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'Truly a slice of magic and a work of imaginative genius.' Starburst A mind-bending mystery spanning continents and centuries for all fans of Neal Stephenson and David Mitchell. 'A witty and weird tale with shades of both Philip K Dick, and Kieron Gillen/Jamie McKelvie's comic The Wicked + The Divine.' SFX 'An experience that is both absorbing and emotional' SciFi Now My obsession begins in the magical year 1967, at Luce and the Photons' legendary last secret gig. That night changes my life: I must know who Luce is. But the deeper I dig, the more questions I turn up. Is Luce a rock star or a pretender? An artist or an acid trip? My redemption . . . or my delusion? Drawn into the machinations of mysterious powers, I become the dark shadow who follows the light of Luce. But who follows me? Are they agents of evil or figments of my imagination? And do they follow me still? The quest for Luce will lead me to the farthest corners of the earth and into the deadliest danger. I will lose everything and everyone I love . . . except for Luce. Who is pawn and who is player? Murderer or victim? Betrayer or saviour? I am the only one who knows the truth. This is the truth. This is The Book of Luce.
Reproduction of the original: Pierre and Luce by Romain Rolland
In this remarkable tale of hope and survival, Hannah Luce tells how, as the sole survivor of a terrible plane crash, she came to grips with her faith: “a calamitous, fascinating memoir, written with surprising spiritual sophistication” (Publishers Weekly, starred review). On May 11, 2012, a small plane carrying five young adults, en route to a Christian youth rally, crashed in a Kansas field, skidding 200 yards before hitting a tree and bursting into flames. Only two survived the crash: ex-marine Austin Anderson, who would die the next morning from extensive burns, and his friend Hannah Luce, the daughter of Teen Mania founder and influential youth minister Ron Luce. This is Hannah’s story. In Fields of Grace, Hannah details the investigation of her faith, her coming-of-age as the dutiful daughter of Evangelical royalty, her decision to join her father’s ministry outreach to teens, and her miraculous survival and recovery following the accident. It also serves as a tribute and testament to the lives of the dear friends who perished in the catastrophic plane crash and reveals how their memory continues to inspire all that she does. Here is the “riveting personal account” (Booklist) of a girl who grew up as the daughter of one of the most influential evangelical leaders of our time, who questioned her early religious convictions somewhere along the way and who, from the embers of that doomed plane ride, finally found her faith.
Chiara Luce, a girl full of vitality, but, suddenly, she fell gravely ill. And, strangely, moment by moment, a new life full of light began to unfold for her. She was eighteen when she died, yet she had lived to the full. Thanks to a collection of her writings, a biography and a video, and through her friends, the local bishop and the Gen, Chiara Luce’s life continues to inspire people. Each generation has its stories of heroism and holiness, which then become models for those coming after them. and yet these young people who have gone to the next life were not aloof or idealized; they have not become “icons”, to use the current terminology. They were just going on ahead of the others to another place, where they all eventually hope to meet up again. This is the story of the life of Chiara Luce Badano, a life lived to the full.
When a teacher makes an alarming discovery about Luce, an all-star high school student, Luce's parents are forced to reckon with their idealized image of their son, adopted years ago from a war-torn African country. --Page 4 of cover.
Every winter, a young girl flies to Haiti to visit her Auntie Luce, a painter. The moment she steps off the plane, she feels a wall of heat, and familiar sights soon follow — the boys selling water ice by the pink cathedral, the tap tap buses in the busy streets, the fog and steep winding road to her aunt’s home in the mountains. The girl has always loved Auntie Luce’s paintings — the houses tucked into the hillside, colorful fishing boats by the water, heroes who fought for and won the country’s independence. Through Haiti’s colors, the girl comes to understand this place her family calls home. And when the moment finally comes to have her own portrait painted for the first time, she begins to see herself in a new way, tracing her own history and identity through her aunt’s brush. Includes an author’s note and a glossary.
