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Rome's Galleria Borghese, home of the Borghese family, influential in the 17th and 19th centuries, now contains some of the greatest pieces of Western art. The home and museum features work by masters such as Raphael, Coanova, Bernini, and Caravaggio. This guidebook leads the reader room by room, describing each work of art along with its symbolism and cultural references. Also included are hundreds of color reproductions and commentary on each piece.
In 1775 Prince Marcantonio Borghese IV and the architect Antonio Asprucci embarked upon a decorative renovation of the Villa Borghese. Initially their attention focused on the Casino, the principal building at the villa, which had always been a semi-public museum. By 1625 it housed much of the Borghese's outstanding collection of sculpture. Integrating this statuary with vast baroque ceiling paintings and richly ornamented surfaces, Asprucci created a dazzling and unified homage to the Borghese family, portraying its legendary ancestors as well as its newly born heir. In this book, Carole Paul reads the inventive decorative program as a set of exemplary scenes for the education of the ideal Borghese prince. Her wide-ranging essay also situates the Villa Borghese among the sumptuous palaces and suburban villas of Rome's collectors of antiquities and outlines the renovated Casino's pivotal role in the historic transition from the princely collection to the public museum. Rounding out this volume is a catalog of the Getty Research Institute's fifty-nine drawings for the refurbishing of the Villa Borghese and Alberta Campitelli's discussion of sketches for the short-lived Museo di Gabii, the Villa's other antiquities museum.
Examines the major paintings and themes of Titian, including an analysis of "Sacred and Profane Love", as well as information about his life and cultural surroundings. -- From product description.
* Picasso's contribution to the revitalization of modern sculpture cannot be underestimated. His work of over fifty years is examined in seven essays and illustrated by more than 50 exhibited works* First published to accompany an exhibition in Rome, at Galleria Borghese that took place in early 2019In 1917 Pablo Picasso traveled to Rome and Naples with Jean Cocteau and Igor Stravinskij. During this trip, for the first time, he could admire directly Hellenistic and Roman sculpture, that of the Renaissance and Baroque eras, but also the Roman frescoes of Pompei. The first exhibition dedicated to Picasso's sculpture to be held in Rome, and its accompanying catalogue, were conceived as a journey through the centuries that chronologically follows the interpretation of forms and different themes - stories and myths, bodies and figures, objects and fragments - in sculpture. The exhibition of masterpieces of the great Spanish master is accompanied by previously unpublished images of his sculpture studios (by Edward Quinn) that narrate the context in which these works were born. The catalogue includes essays that explore the visual and conceptual dialogue between the works of Picasso and works of the past, illustrating and examining over fifty works, some of which have never been exhibited before.
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Profiles the whirlwind life of the famed Italian sculptor who is known for his artistic and architectural contributions to the city of Rome.
Companion to Music in the baroque.
An enchanting exploration of the creative inspiration of the Bloomsbury Set on Kim Jones’s artistic direction of the fashion house Fendi. In September 2020, Kim Jones was named head of Fendi’s couture and womenswear, marking a new era for the Italian brand. This publication examines Jones’s relationship to the legendary Bloomsbury Set: the early twentieth-century community of British writers, intellectuals, and artists, including Virginia Woolf, Duncan Grant, and Vanessa Bell, who inspired the collection and his creative process. Enriched by ethereal photographs by Nikolai von Bismarck, this book spotlights the iconic landmarks of the Bloomsbury Set and Fendi. Beginning with Charleston House, Knole House, and Sissinghurst Castle in England, then traveling to the set of haute couture in Paris, the volume comes full circle at Rome’s Villa Medici and Villa Borghese—where the histories of Fendi and the Bloomsbury Set meet. Diverse photographic methods such as Polaroid, traditional film, and Super-8 film stills bring Jones’s creations to life, as well as reflect the Bloomsbury Set’s experimental techniques, while his eternal muses, including Christy Turlington, Demi Moore, Gwendoline Christie, Kate Moss, and Naomi Campbell, conjure the poetry of the present. With letters, diary entries, and excerpts from Bloomsbury members, this exquisite book will appeal to aficionados of fashion, literature, and photography