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Life is harsh in close-knit community of Dirrabeg, a community on the Dingle Peninsula facing extinction in the mid-1950's. Many of the young have left for England or America, where there are opportunities and chances for secure lives. Those remaining behind love their land and their independence but fear for the future as the bogs get thin, the yields are poor, and the children have little hope of success. 'We never died a winter yet.' A wickedly funny and insightful novel from the author of Sive, The Field, The Year of the Hiker, and many other classic works. In the Kerry village of Dirrabeg in the 1950s, the annual wren dance is a moment of light within the dark winter, especially for bodhrán player Donal Hallapy, whose skills are in high demand. But this paganism, and the singing, dancing and drinking that take place, are anathema to Canon Tett, who resolves to crush the old customs. Donal Hallapy, devoted father of a large family, is a bodhran player. He is always in great demand whenever the once-a-year wrendances take place, a day long festival on St Stephen's Day, which can be traced back to pagan times. This paganism, the secret nature of the celebrations, the singing, dancing and drinking that takes place, and the fact that the church has no control over them has made them anathema to "the clan of the round collar," in the person of Canon Tett, an ultraconservative and downright sadistic priest determined to bring the free spirits of Dirrabeg to bay by ending the fun of the wrendances. Wickedly funny and full of insight into age-old conflicts and a lifestyle long passed into memory.
"Colin F. Harte traces the bodhrán from its early origins in Irish traditional music to its present-day resurgence in Irish American folk music. Harte includes chapters on the instrument's historical and organological development, experimentation and innovation in playing styles over time, and a study of the instrument's performative practices. The central academic focus of the text is the recent, rapid developments in bodhrán design, performance practices, and teaching the bodhrán to a new generation of musicians"--
This is the follow-up volume to Bodhrán: the Basics and is designed for those who want to improve their technique and expand their rhythmic repertoire. It contains exercises and solos in 4/4, 6/8, 3/4, and 9/8 time. the 568 one-measure exercises are designed to improve a player's technical skill and demonstrate how to use the basic building blocks of rests, accents, rolls, and syncopation to create interesting and varied rhythmic patterns. the 64 short solos show how to combine the one-measure rhythmic patterns into longer compositions.In addition to the exercises and solos, there are sections on time signatures, counting, syncopation, playing on the backbeat, vocalizing rhythmic patterns, developing speed, controlling pitch and timbre, and playing with both hands. Audio CD included.•
(Music Sales America). Accomplished and renowned percussionist Steafan Hannigan details all the intricacies of traditional Bodhran playing. Nothing is taken for granted or forgotten, making this a suitable manual for beginners with its gentle and careful progression through the techniques using numerous examples and exercises. Learn the many, varied bodhran techniques through expert and detailed instruction. Also included is a selection of repertoire pieces which add depth to your playing, plus sections on the history of the Bodhran and Irish music, including construction and maintenance. All clearly presented with illustrations, photographs and diagrams.
An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. the appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. the first-ever CD collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is out front and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. the recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the CD.
(Waltons Irish Music Books). 110 of Ireland's most beautiful and haunting melodies, including laments, airs from old Gaelic songs and Carolan tunes. Suitable for all melody instruments, but does not include guitar chords. Songs include: Carrickfergus * Death and the Sinner * Eleanor Plunkett * Brian Boru's March * Blind Mary * Black-Eyed Susan * Easter Snow * Do You Remember That Night? * Killarney * Oft in the Stilly Night * The Poor Irish Boy * Wild Geese * The Dawning of the Day * I'm Sitting by the Stile Mary * Port Gordon * Captain Sudley * Molly St. George * Nora Crionna * Sally Gardens * Planxty Hewlett * The Lambs on the Green Hills * The Young Man's Dream * The Banks of teh Suir * The Castle of Dromore * The Bells of Shandon * The Foggy Dew * Carolan's Concerto * and many more.
Music in Ireland is one of several case-study volumes that can be used along with Thinking Musically, the core book in the Global Music Series. Thinking Musically incorporates music from many diverse cultures and establishes the framework for exploring the practice of music around the world.It sets the stage for an array of case-study volumes, each of which focuses on a single area of the world. Each case study uses the contemporary musical situation as a point of departure, covering historical information and traditions as they relate to the present. Visit www.oup.com/us/globalmusicfor a list of case studies in the Global Music Series. The website also includes instructional materials to accompany each study. Music in Ireland provides an engaging and focused introduction to Irish traditional music--types of singing, instrumental music, and dance that reflect the social values and political messages central to Irish identity. This music thrives today not only in Ireland but also in areas throughoutNorth America, Europe, Australia, and Asia. Vividly evoking Irish sounds, instruments, and dance steps, Music in Ireland provides a springboard for the discussion of cultural and historical issues of identity, community, nationalism, emigration, transmission, and gender. Using the informal instrumental and singing session as a focalpoint, Dorothea E. Hast and Stanley Scott take readers into contemporary performance environments and explore many facets of the tradition, from the "craic" (good-natured fun) to performance style, repertoire, and instrumentation. Incorporating first-person accounts of performances and interviewswith performers and folklorists, the authors emphasize the significant roles that people play in music-making and illuminate national and international musical trends. They also address commercialism, globalization, and cross-cultural collaboration, issues that have become increasingly important asmore Irish artists enter the global marketplace through recordings, tours, and large-scale productions like Riverdance. Packaged with a 70-minute CD containing examples of the music discussed in the book, Music in Ireland features guided listening and hands-on activities that allow readers to gain experience in Irish culture by becoming active participants in the music.
(Waltons Irish Music Books). This 30-page book will introduce the beginner to the bodhran. Learn to care for and handle your bodhran, as well as how to hold it, various playing positions and more. The descriptions of the bodhran and instruction in the book are well illustrated. Reels, jig exercises and nine songs are also included. Recommended for beginners and enthusiasts alike. CD available separately.
The Instant Tin Whistle series is designed to nurture the initial surge of enthusiasm you may experience when first playing the instrument, and has been carefully designed to substantially increase your chances of success. Pick the book - Folk, Popular, Irish or Scottish - in which you know the most tunes. Each book features 26 well-known melodies with every single note shown by a special, easy-to-learn whistle tablature as well as conventional notation. The lessons are realistically and steadily graded so as not to overwhelm the student. Difficult traditional dances tunes, music particularly suited to the tin whistle, are introduced only on the last few pages to give a taste of things to come. Perfect for individuals, groups, or schools wanting to incorporate traditional music into their curriculum. These tunes are suitable for any melody instrument, but the D tinwhistle is preferred. Lyrics, guitar chords, illustrations, rudiments of music (using the British naming system) and chord charts are also included. A CD is also available to assist in learning. Mally's and UK product #AM121.