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Cranford is one of the better-known novels of the 19th-century English writer Elizabeth Gaskell. It was first published, irregularly, in eight instalments, between December 1851 and May 1853, in the magazine Household Words, which was edited by Charles Dickens. It was then published, with minor revision, in book form in 1853.The first instalment (in Household Words), which became the novel's first two chapters, was originally published "as a self-contained sketch", and the "irregular way" the further seven instalments were published suggests that it took Mrs Gaskell time to think of making this into a book.She was during this period busy writing the three volume novel Ruth, which was published January 1853.Cranford has been described as "practically structurelesss", and given the irregular nature of how it was first published, it is not surprising that it lacks unity.A. W. Ward describes the novel, as a "brief series of sketches, strung together with easy grace".The small country town of Cranford corresponds to Knutsford, Cheshire, where Elizabeth Gaskell had spent much of her childhood and where she returned after she married. However, the story's narrator comes from the nearby industrial city of Drumble, which corresponds to Manchester, where the author lived when writing the novel.There is no real plot, but rather a collection of satirical sketches, which sympathetically portray changing small town customs and values in mid Victorian England.[9] Harkening back to memories of her childhood in the small Cheshire town of Knutsford, Cranford is Elizabeth Gaskell's affectionate portrait of people and customs that were already becoming anachronisms............... Elizabeth Cleghorn Gaskell, (née Stevenson, 29 September 1810 - 12 November 1865), often referred to as Mrs Gaskell, was an English novelist and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor, and are of interest to social historians as well as lovers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography about Brontë. Some of Gaskell's best known novels are Cranford (1851-53), North and South (1854-55), and Wives and Daughters (1865).Gaskell was born Elizabeth Cleghorn Stevenson on 29 September 1810 at 93 Cheyne Walk, Chelsea. She was the youngest of eight children; only she and her brother John survived infancy. Her father, William Stevenson, was a Scottish Unitarian minister at Failsworth, Lancashire, but resigned his orders on conscientious grounds and moved to London in 1806 with the intention of going to India after he was appointed private secretary to the Earl of Lauderdale, who was to become Governor General of India. That position did not materialise, however, and instead Stevenson was nominated Keeper of the Treasury Records. His wife, Elizabeth Holland, came from a family from the English Midlands that was connected with other prominent Unitarian families, including the Wedgwoods, the Martineaus, the Turners and the Darwins. When she died 13 months after giving birth to her youngest daughter, [1] she left a bewildered husband who saw no alternative for Elizabeth but to be sent to live with her mother's sister, Hannah Lumb, in Knutsford, Cheshire. While she was growing up Elizabeth's future was uncertain, as she had no personal wealth and no firm home, though she was a permanent guest at her aunt and grandparents' house. Her father married Catherine Thomson in 1814 and they had a son, William (born 1815), and a daughter, Catherine (born 1816). Although Elizabeth spent several years without seeing her father and his new family, her older brother John often visited her in Knutsford. John was destined for the Royal Navy from an early age, like his grandfathers and uncles, but he had no entry and had to join the Merchant Navy with the East India Company's fleet.....
Tracing the publishing history of Elizabeth Gaskell's Cranford from its initial 1851-53 serialization in Dickens's Household Words through its numerous editions and adaptations, Thomas Recchio focuses especially on how the text has been deployed to support ideas related to nation and national identity. Recchio maps Cranford's nineteenth-century reception in Britain and the United States through illustrated editions in England dating from 1864 and their subsequent re-publication in the United States, US school editions in the first two decades of the twentieth century, dramatic adaptations from 1899 to 2007, and Anglo-American literary criticism in the latter half of the twentieth century. Making extensive use of primary materials, Recchio considers Cranford within the context of the Victorian periodical press, contemporary reviews, theories of text and word relationships in illustrated books, community theater, and digital media. In addition to being a detailed publishing history that emphasizes the material forms of the book and its adaptations, Recchio's book is a narrative of Cranford's evolution from an auto-ethnography of a receding mid-Victorian English way of life to a novel that was deployed as a maternal model to define an American sensibility for early twentieth-century Mediterranean and Eastern European immigrants. While focusing on one novel, Recchio offers a convincing micro-history of the way English literature was positioned in England and the United States to support an Anglo-centric cultural project, to resist the emergence of multicultural societies, and to ensure an unchanging notion of a stable English culture on both sides of the Atlantic.
Cranford is one of the better-known novels of the 19th-century English writer Elizabeth Gaskell. It was first published, irregularly, in eight instalments, between December 1851 and May 1853, in the magazine Household Words, which was edited by Charles Dickens. It was then published, with minor revision, in book form in 1853
Contains six of her finest stories that have been selected to demonstrate the variety and accomplishment of her shorter fiction, and to trace the development of her art.
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Volume 44 features synopses of notable works-from The Abb Constantin by Ludovic Halvy to Wuthering Heights by Emily Bront-including many not previously referenced in the set but highlighted as well worth a serious reader's time and attention.
Uncovers the origins of midlife anxiety in Victorian print culture.