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Muhammad's Body introduces questions of embodiment and materiality to the study of the Prophet Muhammad. Analyzing classical Muslim literary representations of Muhammad's body as they emerge in Sunni hadith and sira from the eighth through the eleventh centuries CE, Michael Muhammad Knight argues that early Muslims' theories and imaginings about Muhammad's body contributed in significant ways to the construction of prophetic masculinity and authority. Knight approaches hadith and sira as important religiocultural and literary phenomena in their own right. In rich detail, he lays out the variety of ways that early believers imagined Muhammad's relationship to beneficent energy—baraka—and to its boundaries, effects, and limits. Drawing on insights from contemporary theory about the body, Knight shows how changing representations of the Prophet's body helped to legitimatize certain types of people or individuals as religious authorities, while marginalizing or delegitimizing others. For some Sunni Muslims, Knight concludes, claims of religious authority today remain connected to ideas about Muhammad's body.
Family, Law and Politics, Volume II of the Encyclopedia of Women & Islamic Cultures, brings together over 360 entries on women, family, law, politics, and Islamic cultures around the world.
Embodiment, Morality and Medicine deals with the relevance of `embodiment' to bioethics, considering both the historical development and contemporary perspectives on the mind--body relation. The emphasis of all authors is on the importance of the body in defining personal identity as well as on the role of social context in shaping experience of the body. Among the perspectives considered are Christian, Jewish, Islamic, Buddhist, and African-American. Feminist concerns are important throughout.
An exploration of how Muslims in the United States have interpreted the Qur'an in ways that make it speak to their American realities In Speaking Qur'an: An American Scripture, Timur R. Yuskaev examines how Muslim Americans have been participating in their country's cultural, social, religious, and political life. Essential to this process, he shows, is how the Qur'an has become an evermore deeply American text that speaks to central issues in the lives of American Muslims through the spoken-word interpretations of Muslim preachers, scholars,and activists. Yuskaev illustrates this process with four major case studies that highlight dialogues between American Muslim public intellectuals and their audiences. First, through an examination of the work of Fazlur Rahman, he addresses the question of how the premodern Qur'an is translated across time into modern, American settings. Next the author contemplates the application of contemporary concepts of gender to renditions of the Qur'an alongside Amina Wadud's American Muslim discourses on justice.Then he demonstrates how the Qur'an becomes a text of redemption in W. D. Mohammed's oral interpretation of the Qur'an as speaking directly to the African American experience. Finally he shows how, before and after 9/11, Hamza Yusuf invoked the Qur'an as a guide to the political life of American Muslims. Set within the rapidly transforming contexts of the last half century, and central to the volume, are the issues of cultural translation and embodiment of sacred texts that Yuskaev explores by focusing on the Qur'an as a spoken scripture. The process of the Qur'an becoming an American sacred text, he argues, is ongoing. It comes to life when the Qur'an is spoken and embodied by its American faithful.
This unique and comprehensive book is an authoritative guide to dermatological conditions for black populations in Africa. As well as being an essential reference for all doctors, healthcare and voluntary workers in Africa, it is of interest throughout the world, given the increase in presentation of such conditions everywhere as a result of intercontinental travel. Conditions are described in a consistent format for ease of use. The book contains over six hundred clear colour pictures of dermatological cases to greatly assist the recognition, diagnosis and treatment of both common and rare skin conditions.
This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.
Islam is often described as abstract, ascetic, and uniquely disengaged from the human body. Scott Kugle refutes this assertion in the first full study of Islamic mysticism as it relates to the human body. Examining Sufi conceptions of the body in religious writings from the late fifteenth through the nineteenth century, Kugle demonstrates that literature from this era often treated saints' physical bodies as sites of sacred power. Sufis and Saints' Bodies focuses on six important saints from Sufi communities in North Africa and South Asia. Kugle singles out a specific part of the body to which each saint is frequently associated in religious literature. The saints' bodies, Kugle argues, are treated as symbolic resources for generating religious meaning, communal solidarity, and the experience of sacred power. In each chapter, Kugle also features a particular theoretical problem, drawing methodologically from religious studies, anthropology, studies of gender and sexuality, theology, feminism, and philosophy. Bringing a new perspective to Islamic studies, Kugle shows how an important Islamic tradition integrated myriad understandings of the body in its nurturing role in the material, social, and spiritual realms.
In an environment of increasing conservatism, in a world where a woman's right to wear the headscarf has become a touchstone for issues of all sorts, and at a time when racial and religious profiling has become commonplace, it is our political and social
Islamic conceptions of heaven and hell began in the seventh century as an early doctrinal innovation, but by the twelfth century, these notions had evolved into a highly formalized ideal of perfection. In tracking this transformation, Nerina Rustomji reveals the distinct material culture and aesthetic vocabulary Muslims developed to understand heaven and hell and identifies the communities and strategies of defense that took shape around the promise of a future world. Ideas of the afterworld profoundly influenced daily behaviors in Islamic society and gave rise to a code of ethics that encouraged abstinence from sumptuous objects, such as silver vessels and silk, so they could be appreciated later in heaven. Rustomji conducts a meticulous study of texts and images and carefully connects the landscape and social dynamics of the afterworld with earthly models and expectations. Male servants and female companions become otherworldly objects in the afterlife, and stories of rewards and punishment helped preachers promote religious reform. By employing material culture as a method of historical inquiry, Rustomji points to the reflections, discussions, and constructions that actively influenced Muslims' picture of the afterworld, culminating in a distinct religious aesthetic.
Popular culture serves as a fresh and revealing window on contemporary developments in the Muslim world because it is a site where many important and controversial issues are explored and debated. Aesthetic expression has become intertwined with politics and religion due to the uprisings of the “Arab Spring,” while, at the same time, Islamist authorities are showing increasingly accommodating and populist attitudes toward popular culture. Not simply a “westernizing” or “secularizing” force, as some have asserted, popular culture now plays a growing role in defining what it means to be Muslim. With well-structured chapters that explain key concepts clearly, Islam and Popular Culture addresses new trends and developments that merge popular arts and Islam. Its eighteen case studies by eminent scholars cover a wide range of topics, such as lifestyle, dress, revolutionary street theater, graffiti, popular music, poetry, television drama, visual culture, and dance throughout the Muslim world from Indonesia, Africa, and the Middle East to Europe. The first comprehensive overview of this important subject, Islam and Popular Culture offers essential new ways of understanding the diverse religious discourses and pious ethics expressed in popular art productions, the cultural politics of states and movements, and the global flows of popular culture in the Muslim world.