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Please Read To Me features the poem of the same name by Pam Leo, a family literacy activist. Seven Maine illustrators have contributed their work to the book. It is a board book for children.
Poets from Shakespeare to Walter de la Mare to Jack Prelutsky have written about fairy folk. Sometimes they canbe benefactors and helpers; ofttimes, tricksters; but always, creatures of sublime beauty and wonder. Here, in a sparkling collection, are Michael Hague's favorite fairy poems, illuminated by pictures from this master painter of fantasy. His fanciful artwork has never looked more otherworldly or beautiful.
Cyan is a bubbly five year old who lives in Cape Town. She longs to have her own bookshelf full of books about magic, fairies, wizards and dragons despite what Tayden, her best friend thinks. Readers are invited to follow Cyan in this delightfully illustrated adventure which leads to a mysterious magical encounter.
Don’t be fooled by Tinkerbell and her pixie dust—the real fairies were dangerous. In the late seventeenth century, they could still scare people to death. Little wonder, as they were thought to be descended from the Fallen Angels and to have the power to destroy the world itself. Despite their modern image as gauzy playmates, fairies caused ordinary people to flee their homes out of fear, to revere fairy trees and paths, and to abuse or even kill infants or adults held to be fairy changelings. Such beliefs, along with some remarkably detailed sightings, lingered on in places well into the twentieth century. Often associated with witchcraft and black magic, fairies were also closely involved with reports of ghosts and poltergeists. In literature and art, the fairies still retained this edge of danger. From the wild magic of A Midsummer Night’s Dream, through the dark glamour of Keats, Christina Rosetti’s improbably erotic poem “Goblin Market,” or the paintings inspired by opium dreams, the amoral otherness of the fairies ran side-by-side with the newly delicate or feminized creations of the Victorian world. In the past thirty years, the enduring link between fairies and nature has been robustly exploited by eco-warriors and conservationists, from Ireland to Iceland. As changeable as changelings themselves, fairies have transformed over time like no other supernatural beings. And in this book, Richard Sugg tells the story of how the fairies went from terror to Tink.
20 delightful tales from Germany, China, France, Wales, England, Japan, and other lands tell of fearsome dragons as well as a few that are friendly — and even loving.
Accounts of elfin mounds and fairy hills abound here. So do fables of little men and treasures of gold, fairy servants, and spirits of water, forest, and meadow. Nearly 50 charming fairy tales and fantasies — gathered from Scotland, Ireland, Sweden, China, and other faraway places — are retold here. For ages 10 and up.
"A metaphysical encyclopedia of more than three hundred crystals, minerals, and gemstones, detailing their applications for self-healing and spiritual and emotional development, along with vivid color photographs of each stone"--Provided by publisher.
November 2012 saw the joint annual conference of the British branch of the International Board on Books for Young People (IBBY UK) and the MA course at the National Centre for Research in Children’s Literature (NCRCL) at Roehampton University. The theme of the conference was the investigation of aspects of literature for children that were ‘Beyond the Book’. From woodcuts to e-books, children’s literature has always lent itself to reinterpretation and expansion. In its early days, this was achieved through different forms of retelling, through illustration and interactive illustration (pop-ups and flaps), and then through music, film, television and stage adaptation. The contributors to the 2012 conference explored the variety of means by which we transform literature intended for children, and celebrated the vibrant world of creativity that has sought, and continues to seek, different ways in which to engage young readers. Bridget Carrington and Jennifer Harding have previously collaborated as the editors of earlier IBBY UK/NCRCL MA conference proceedings: Going Graphic: Comics and Graphic Novels for Young People; Conflicts and Controversies: Challenging Children’s Literature; and It Doesn’t Have to Rhyme: Children and Poetry (Pied Piper Publishing, 2010, 2011, 2012).