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A bestselling chronicler of the sea turns to a trio of his own ancestors to see what memory and the selective plundering of history has made of the truth in Northern Ireland. The name “Lundy” is synonymous with traitor in Ulster. Derek Lundy’s first ancestral subject was the Protestant governor of Derry in 1688, just before it came under siege by the Catholic Irish army of James II. For reasons that remain ambiguous, Robert ordered the gates of the city opened in surrender. Protestant hard-liners staged a coup de ville and drove him away in disgrace, a traitor to the cause. But Robert is more memorable for his peace-seeking moderation than for the treachery the standard history attributes to him. William Steel Dickson’s legacy is a little different: a Presbyterian minister born in the late 18th century, he preached with famous eloquence in favour of using whatever means necessary to resist the tyranny of the English, including joining forces with the Catholics in armed rebellion. Finally, there is “Billy” Lundy, born in 1890, the antithesis of the ecumenical William, and the embodiment of what the Ulster Protestants had become by the beginning of World War I – a tribe united in their hostility to Catholics and to the project of an independent Ireland. The lives of Robert Lundy, William Steel Dickson and Billy Lundy encapsulate many themes in the Ulster past. In telling their stories, Derek Lundy lays bare the harsh and murderous mythologies of Northern Ireland and gives us a revision of its history that seems particularly relevant in today’s world. Excerpt from The Bloody Red Hand: The other thing I remember is the look the young man gave me, after he had taken the cash, put his pistol away and was standing with his hands in his jacket pockets. It wasn’t the expression of someone who was thinking of shooting me too; I never had that feeling. But the way he looked at me was so familiar – wary and calculating. Many people in Belfast had stared in the same way since I’d arrived for a visit. For a long time, I couldn’t understand what it meant. Eventually, I knew. They were trying to decide “what foot I kicked with” – what religion I was. There were supposed ways to tell, subtle indicators. Was I someone they should fear? Or was I one of them? That was what the armed robber was doing, too. He had just shot a man who knew him by his first name. But he was looking at me, the stranger, and trying to figure out whether I was a Prod or a Taig.
In this remarkable book, Belfast-born Derek Lundy uses the lives of three of his ancestors as a prism through which to examine what memory and the selective plundering of history has made of the truth in Northern Ireland. In Ulster the name 'Lundy' is synonymous with 'traitor'. Robert Lundy was the Protestant governor of Londonderry in 1688, just before it came under siege by the Catholic Irish army of James II. Robert Lundy ordered the city's capitulation. Crying 'No Surrender', hardline Protestants prevented it and drove him away in disgrace. William Steel Dickson's legacy is a little different. A Presbyterian minister born in the mid-eighteenth century, he preached with famous eloquence in favour of using whatever means necessary to resist the tyranny of the English. Finally there is 'Billy' Lundy, born in 1890, the embodiment of what the Ulster Protestants had become by the beginning of World War I - a tribe united in their hostility to Catholics and to the concept of a united Ireland. The lives of Robert Lundy, William Steel Dickson and Billy Lundy encapsulate many themes in the Ulster past. In telling their stories, Derek Lundy lays bare the harsh and murderous mythologies of Northern Ireland and gives us a revision of its history that seems particularly relevant in today's world.
Bloody Hand Matt Braun He found a people who needed his courage... Born a slave, Jim Beckwirth forged his own path to freedom as a mountain man. But when a wealthy trading company owner offered to pay him to live among the Crow Indians, Beckwirth accepted the deal—and discovered another way of life that changed him forever. He fought a battle that had to be won... Here in the Wind River Mountains, amidst blood feuds and blood brothers, he became Bloody Hand, a man sworn to take a hundred scalps—and destined to become the People's greatest warrior—in a life-or-death struggle that shaped the fate of a nation.