A devoted fascist changes her mind and her life after witnessing the horrors of the Holocaust First published in Italy in 1979, Luce D’Eramo’s Deviation is a seminal work in Holocaust literature. It is a book that not only confronts evil head-on but expands that confrontation into a complex and intricately structured work of fiction, which has claims to standing among the greatest Italian novels of the twentieth century. Lucia is a young Italian girl from a bourgeois fascist family. In the early 1940s, when she first hears about the atrocities being perpetrated in the Nazi concentration camps, she is doubtful and confused, unable to reconcile such stories with the ideology in which she’s been raised. Wanting to disprove these “slanders” on Hitler’s Reich, she decides to see for herself, running away from home and heading for Germany, where she intends to volunteer as camp labor. The journey is a harrowing, surreal descent into hell, which finds Lucia confronting the stark and brutal realities of life under Nazi rule, a life in which continual violence and fear are simply the norm. Soon it becomes clear that she must get away, but how can she possibly go back to her old life knowing what she now knows? Besides, getting out may not be as simple as getting in. Finally available in English translation, Deviation is at once a personal testament, a work of the imagination, an investigation into the limits of memory, a warning to future generations, and a visceral scream at the horrors of the world.
"A solid account of Luce's life and legacy... A concise, readable volume." -- Journalism Quarterly
All around us, under most of humanity's very noses, lurks a dangerous alien race. The Nafikh inhabit human bodies while visiting Earth, and an underground system designed to disguise and protect them from being discovered allows them to indulge their wildest and often violent urges. The circumstances of these brutal visits require the sacrifice of servs. Servs are aliens themselves, created by the Nafikh to attend to their every need. Physically indistinguishable from humans, they are destined to live in pain, their very livelihood regulated by the Source, a powerful force of energy inside each of them that burns like a white-hot fire under the stress of their servitude. Lucy is a serv who arrived a baby, and by chance was adopted by humans. She's an outcast among outcasts, dwelling in both worlds but belonging to neither. For years she has been walking a tightrope, balancing between the horrors of her serv existence and the ordinary human life she desperately longs to maintain, her family unaware of her darkest secrets. But when the body of a serv child turns up and Lucy is implicated in the gruesome death, the worlds she's tried so hard to keep separate collide. Hounded by the police, targeted in the dog-eat-dog world of servs, she'll find herself fighting to protect her family and the life she's made for herself. Skinner Luce is Lucy's story.
Acclaimed historian Alan Brinkley gives us a sharply realized portrait of Henry Luce, arguably the most important publisher of the twentieth century. As the founder of Time, Fortune, and Life magazines, Luce changed the way we consume news and the way we understand our world. Born the son of missionaries, Henry Luce spent his childhood in rural China, yet he glimpsed a milieu of power altogether different at Hotchkiss and later at Yale. While working at a Baltimore newspaper, he and Brit Hadden conceived the idea of Time: a “news-magazine” that would condense the week’s events in a format accessible to increasingly busy members of the middle class. They launched it in 1923, and young Luce quickly became a publishing titan. In 1936, after Time’s unexpected success—and Hadden’s early death—Luce published the first issue of Life, to which millions soon subscribed. Brinkley shows how Luce reinvented the magazine industry in just a decade. The appeal of Life seemingly cut across the lines of race, class, and gender. Luce himself wielded influence hitherto unknown among journalists. By the early 1940s, he had come to see his magazines as vehicles to advocate for America’s involvement in the escalating international crisis, in the process popularizing the phrase “World War II.” In spite of Luce’s great success, happiness eluded him. His second marriage—to the glamorous playwright, politician, and diplomat Clare Boothe—was a shambles. Luce spent his later years in isolation, consumed at times with conspiracy theories and peculiar vendettas. The Publisher tells a great American story of spectacular achievement—yet it never loses sight of the public and private costs at which that achievement came.