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Excerpt from The Bomb, 1931 The first President of the Board of Visitors, Colonel Crozet, served in Napoleon's Army in the retreat from Moscow, received a commission, and was decorated for bravery by the famous general. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Excerpt from The Bomb General Brooke married Miss Lucy Thomas, of Duxbury, Massa chusetts, a beauty, whose face framed in a window of some house in Boston, had attracted the attention of the general as he passed along the street. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
We live in a world at risk. Dire predictions about our future or the demise of planet earth persist. Even fictional representations depict narratives of decay and the end of a commonly shared social reality. Along with recurring Hollywood blockbusters that imagine the end of the world, there has been a new wave of zombie features as well as independent films that offer various visions of the future. The Apocalypse in Film: Dystopias, Disasters, and Other Visions about the End of the World offers an overview of Armageddon in film from the silent era to the present. This collection of essays discusses how such films reflect social anxieties—ones that are linked to economic, ecological, and cultural factors. Featuring a broad spectrum of international scholars specializing in different historical genres and methodologies, these essays look at a number of films, including the silent classic The Four Horsemen of the Apocalypse, the black comedy Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb, the Mayan calendar disaster epic, 2012, and in particular, Lars Von Trier’s Melancholia, the focus of several essays. As some filmmakers translate the anxiety about a changing global climate and geo-political relations into visions of the apocalypse, others articulate worries about the planet’s future by depicting chemical warfare, environmental disasters, or human made destruction. This book analyzes the emergence of apocalyptic and dystopic narratives and explores the political and social situations on which these films are based. Contributing to the dialogue on dystopic culture in war and peace, The Apocalypse in Film will be of interest to scholars in film and media studies, border studies, gender studies, sociology, and political science.
Excerpt from Fruits, Trees and Flowers: Fall 1931 Crown. Wide center or crown petals with narrower, shorter petals forming a collar or ring. Between them and the guards. The crown petals are not always prominent. Bomb. Center petals of uniform width but narrower than the guards and forming a globe within the guards. Semi-rose. Flowers that would be classed as rose but for an occasional pollen bearing stamen. Rose. Perfectly full, all petals wide, no stamens. The cen ter petals may not be as wide as the guards but if quite dis tinct it would be a bomb. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Gruhl's narrative makes clear why Japan's World War II aggression still touches deep emotions with East Asians and Western ex-prisoners of war, and why there is justifiable sensitivity to the way modern Japan has dealt with this legacy. Knowledge of the enormity of Japan's total war is also necessary to assess the United States' and her allies' policies toward Japan, and their reactions to its actions, extending from Manchuria in 1931 to Hiroshima in 1945. Gruhl takes the view that World War II started in 1931 when Japan, crowded and poor in raw materials but with a sense of military invincibility, saw empire as her salvation and invaded China. Japan's imperial regime had volatile ambitions but limited resources, thus encouraging them to unleash a particularly brutal offensive against the peoples of Asia and surrounding ocean islands. Their 1931 to 1945 invasions and policies further added to Asia's pre-war woes, particularly in China, by badly disrupting marginal economies, leading to famines and epidemics. Altogether, the victims of Japan's World War Two aggression took many forms and were massive in number. Gruhl offers a survey and synthesis of the historical literature and documentation, statistical data, as well as personal interviews and first-hand accounts to provide a comprehensive overview analysis. The sequence of diplomatic and military events leading to Pearl Harbor, as well as those leading to the U.S. decision to drop the atom bomb, are explored here as well as Japan's war crimes and postwar revisionist/apologist views regarding them. This book will be of intense interest to Asian specialists, and those concerned with human rights issues in a historical context.
A searing and highly original analysis of the First World War and its anguished aftermath—from the prizewinning economist and author of Shutdown, Crashed and The Wages of Destruction Winner of the Los Angeles Times Book Prize - History Finalist for the Kirkus Prize - Nonfiction In the depths of the Great War, with millions dead and no imaginable end to the conflict, societies around the world began to buckle. The heart of the financial system shifted from London to New York. The infinite demands for men and matériel reached into countries far from the front. The strain of the war ravaged all economic and political assumptions, bringing unheard-of changes in the social and industrialorder. A century after the outbreak of fighting, Adam Tooze revisits this seismic moment in history, challenging the existing narrative of the war, its peace, and its aftereffects. From the day the United States enters the war in 1917 to the precipice of global financial ruin, Tooze delineates the world remade by American economic and military power. Tracing the ways in which countries came to terms with America’s centrality—including the slide into fascism—The Deluge is a chilling work of great originality that will fundamentally change how we view the legacy of World War I.
This book explores the reactions to the Manchurian crisis of different sections of the state, and of a number of different groups in Japanese society, particularly rural groups, women's organizations and business associations. It thus seeks to avoid a generalized account of public relations to the military and diplomatic events of the early 1930s, offering instead a nuanced account of the shifts in public and popular opinion in this crucial period.
Everyone has heard of George Balanchine. Few outside Russia know of Leonid Yakobson, Balanchine's contemporary, who remained in Lenin's Russia and survived censorship during the darkest days of Stalin. Like Shostakovich, Yakobson suffered for his art and yet managed to create a singular body of revolutionary dances that spoke to the Soviet condition. His work was often considered so culturally explosive that it was described as like a bomb going off.” Based on untapped archival collections of photographs, films, and writings about Yakobson's work in Moscow and St. Petersburg for the Bolshoi and Kirov ballets, as well as interviews with former dancers, family, and audience members, this illuminating and beautifully written biography brings to life a hidden history of artistic resistance in the USSR through this brave artist, who struggled against officially sanctioned anti-Semitism while offering a vista of hope.