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Until recently, Maddy Page's life was pretty routine--morning runs, attending school, and avoiding the spotlight the rest of her family thrives in. But even with all the effort she puts into being unremarkable, someone's noticed. And who wouldn't want to be noticed by MJ? He's handsome, funny, and makes her feel safe--a feeling she's never experienced outside her dreams. MJ is supposed to be on a mundane assignment--save a mortal from a demon on a killing spree. But before he can make contact with his charge, Maddy happens. While every mortal is supposed to have a file as well as a Guardian Angel, she doesn't. She's immune to his compulsions and has abilities mortals shouldn't have. Worse yet, she isn't aware she has them. MJ knows he should focus on his job, but the mysteries surrounding Maddy are frighteningly addictive. And she's in more danger than either of them realizes. With no Guardian and no file, if she dies, neither Heaven nor Hell can claim her soul.
Living decades apart, two women get caught in the web of an infamous serial killer. In 1938, at the height of the Great Depression, a madman hunts his victims through the hobo jungles of Cleveland, terrorizing the city. Ethel Harding, a prostitute struggling to survive both the cold streets and the Torso Killer, takes refuge with a devout missionary sect--only to find that its righteous facade conceals the darkest of secrets. Sixty years later, the police find the butchered body of Alfred Wiley in the woods. But before his daughter, Kris, can even identify the remains, things he never told her begin to surface one by one--a mysterious private eye who'd been tracking him, an eerie website devoted to the unsolved "Torso" murders, missing archives, stolen books, and an abandoned Bible factory harboring vagrants. The more she learns about her father's obsession with the Torso Killer, the more Alfred's death appears to be related, pulling Kris further into Cleveland's hellish past. Living decades apart, Ethel and Kris must unravel the truth behind the city's most notorious serial killer...or die trying.
After September 11, with New Yorkers reeling from the World Trade Center attack, Chief Medical Examiner Charles Hirsch proclaimed that his staff would do more than confirm the identity of the individuals who were killed. They would attempt to identify and return to families every human body part recovered from the site that was larger than a thumbnail. As Jay D. Aronson shows, delivering on that promise proved to be a monumentally difficult task. Only 293 bodies were found intact. The rest would be painstakingly collected in 21,900 bits and pieces scattered throughout the skyscrapers’ debris. This massive effort—the most costly forensic investigation in U.S. history—was intended to provide families conclusive knowledge about the deaths of loved ones. But it was also undertaken to demonstrate that Americans were dramatically different from the terrorists who so callously disregarded the value of human life. Bringing a new perspective to the worst terrorist attack in U.S. history, Who Owns the Dead? tells the story of the recovery, identification, and memorialization of the 2,753 people killed in Manhattan on 9/11. For a host of cultural and political reasons that Aronson unpacks, this process has generated endless debate, from contestation of the commercial redevelopment of the site to lingering controversies over the storage of unclaimed remains at the National 9/11 Memorial and Museum. The memory of the victims has also been used to justify military activities in the Middle East that have led to the deaths of an untold number of innocent civilians.
Esteemed photographer David Maisel has created a somber and beautiful series of images depicting canisters containing the cremated remains of the unclaimed dead from an Oregon psychiatric hospital. Dating back as far as the nineteenth century, these canisters have undergone chemical reactions, causing extravagant blooms of brilliant white, green, and blue corrosion, revealing unexpected beauty in the most unlikely of places. This stately volume is both a quietly astonishing body of fine art from a preeminent contemporary photographer, and an exceptionally poignant monument to the unknown deceased.
Her afterword serves as a decisive intervention in the ongoing discussions in and about the field.
Drew Williams's The Stars Now Unclaimed, the first volume of The Universe After series, is a fun, adventure-filled space opera set in a far-future galaxy. "The only thing more fun than a bonkers space battle is a whole book packed with bonkers space battles. Come for the exploding spaceships, stay for the intriguing universe."—Becky Chambers, author of A Long Way to a Small, Angry Planet Jane Kamali is an agent for the Justified. Her mission: to recruit children with miraculous gifts in the hope that they might prevent the Pulse from once again sending countless worlds back to the dark ages. Hot on her trail is the Pax--a collection of fascist zealots who believe they are the rightful rulers of the galaxy and who remain untouched by the Pulse. Now Jane, a handful of comrades from her past, and a telekinetic girl called Esa must fight their way through a galaxy full of dangerous conflicts, remnants of ancient technology, and other hidden dangers. And that's just the beginning . . . At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
A sweeping and suspenseful tale of secrets, intrigue, and lovers separated by time, all connected through the mystical qualities of a perfume created in the days of Cleopatra--and lost for 2,000 years.
A look inside the world of forensics examines the use of human cadavers in a wide range of endeavors, including research into new surgical procedures, space exploration, and a Tennessee human decay research facility.
A darkly comic foray into the world of men and women who fake their own deaths, the consultants who help them disappear, and the private investigators who’ll stop at nothing to bring them back to life. “A delightful read for anyone tantalized by the prospect of disappearing without a trace.” —Erik Larson, New York Times bestselling author of Dead Wake “Delivers all the lo-fi spy shenanigans and caught-red-handed schadenfreude you’re hoping for.” —NPR “A lively romp.” —The Boston Globe “Grim fun.” —The New York Times “Brilliant topic, absorbing book.” —The Seattle Times “The most literally escapist summer read you could hope for.” —The Paris Review Is it still possible to fake your own death in the twenty-first century? With six figures of student loan debt, Elizabeth Greenwood was tempted to find out. So off she sets on a darkly comic foray into the world of death fraud, where for $30,000 a consultant can make you disappear—but your suspicious insurance company might hire a private detective to dig up your coffin...only to find it filled with rocks. Greenwood tracks down a British man who staged a kayaking accident and then returned to live in his own house while all his neighbors thought he was dead. She takes a call from Michael Jackson (no, he’s not dead—or so her new acquaintances would have her believe), stalks message boards for people contemplating pseudocide, and gathers intel on black market morgues in the Philippines, where she may or may not obtain some fraudulent goodies of her own. Along the way, she learns that love is a much less common motive than money, and that making your death look like a drowning virtually guarantees that you’ll be caught. (Disappearing while hiking, however, is a way great to go.) Playing Dead is a charmingly bizarre investigation in the vein of Jon Ronson and Mary Roach into our all-too-human desire to escape from the lives we lead, and the men and women desperate enough to give up their lives—and their families—to start again.