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The truths of science are not as attractive as the occasional errors of nature... So says Arthur Watson's new boss. It's winter in Cincinnati, 1834, and Arthur just landed a job at the most sensational museum in town. Living sea dogs, giant snakes, cannibal heads, shocking wax figures, and other curiosities fill its gothic halls. While looking after Enos, an eight-year-old boy born without legs who is the museum's most popular live exhibit, Arthur finds himself confronted with the museum's questionable practices. When he meets the boy's widowed mother, Elizabeth, the two become entangled in the strange world. Elizabeth has steeled herself against everyone to protect a shameful secret. To gain her favor, Arthur must confront those who see Enos merely as a curiosity to bring in the crowds. Together, they discover that their own lives, like the museum, are filled with dark truths and incredible wonders. Sometimes, no matter how hard it is to look, you just can't turn away.
The Museum of Mankind was an innovative and popular showcase for minority cultures from around the non-Western world from 1970 to 1997. This memoir is a critical appreciation of its achievements in the various roles of a national museum, of the personalities of its staff and of the issues raised in the representation of exotic cultures. Issues of changing museum theory and practice are raised in a detailed case-study that also focuses on the social life of the museum community. This is the first history of a remarkable museum and a memorable interlude in the long history of one of the world’s oldest and greatest museums. Although not presented as an academic study, it should be useful for museum and cultural studies as a well as a wider readership interested in the British Museum.
Museums: filled with mysterious, magical art and curiosities? Or secrets? And what might happen if a boy suddenly became part of one of the mind-bending exhibits? Join the fun in Museum Trip, by Barbara Lehman, the author-illustrator of the Caldecott Honor–winning The Red Book.
In this extraordinary narrative and visual collection, twelve stories are crafted out of the imagined lives of actual people. Each story is inspired by an exhibit at the Mütter Museum of the College of Physicians of Philadelphia, a place of "terrible beauty" (Newsweek) that is "gorgeous and repulsive at once" (The New Yorker).
DIVÂ /div When I see a work of art, something happens in my heart! As a little girl tours and twirls through the halls of the art museum, she finds herself on an exciting adventure. Each piece of art evokes something new inside of her: silliness, curiosity, joy, and ultimately inspiration. When confronted with an empty white canvas, she is energized to create and express herself—which is the greatest feeling of all. With exuberant illustrations by Peter H. Reynolds, The Museum playfully captures the many emotions experienced through the power of art, and each child’s unique creative process. UPraise for The Museum/u "Verde and Reynolds deliver a simple premise with a charming payoff... this “twirly-whirly†? homage to a museum is, on balance, a sweet-natured and handsome celebration." —Kirkus Reviews "Debut author Verde makes an engaging case for understanding art as an experience rather than an object." —Publishers Weekly "The rhymed text captures the excitement of a being sparked by art.†? —Booklist "Communicates a fresh, playful, childlike perspective on art and normalizes childlike responses to it. The idea that posing, laughing, and curious questions are all appropriate museum behavior may be a new one for both children and parents, and knowing this is sure to make for more enjoyable museum visits." —School Library Journal "For parents who have trouble communicating the excitement of art to their children, The Museum can serve as the starting point for a conversation. The book is also a wonderful reminder of visual art’s power to encourage and empower self-expression. Children and adults will finish this book excited about their next art experience, and perhaps tempted to dance through the halls of a museum in the near future." —Bookpage "This playful picture book pays tribute to the joyous effect art can have on the viewer." —Shelf-Awareness
Welcome to the tyrannical city of Jewel, where impatience is a sin and boldness is a crime. Goldie Roth has lived in Jewel all her life. Like every child in the city, she wears a silver guardchain and is forced to obey the dreaded Blessed Guardians. She has never done anything by herself and won’t be allowed out on the streets unchained until Separation Day. When Separation Day is canceled, Goldie, who has always been both impatient and bold, runs away, risking not only her own life but also the lives of those she has left behind. In the chaos that follows, she is lured to the mysterious Museum of Dunt, where she meets the boy Toadspit and discovers terrible secrets. Only the cunning mind of a thief can understand the museum’s strange, shifting rooms. Fortunately, Goldie has a talent for thieving. Which is just as well, because the leader of the Blessed Guardians has his own plans for the museum—plans that threaten the lives of everyone Goldie loves. And it will take a daring thief to stop him. . . . Museum of Thieves is a thrilling tale of destiny and danger, and of a courageous girl who has never been allowed to grow up—until now.
Ophelia, a timid eleven-year-old girl grieving her mother, suspends her disbelief in things non-scientific when a boy locked in the museum where her father is working asks her to help him complete an age-old mission.
A young boy learns that art is all around us in this captivating picture book about a day at the museum. We all remember what it was like to be a child in a crowded art museum. It was hard to see, let alone appreciate the art. It got tiring. And there was so much else to look at! That’s the lesson of this ingeniously simple yet profound book about art. It is everywhere—from another visitor’s elaborate tattoos to the way the sun makes patterns of light on the floor. While other visitors are busy trying to find their way through the museum’s galleries, or fighting for room to view a masterpiece, our hero examines the gallery upside down from a bench, plays with his shadow, and makes friends with the custodian. With a wink and a nod to serious museum-goers everywhere, Joanne Liu’s whimsical illustrations remind us that sometimes the best kind of art is the kind you make yourself.
Museums are big buildings filled with the oldest and oddest things from all around the world. Or are they? A girl journeys across the city tod discover that not all museums are old, or odd and that maybe the best museum might be a little closer to home. -- Cover.
A little boy visits an art museum for the first time in this fun, sweet picture book about first experiences and seeing things from new perspectives. Simon is having a great time at the museum with his parents. There are slippery, slidey floors! Pigeons flying around the reflecting pool! And cheesecake in the café! But they’re not really here for any of that. No, Simon has to look at art. And more art. So. Much. Art. There’s so much art that soon Simon needs to take a break and finds somewhere to sit. From his bench, he begins to notice how many different people are visiting the museum and the many different ways they react to the art they see. Some people are alone. Some are in groups. Some people smile. Some shake their heads. Some even shed a tear. And Simon is right in the center of it, watching until he’s inspired to give all the art another try. By the end of the day, he may even find a piece that can rival a slice of cheesecake!