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The urban classic coming-of-age story about sex, drugs, and basketball Jim Carroll grew up to become a renowned poet and punk rocker. But in this memoir of the mid-1960s, set during his coming-of-age from 12 to 15, he was a rebellious teenager making a place and a name for himself on the unforgiving streets of New York City. During these years, he chronicled his experiences, and the result is a diary of unparalleled candor that conveys his alternately hilarious and terrifying teenage existence. Here is Carroll prowling New York City--playing basketball, hustling, stealing, getting high, getting hooked, and searching for something pure. The Basketball Diaries was the basis for the film of the same name starring Leonardo DiCaprio. "I met him in 1970, and already he was pretty much universally recognized as the best poet of his generation. . . . The work was sophisticated and elegant. He had beauty." -- Patti Smith
It's all out war with the Knightleigh family, and Edgar and Ellen are rapidly losing ground. But then everyone's attention is diverted by the ghostly hand of fortune: Augustus Nod has launched a treasure hunt from beyond the grave. Suggested level: primary, intermediate.
"The first vampires remember their first nights, but do not speak of them. Others have heard tales, but know better than to believe them. The wise speak of The Book of Nod, but none have seen this fabled book of ancient lore. These are their tales... Their stories begin with the Chronicle of Caine and the earliest nights of the vampire. The Chronicle of Shadow reveals Caine's hidden teachings. Finally, the Chronicle of Secrets unveils the deepest mysteries of the Damned, including the coming dread of Gehenna. The Book of Nod is a collection of mythic texts for use in the Vampire : T he Masquerade Roleplaying Game. Presented as an epic poem, the Book of Nod is an in - game resource, viewed as sacred by Noddist scholars and most vampire elders, especially of the Sabbat. Rather than a book of game mechanics, this book can be used as a prop and for lore, as it outlines the genesis of vampires with the mythology of Caine."--Amazon.com
Carroll, a diarist and rock performer, is best known for his coming-of-age memoir The Basketball Diaries, which became an instant classic when it was first published in 1978 and then a national bestseller when a film version of the book was released in 1995. Carroll initially made his reputation as a poet, and has won acclaim and comparisons to everyone from Rimbaud to Frank O’Hara for his delicate yet hallucinatory imagery. This volume of poetry collects selections from Jim Carroll’s Living at the Movies, which was published in 1973 when he was twenty-two, and The Book of Nods, released in 1986. Fear of Dreaming also includes pieces previously unpublished in book form, including “Curtis’s Charm,” a vignette set in New York City’s Central Park about a man convinced he is a victim of black magic, and poetic tributes to Robert Mapplethorpe and Ted Berrigan. “His poems’ urgent, obsessive metaphors pose tensely against their cool, streetwise surface voice, charging them with an electricity that’s at once disturbing, sexual, religious, and psychological.”—Tom Clark, San Francisco Chronicle Book Review
In 1973, at the age of twenty-three, Jim Carroll burst upon the poetry scene with his first collection, Living at the Movies, a book of vivid and inventive verse that won him comparisons to everyone from Arthur Rimbaud to Frank O'Hara. Carroll's first new book of poetry in more than a decade, Void of Course presents work composed over the last two years. His major themes--love, friendship, desire, time and memory, and, above all, the ever-present city--emerge in an atmosphere where dream and reality mingle on equal terms. These seventy-seven poems range from graphic, sensuous shorter pieces to edgy stream-of-consciousness prose poems to longer, more contemplative works such as "While She's Gone," an eerie tour de force of longing over a departed lover. Void of Course establishes that Carroll's power and purity of vision are stronger than ever.
Presents poetry by Nathaniel Mackey.
From the Author of The Basketball Diaries Originally released in 1973, Living at the Movies was the first aboveground publication of the work of Jim Carroll, a singer-songwriter Newsweek called “contender for the title of rock’s new poet laureate.” In these poems, all written before the age of twenty-two, Carroll shows an uncanny virtuosity. His power and poisoned purity of vision are reminiscent of Arthur Rimbaud, and, like the strongest poets of the New York School, Carroll transforms the everyday details of city life into poetry. In language at once delicate, hallucinatory, and menacing, his major themes—love, friendship, the exquisite pains and pleasures of drugs, and above all, the ever-present city—emerge in an atmosphere where dream and reality mingle on equal terms. It is an astonishing debut by an important American writer and artist. “Jim Carroll has the sure confidence of a true artist. . . . He is steeped in his craft. He has worked as only a man of inspiration is capable of working. . . . His beginning is a triumph.”—Gerard Malanga, Poetry
Nod Away is set on a near-future version of earth. A deep space transport has been developed to take a small crew to an earth-like, habitable planet in a nearby system in an attempt to begin colonization/repopulation. The internet is now telepathic and referred to as the “innernet.” When the hub is revealed to be a human child, Melody McCabe is hired to develop the new nexus on the second International Space Station. Working within the structure of sci-fi, Nod Away moves back and forth between physical and psychological worlds, utilizing traditional and abstract storytelling styles to explore what consciousness could be, where it could possibly be located, and what function or point it might serve.
“I didn't feel like I was reading this novel—I felt like I was living it.” —Ann Patchett, author of The Dutch House From award-winning author Asali Solomon, The Days of Afrekete is a tender, surprising novel of two women at midlife who rediscover themselves—and perhaps each other, inspired by Mrs. Dalloway, Sula, and Audre Lorde's Zami Liselle Belmont is having a dinner party. It seems a strange occasion—her husband, Winn, has lost his bid for the state legislature—but what better way to thank key supporters than a feast? Liselle was never sure about her husband becoming a politician, never sure about the limelight, never sure about the life of fundraising and stump speeches. Then an FBI agent calls to warn her that Winn might be facing corruption charges. An avalanche of questions tumbles around her: Is it possible he’s guilty? Who are they to each other; who have they become? How much of herself has she lost—and was it worth it? And just this minute, how will she make it through this dinner party? Across town, Selena Octave is making her way through the same day, the same way she always does—one foot in front of the other, keeping quiet and focused, trying not to see the terrors all around her. Homelessness, starving children, the very living horrors of history that made America possible: these and other thoughts have made it difficult for her to live an easy life. The only time she was ever really happy was with Liselle, back in college. But they’ve lost touch, so much so that when they ran into each other at a drugstore just after Obama was elected president, they barely spoke. But as the day wears on, memories of Liselle begin to shift Selena’s path. Inspired by Mrs. Dalloway and Sula, as well as Audre Lorde’s Zami, Asali Solomon’s The Days of Afrekete is a deft, expertly layered, naturally funny, and deeply human examination of two women coming back to themselves at midlife. It is a watchful celebration of our choices and where they take us, the people who change us, and how we can reimagine ourselves even when our lives seem set.