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When Siraj, the ruler of Bengal, overran the British settlement of Calcutta in 1756, he allegedly jailed 146 European prisoners overnight in a cramped prison. Of the group, 123 died of suffocation. While this episode was never independently confirmed, the story of "the black hole of Calcutta" was widely circulated and seen by the British public as an atrocity committed by savage colonial subjects. The Black Hole of Empire follows the ever-changing representations of this historical event and founding myth of the British Empire in India, from the eighteenth century to the present. Partha Chatterjee explores how a supposed tragedy paved the ideological foundations for the "civilizing" force of British imperial rule and territorial control in India. Chatterjee takes a close look at the justifications of modern empire by liberal thinkers, international lawyers, and conservative traditionalists, and examines the intellectual and political responses of the colonized, including those of Bengali nationalists. The two sides of empire's entwined history are brought together in the story of the Black Hole memorial: set up in Calcutta in 1760, demolished in 1821, restored by Lord Curzon in 1902, and removed in 1940 to a neglected churchyard. Challenging conventional truisms of imperial history, nationalist scholarship, and liberal visions of globalization, Chatterjee argues that empire is a necessary and continuing part of the history of the modern state.
A history of the idea of "black holes" explores the tumultuous debate over the existence of this now well-accepted phenomenon, focusing particular attention on Indian scientist Subrahmanyan Chandrasekhar.
The story of the Black Hole of Calcutta was once drilled into every British schoolchild: how in 1756 the Nawab of Bengal attacked Fort William and locked the survivors in a tiny cell, where over a hundred souls died in insufferable heat. British retribution was swift and merciless, and led to much of India falling completely under colonial dominion. The Black Holeis the story of the propogation of a myth that arose as the British Empire came into being: a myth about the barbarism of a people the colonials sought to rule, and how that myth - based on improbable exaggeration and half-truth - helped justify the march of empire for two hundred years.
"George Black rediscovers the history and lore of one of the planet's most magnificent landscapes. Read Empire of Shadows, and you'll never think of our first—in many ways our greatest—national park in the same way again." —Hampton Sides, author of Blood and Thunder Empire of Shadows is the epic story of the conquest of Yellowstone, a landscape uninhabited, inaccessible and shrouded in myth in the aftermath of the Civil War. In a radical reinterpretation of the nineteenth century West, George Black casts Yellowstone's creation as the culmination of three interwoven strands of history - the passion for exploration, the violence of the Indian Wars and the "civilizing" of the frontier - and charts its course through the lives of those who sought to lay bare its mysteries: Lt. Gustavus Cheyney Doane, a gifted but tormented cavalryman known as "the man who invented Wonderland"; the ambitious former vigilante leader Nathaniel Langford; scientist Ferdinand Hayden, who brought photographer William Henry Jackson and painter Thomas Moran to Yellowstone; and Gen. Phil Sheridan, Civil War hero and architect of the Indian Wars, who finally succeeded in having the new National Park placed under the protection of the US Cavalry. George Black1s Empire of Shadows is a groundbreaking historical account of the origins of America1s majestic national landmark.
In a time of spectacular developments in the new astronomy, the concept of black holes captures top honors. As scientific evidence for them mounts, black holes loom as an ominous development in the life, measured in billions of years, of the universe.
"One acclaimed filmmaker takes the measure of another! Murphy's candid and richly personal account of Andy Warhol's filmmaking is a brilliant contribution to our understanding of one of cinema's most original and prolific masters, exploring the artist's multiple forms of psychodrama with a filmmaker's insight and attention to detail. As more and more of the restored Warhol films become available, this book will remain an indispensable handbook for film historians and general moviegoers alike--especially because it is such a genuine pleasure to read."--David E. James, author of The Most Typical Avant-Garde: History and Geography of Minor Cinemas in Los Angeles. "Those of us who care about independent cinema have always struggled with Andy Warhol's massive oeuvre. At long last J.J. Murphy, who has spent a lifetime making contributions to independent cinema, has undertaken the Herculean task of helping us understand Warhol's development as a filmmaker. Murphy's precision, stamina, and passion are evident in this examination of an immense body of work--as is his ability to report what he has discovered in a readable and informative manner. The Black Hole of the Camera helps us to re-conceptualize Warhol's films not simply as mythic pranks, but as the diverse creations of a prolific and inventive film artist."--Scott MacDonald, author of A Critical Cinema: Interviews with Independent Filmmakers (5 vols.). "In his careful firsthand study of Andy Warhol's films, J. J. Murphy contributes to the ongoing revision of the enduring but misplaced perceptions of Warhol as a passive, remote, and one-dimensional artist. Murphy's discussions of authorship, the relation of content to form, the role of "dramatic conflict," and the complexity of Warhol's camera work show these perceptions to be stubborn myths. The Black Hole of the Camera offers a clear sense of the nuances of Warhol's fascinating, prolific, and influential activities in filmmaking."--Reva Wolf, author of Andy Warhol, Poetry, and Gossip in the 1960s.
