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Jack’s best friend, Charlie, is in serious trouble, possessed by an ancient demon called the Scourge who plans to use Charlie to bring about its evil ends—which, unfortunately, involve the destruction of the entire universe. Now Jack and the butt-kicking, sword-wielding Esme must contend with floating sharks, intelligent jelly, oversized centipedes, gladiator pits, and vomiting bats, all for the sake of saving Charlie from the Scourge. And, hopefully, saving the universe from total and utter annihilation.
'The Pirate Tattoo Book' covers all things piratical, from what they wore to how they spoke, the ships they sailed the seven seas in, to their flags, and, of course, their treasure. It's a unique combination of interactive fun and fact-based learning.
Legends is a compilation of vintage tattoo flash and photos of some of tattoo's legendary artists. It includes work by Sailor Jerry, Mike Malone, Cap Coleman, Bert Grimm, Bob Shaw and many others.
Pioneering black-and-gray tattoo artist Freddy Negrete was twelve years old and confined in the holding cell of a Los Angeles juvenile facility when an older teenager entered—covered in tattoos. Freddy was in awe, not just of the art, but of what it symbolized, and he wanted what this kid had: the potent sense of empowerment and belonging that came from joining a gang. The encounter drove Freddy to join the notorious gang La Sangra, and it didn't take long before he was a regular guest at LA County's juvenile detention facilities. By the age of twenty-one, Freddy had spent almost his whole life as a ward of the state in one form or the other. Enthralled by the black-and-gray tattoo style that in the 1970s was confined to the rebel culture of Chicano gangsters and criminals, Freddy started inking himself with hand-poked tattoos. Everyone wanted a piece of Freddy's black-and-gray style--gangbangers but also Hollywood starlets and film producers. In a riveting narrative that takes the reader from Freddy's days as a cholo gang member to evangelical preacher to Hollywood body art guru to addiction counselor, Smile Now, Cry Later is, ultimately, a testament to that spark within us all, that catalyst which gives us the strength to survive, transform, and transcend all that can destroy us.
The most comprehensive book yet on this unique art form. Whether flaunted or hidden, sought as art or curiosity, the tatoo has left its mark on generations. From its beginnings as a pagan ornament to today's popular body art, this book takes an intriguing look at the world of tatoos.
Trace the evolution of the Brooklyn tattooing scene's iconographic status with this rare look into the borough's gritty history. Long before hipsters called Brooklyn home, tattoo legends like Tony Polito, Mikey Perfetto, Marcus Pacheco, and Ronnie Dell'Aquila set long-lasting trends from the '50s on, and gave young artists hope in this often unforgiving town. Peter Caruso visits over a dozen owners, artists, and customers, relating Brooklyn's 20th-century tattoo history through biographies of gritty, no-nonsense tattoo artists. Here, they get the attention they deserve as they focus on events that shaped their craft and style and what inspired them, as teenagers, to follow the path of this often thankless profession in New York's toughest borough. "Back in the day," artists didn't apprentice, but, like the men in this book, learned the ropes in basements and worked out of kitchens, sometimes experimenting with Asian and tribal styles, but always returning to the colorful, traditional, American tattooing Brooklyn is known for.
Over 80 of the best creators from every style and genre have contributed over 50 stories to this anthology featuring tales inspired by the songs of multi-platinum recording artist, Tori Amos! Featuring an introduction by Neil Gaiman, with stories by creators such as Carla Speed McNeil, Mark Buckingham, C.B. Cebulski, Nikki Cook, Hope Larson, John Ney Reiber, Ryan Kelly, and many, many others, Comic Book Tattoo encapsulates the breadth, depth, and beauty of modern comics in this coffee table format book.
