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Originally presented as the author's thesis (doctoral)--University of Michigan, 2007.
In this commentary on the book of Amos, Daniel Carroll combines a detailed reading of the Hebrew text with attention to its historical background and current relevance. What makes this volume unique is its special attention to Amos’s literary features and what they reveal about the book’s theology and composition. Instead of reconstructing a hypothetical redactional history, this commentary offers a close reading of the canonical form against the backdrop of the eighth century BCE.
Hauptbeschreibung Recent developments in the study of ancient Near Eastern prophecy, as well as new archaeological models of the development of ancient Judah and Israel, have significant implications for biblical prophetic literature. Jason Radine proposes a reassessment of the book of Amos in light of these developments. In comparison with the evidence for prophecy in the ancient Near East (including ancient Israel), biblical prophetic literature stands out as a distinctly different phenomenon. The author proposes that the book of Amos is not a work of ""prophecy"" as the phenomenon is.
Many studies of the prophetic books assume that a text's addressee and audience are one and the same. Sometimes this is the case, but some prophetic texts feature multiple addressees who cannot be collapsed into a single setting. In this book Andrew R. Davis examines examples of multiple addressees within the book of Amos and argues that they force us to expand our understanding of prophetic audiences. Drawing insight from studies of poetic address in other disciplines, Davis distinguishes between the addressee within the text and the actual audience outside the text. He combines in-depth poetic analysis with historical inquiry and shows the ways that the prophetic discourse of the book of Amos is triangulated among multiple audiences.
INTERNATIONAL BESTSELLER and winner of the International Literature Prize. At once an exquisite love story and a coming-of-age novel, an allegory for the state of Israel and for the biblical tale from which it draws its title, Judas is one of Amos Oz’s most powerful novels. Jerusalem, 1959. Shmuel Ash, a biblical scholar, is adrift in his young life when he finds work as a caregiver for a brilliant but cantankerous old man named Gershom Wald. There is, however, a third, mysterious presence in his new home. Atalia Abravanel, the daughter of a deceased Zionist leader, a beautiful woman in her forties, entrances young Shmuel even as she keeps him at a distance. Piece by piece, the old Jerusalem stone house, haunted by tragic history and now home to the three misfits and their intricate relationship, reveals its secrets. “[A] magnificent novel . . . Oz pitches the book’s heartbreak and humanism perfectly from first page to last.”—New York Times Book Review “Scintillating . . . An old-fashioned novel of ideas that is strikingly and compellingly modern.”—Observer “Oz has written one of the most triumphant novels of his career.”—Forward “A [big] beautiful novel . . . Funny, wise, and provoking.”—Times (UK)
This volume explores the themes of theodicy and hope in both individual portions of the Twelve (books and sub-sections) and in the Book of the Twelve as a whole, as the contributors use a diversity of approaches to the text(s) with a particular interest in synchronic perspectives. While these essays regularly engage the mostly redactional scholarship surrounding the Book of Twelve, there is also an examination of various forms of literary analysis of final text forms, and engagement in descriptions of the thematic and theological perspectives of the individual books and of the collection as a whole. The synchronic work in these essays is thus in regular conversation with diachronic research, and as a general rule they take various conclusions of redactional research as a point of departure. The specific themes, theodicy and hope, are key ideas that have provided the opportunity for contributors to explore individual books or sub-sections within the Twelve, and the overarching development (in both historical and literary terms) and deployment of these themes in the collection.
The formation of the Book of the Twelve is one of the most vigorously debated subjects in Old Testament studies today. This volume assembles twenty-four essays by the world’s leading experts, providing an overview of the present state of scholarship in the field. The book’s contributors focus on questions of method, history, as well as redactional and textual history.
This study guide to Amos is divided into three parts. The first sets out to describe the genre, style, shape and aim of the text, along with its leading ideas, with the help of recent scholarship on the Hebrew Bible in general and the prophets in particular. Special note is taken of the many images of violence in Amos, along with its denunciations of injustice, and its overwhelming emphasis on the ineluctable destruction awaiting Israel. The second part sets the book in its historical and social context, with particular focus on the social context of the injustices denounced by Amos. Houston also provides an overview of the various proposals made in the last 50 years for how the book has assumed its present shape. The final part outlines the ways in which the book has been read over the centuries, with an emphasis on the modern period, in which it has become a rallying call for those concerned with injustice in their own world.
Although many scholars recognize literary similarities between Hosea, Amos, Micah, and Zephaniah, defining the compositional relationship between these texts remains a matter of debate. Following the scholarly trajectory of exploring the compositional relationship between the Twelve prophets, several scholars argue that these four prophetic texts formed a precursory collection to the Book of the Twelve. Yet even among advocates for this ‘Book of the Four’ there remain differences in defining the form and function of the collection. By reexamining the literary parallels between these texts, Werse shows how different methodological convictions have led to the diverse composition models in the field today. Through careful consideration of emerging insights in the study of deuteronomism and scribalism, Werse provides an innovative composition model explaining how these four texts came to function as a collection in the wake of the traumatic destruction of Jerusalem. This volume explores a historic function of these prophetic voices by examining the editorial process that drew them together.