It was a bare, low-ceilinged dungeon, stench-ridden and stifling in the murderous summer heat of India. Measuring only abouteighteen feet long and fourteen feet wide, with twosmall barred air-holes, the cell known as the Black Hole prison, in the British East India Company's seemingly impregnable Fort William on the Hoogly River of Calcutta, was intended to hold at most a couple of prisoners. But on the terrible night of June 20, 1756, at the end of a four-day battle of astonishing ferocity which saw a vast Indian horde overwhelm the Fort's great outnumbered defenders, one hundred and forty-five men, and one woman, were cruelly herded into the Black Hole, and what they suffered during the ten horrific hours of their confinement - well, suffice it to say that only twenty-three survived till their release at dawn. The siege of Calcutta (for the British, an incredible saga of blundering and bad luck, poisoned by egregious instances of cowardice and treachery), and the night of the Black Hole, together comprise one of the most dramatic episodes of British Imperial history.
Colonial legacies in knowledge production affect the way the world is represented and understood today. However, the subject is rarely attended. The book, Colonial Legacies and Contemporary Studies of China and Chineseness: Unlearning Binaries, Strategizing Self, is about the colonial construction of intellectual perspectives of the colonized population in terms of the latter's approach to China and Chineseness in the modern world. Relying on the available oral histories of senior China scholars primarily in Asia, authors from various postcolonial and colonial sites present these multiple routs of self-constitution and reconstitution through the use of China and Chineseness as category. The revealed manipulation of this third category, romantically as well as antagonistically, is easier than straightforward self-reflection for us all to accept that, coming to identities and relations, none, even subaltern, is politically innocent or capable of epistemological monopoly. Through comparative studies, it shows a way of self-understanding that does not always require discursive construction of border or cultural consumption of any specific 'other'.With US-China rivalry possibly lasting for decades, this book offers extremely rich and contrasting practices from the subaltern worlds for anyone in a quest for humanist alternatives. This interdisciplinary and transnational project contributes to post-colonial studies, cultural studies, international relations, China and Chinese studies, and the comparative histories of East Asia, Southeast Asia, and South Asia.
THE JOURNEY TO ATLANTICA Aztlantica is the spiritual homeland of the Quetzalcóatl Prophecy. The Journey brings forth new insights, hidden history, and a future in peril. The Journey to Aztlantica is a call for renewal and transformation to a new world. The Journey expresses concern about the degenerating trajectory of capitalistic systems and their influence on the future stabilities of world societies and governments. The old-world economic worldview is set to regression and is condusive to social disintegration. This book alludes to the need for individuals to prepare themselves to confront and survive the extreme calamities of a future in peril. The Journey calls for the building of an alternative economic system as a way to change the human character and behavior. Aztlantica is calling for new social, cultural, and spiritual models. It calls for establishing a respectful and balanced relationship with the natural environment. The Journey proposes a new spiritual movement for the new world, a religion that would be compatible with the new worldview. Aztlantica calls for the refinement and rejuvenation of all cultures in order to promote respect, peace, balance, and harmony around the world. The Journey stresses the need to cross over to a new worldview reality. It calls for the adoption of the circular worldview of reality. In order for humanity to survive adequately into the future and create a sustainable world in which humanity can live, prosper and advance: individuals must first transform themselves before they can transform the future.