For decades now tattoos have been potent symbols of the Los Angeles gang-life scene. The black and white tattoos with recognizable gang symbols appear on members' faces, necks and all over their bodies, making their gang affiliation immediately clear to whomever crosses their path. This can mean the difference between life and death on he streets, and just as often, in prison. What does this prominently placed imagery mean for those men and women who somehow extricate themselves from gang life or are released from prison or want to separate themselves from the gang and start life anew? The very tattoos which may have helped guard against the constant threat of rival gangs now bar many ex-gang members from employment, life without harassment, and the freedom to move on from a past they have worked hard to overcome. Skin Deep is a photography project that seeks to show the effects of this ongoing gang conflict in Los Angeles. Photographer Steven Burton set out to photograph realistic portraits of former gang members who are trying to escape the revolving door of death and prison. For these men and women, the aftermath of gang life is not only carried within--it is also scrawled across their faces and bodies. Skin Deep uniquely highlights the impact tattoos have on the way a person is perceived by showing what each participant might look like without them. Utilizing before and, thanks to the advantages of Photoshop, after photographs, these men and women got a chance to see what they'd look like without the inked visual armor. After the bare images were presented to each, they were asked to talk about themselves and their families, what tattoos represent to them, and their aspirations for the future. Seeing themselves without tattoos--many for the first time in decades--naturally brought about a wide range of emotions, recollections, hopes, and dreams, with responses such as: "I am shocked. I don't know what to say about this. I am going to give this to my mom, she is going to be so happy." "I think this guy in the pictures would judge the one with tattoos right off the top." "That's crazy, that looks real crazy. Those came out cool man! I think I like it better without the tattoos." Burton met his subjects thanks to Father Greg Boyle, the founder of Homeboy Industries in LA, and the entire project is inspired by his tireless work to help rehabilitate these former gang members and give them all a crucial second chance in life. Skin Deep offers a chance to expose the realities these individuals face when trying to rebuild their lives and re-enter society. As importantly, for the public, the project provokes consideration regarding how society perceives and judges people with tattoos and violent pasts and seeks to garner empathy for those caught in the crosshairs of gang life as they try to change their futures.
Vintage Tattoo Flash is a one-of-a-kind visual explorationof the history and evolution of tattooing in America. Aluscious, offset-printed, hardcover tome-a beautiful andserious addition to the understanding of one of the world'soldest and most popular art forms. Electric tattooing as we know it today was invented inNew York City at the turn of the 19th century. In the firstdays of American tattooing, tattoos were primarily wornby sailors and soldiers, outlaws and outsiders. The visuallanguage of what came to be known as "traditional tattooing"was developed in those early days on the Boweryand catered to the interests of the clientele. Commonimagery that soon became canon included sailing ships,women, hearts, roses, daggers, eagles, dragons, wolves,panthers, skulls, crosses, and popular cartoon charactersof the era. The first tattooists also figured out that usingbold outlines, complimented by solid color and smoothshading, was the proper technique for creating art on abody that would stand the test of time. In the over 100years since then, techniques and styles have evolved, andthe customer base has expanded, but the core subjectmatter and philosophy developed at the dawn of electrictattooing has persisted as perennial favorites through themodern era. While most tattoos are inherently ephemeral, transportedon skin until the death of the collector, a visual recordexists in the form of tattoo flash: the hand-painted sheetsof designs posted in tattoo shops for customers to selectfrom. Painted and repainted, stolen, traded, bought andsold, these sheets are passed between artists through onechannel or another, often having multiple useful lives in avariety of shops scattered across time and geography. Theutility of these original pieces of painted art has made itso that original examples can still be found in use or up forgrabs if you know where to look. Vintage Tattoo Flash draws from the personal collectionof Jonathan Shaw-renowned outlaw tattooist andauthor-and represents a selection of over 300 pieces offlash from one of the largest private collections in existence.Vintage Tattoo Flash spans the first roughly 75years of American tattooing from the 1900s Bowery, to50s Texas, through the Pike in the 60s and the developmentof the first black and grey, single-needle tattooingin LA in the 70s. The book lovingly reproduces entirelyunpublished sheets of original flash from the likes of BobShaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, EdSmith, Paul Rogers, the Moskowitz brothers, and many,many others relatively known and unknown.