can be trusted. And Alyce finds herself thrown unwillingly into the conflict. Struggling to understand her own powers, she is quickly drawn into a web of secret, lies, and dark magic that could change the fate of the world she is just coming to know.This dark, twisty, and thrillingly original debut will leave readers entranced in its suspenseful plot and rich prose.
Mary Queen of Scots: Catholic martyr or manipulative femme fatale On 10 February 1567, conspirators bent on killing Henry, Lord Darnley, King-Consort of Mary Queen of Scots successfully razed his Edinburgh residence at Kirk o' Field in a huge explosion. Soon afterwards, Darnley's partially-clothed body was discovered in a nearby orchard, strangled to death by an unknown assailant. Rumours of Mary's involvement in his murder quickly surfaced. Placards across Edinburgh implied that she had provoked the Earl of Bothwell into killing her husband in a crime of passion. This became more plausible when she tried to avoid having to prosecute him for the murder, and subsequently married him, encouraged by her most senior Protestant nobles. While Mary's motives for the marriage might be explained by her need for his protection, those of the Nobility who had encourage it are confusing. Why would they want a union, which would inevitably place Bothwell, a man they hated, as head of government? Was their motif to associate her in the murder plot? Mary's involvement in Darnley's murder has remained one of the great historical mysteries. Genealogist and author Robert Stedall has spent ten years researching the inter-marriages within Scottish peerage to provide an explanation for their motives in removing Mary from the throne. In this first volume, of his two volume history of Mary and James, he explains in vivid detail the switching allegiances of the nobility, and can reveal for the first time, the gripping true story of Mary's downfall and imprisonment.
In comparison with many who write about contemporary art, Hare is never self indulgent or wilfully obscure – there is no bogus theorising to be found here. From the Foreword by ALEXANDER MOFFAT Alan Davie • Eduardo Paolozzi • William Turnbull • Janet Boulton • Ian Hamilton Finlay • Joan Eardley • Anthony Hatwell • Colquhoun and MacBryde • Boyle Family • Jack Knox • Barbara Rae • Lys Hansen • Joyce Cairns • Doug Cocker • John Kirkwood • Steven Campbell • Ken Currie • Peter Howson • Henry Kondracki • Paul Reid • Iain Robertson • Douglas Gordon This book is a wide-ranging exploration of Scottish art and artists by one of Scotland's leading art historians. Navigating the intricacies of aesthetic debate with attitude and aplomb, Bill Hare examines the historical forces that have shaped Scottish art. His elegant, approachable writings are a treasure-house of informed discourse. Illuminating and perennially relevant, these essays offer stimulating perspectives and nuanced insights into the confluence of passion, mystery and myth that lies at the heart of the best of Scottish art.
Suzanne Weyn brings her trademark mix of history, romance, and the supernatural to the Salem Witch Trials.Elsabeth James has powers she doesn't fully understand. She is descended from midwives, mind readers, and a fortune-teller who was put to death because she foresaw the death of Mary, Queen of Scots. She can hear people's thoughts and sometimes see what they see. She has supernatural gifts, but not evil ones. When Elsabeth sails with her sister, father, and governess to America, however, she does not foresee that their ship will be wrecked in a storm. Alone for the first time in her life, she washes up on a South Carolina plantation, where she falls in love with a boy she meets there and learns magic and healing from an unexpected source. As her powers grow, her stay is cut short, and she is sent as a servant to Salem, Massachusetts. There she accidentally allows an evil spirit to enter the village. When a group of girls start to say they're bewitched and accuse villagers of witchcraft, Elsabeth must find some way to save herself and the boy she loves.
Much more than transgressional entertainment, Irvine Welsh's book Trainspotting and its derivatives is a window into the social mayhem that was everyday life in one of the most deprived areas in 1980s Britain. Thatcherism. Greed. Poverty. Heroin. HIV. Disenfranchised youth. In the back garden of posh, prosperous Edinburgh, Leith had the lot. For 20 years, Bell has interpreted Trainspotting on the streets of Leith for locals, tourists, aficionados and academics. In this book, a critical analysis of Trainspotting – the book, the play, and the film – he splices well-researched erudition with street-level wisdom and lived-experience testimony to tell the story behind the story. This new edition refocuses Trainspotting as a creative chronicle of the early years of the ongoing and uniquely Scottish drug death culture.
'This thrilling, funny, perceptive detective story is in a class of its own.' The Times Children's Book of the Week 'A wittily told detective story about two eccentric and endearing girls - it's a real page-turner.' Jacqueline Wilson Absolutely wonderful! Nina Stibbe Lori wants to be a detective, but so far the most exciting mystery she has solved is the disappearance of her nan's specs down the side of the sofa. Max is the new girl at school and Lori is asked to look after her. Max is odd. She doesn't fit in - but then, Lori realises, she doesn't really fit in either. When some charity money goes missing and Max disappears, Lori seems to be the only person who doesn't think Max has stolen it and run away. Even the police don't want to investigate and suddenly Lori finds she has a real crime on her hands.