A thrilling story of an island torn in half by ancient influences and outside influences, where the Brothers of the Red Hand act to punish the informers and traitors who betray the aspirations of the Irish people in their struggle for liberty and independence. There is betrayal, arson, and violence committed by both the patriots and the English soldiers. Set on the Emerald Isle in the mid-1840¡_s during the Great Hunger when Irish families faced the potato famine, and where a million people starved to death in their villages and a million others fled overseas. Sufficient food was available in the country to feed the people, but absentee English landlords sent it to England. The story is told against a complex background of adventure and intrigue as the author paints a multicolored picture of unforgettable characters with varying beliefs and loyalties. You¡_ll meet lords and ladies, Republicans and English terrorists, priests and ministers¡ªboth kind and evil¡ªand plain country folk. Irish folklore is woven into the story. Equal importance to the plot of this fine novel is the beauty of the language. So lively is Dillon¡_s style that you can almost smell the fragrant peat fires and taste the porter and poteen. Mr. Dillon has the Irish gift of ¡°passing the time of day¡± in a delightful way.
"Talk to the hand, ’cause the face ain’t listening," the saying goes. When did the world stop wanting to hear? When did society become so thoughtless? It’s a topic that has been simmering for years, and Lynne Truss says it’s now reached the boiling point. Taking on the boorish behavior that for some has become a point of pride, Talk to the Hand is a rallying cry for courtesy. Like Eats, Shoots & Leaves, Talk to the Hand is not a stuffy guidebook, and is sure to inspire spirited conversation. Why hasn’t your nephew ever thanked you for your carefully selected gift? What makes your contractor think it’s fine to snub you in the midst of a major renovation? Why do crowds spawn selfishness? What accounts for the appalling treatment you receive in stores (if you’re lucky enough to get a clerk’s attention at all)? Most important, what will it take to roll back a culture that applauds those who are disrespectful? In a recent U.S. survey, 79 percent of adults said that lack of courtesy was a serious problem. For anyone who’s fed up with the brutality inflicted by modern manners (or lack thereof), Talk to the Hand is a colorful call to arms—from the wittiest defender of the civilized world.
An exciting super-adventure that pits heroes against an army bent on domination, this D&D Accessory includes encounters designed for use with the D&D miniatures game.
An intensely beautiful, profound and poetic biography of the formative years of the dark prince of rock 'n' roll, Boy on Fire is Nick Cave's creation story, a portrait of the artist first as a boy, then as a young man. A deeply insightful work which charts his family, friends, influences, milieu and, most of all, his music, it reveals how Nick Cave shaped himself into the extraordinary artist he would become. A powerful account of a singular, uncompromising artist, Boy on Fire is also a vivid and evocative rendering of a time and place, from the fast-running dark rivers and ghost gums of country-town Australia to the torn wallpaper, sticky carpet and manic energy of the nascent punk scene which hit staid 1970s Melbourne like an atom bomb. Boy on Fire is a stunning biographical achievement.
Personal eye-witness account of the war in Iraq and the move towards civil war.
There never was a story that was happy through and through. When writer Arthur Ransome leaves his unhappy marriage in England and moves to Russia to work as a journalist, he has little idea of the violent revolution about to erupt. Unwittingly, he finds himself at its center, tapped by the British to report back on the Bolsheviks even as he becomes dangerously, romantically entangled with Trotsky's personal secretary. Both sides seek to use Arthur to gather and relay information for their own purposes . . . and both grow to suspect him of being a double agent. Arthur wants only to elope far from conflict with his beloved, but her Russian ties make leaving the country nearly impossible. And the more Arthur resists becoming a pawn, the more entrenched in the game he seems to become. Blood Red Snow White, a Soviet-era thriller from renowned author Marcus Sedgwick, is sure to keep readers on the edge of their seats. This title has Common Core connections.
In this mischievous and utterly original debut, Hansel and Gretel walk out of their own story and into eight other classic Grimm-inspired tales. As readers follow the siblings through a forest brimming with menacing foes, they learn the true story behind (and beyond) the bread crumbs, edible houses, and outwitted witches. Fairy tales have never been more irreverent or subversive as Hansel and Gretel learn to take charge of their destinies and become the clever architects of their own happily ever after.