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Twitterings and squawks that presage looting and death hand a cuckoo of a murder case to astounded Police Detective Mickie O'Day!excerpt"When Captain Jim Doran phoned me to come to his office in the Detective Bureau down at Headquarters I had a hunch he didn't want to discuss the rainy weather. "I've got a job for you, Mickie," he said in his deep, rumbling bass, when I entered. "Sit down and listen." I sat down cautiously, as a man will when he is six-foot-two and weighs a hundred and ninety. Sometimes furniture had a way of unexpectedly collapsing with me and it always offended my dignity as a first-grade detective. "Go ahead, Cappy," I said. "I'm all ears." "I know you are-you've got the best hearing of any man in the Police Department," he said. "That's why I want you to work on this case." He frowned. "And don't call me Cappy." I just grinned. I owed him a lot and we both knew it. Ten years ago I had been working in a steel mill and an accident had left me totally deaf. Doran had learned that I was anxious to join the police and had dug up a good surgeon who picked the pieces of steel out of my skull and made me hear again. I made the grade in the examinations and finally worked my way up to first-grade detective. I was so glad to be able to hear that I'd trained myself to really listen, and I was good at it. "It's a strange case," mused Doran. "I'd have thought Swenson was nuts, if it hadn't been for Brackton, and even with him I'd have put it down to coincidence if it hadn't been for Marshall." "And we'd have ham and eggs if we had some ham and we had some eggs," I said. "What are you talking about?" "Crimes and twittering birds," said Doran. "Three of them." The more he talked the crazier he sounded. I let him keep on talking, hoping it would begin to make sense.
In Bird Brother, Rodney Stotts shares his unlikely journey to becoming a conservationist and one of America's few Black master falconers. Rodney grew up in Washington, D.C. during the crack epidemic, with guns, drugs, and the threat of incarceration affecting the lives of everyone he knew. He was no exception, but he was also employed by the newly founded Earth Conservation Corps, helping to restore and conserve the polluted Anacostia River. This work eventually sent his life in a different direction, as he began to train to become a master falconer and to develop his own raptor education program and sanctuary. Eye-opening, witty, and moving, Bird Brother is a testament to the healing power of nature, and a reminder that no matter how much heartbreak we've endured, we still have the capacity to give back to our communities and follow our dreams.
In "No Finish Line, " Dr. Bernard F. Master documents his adventures of birding all over the world. His first book also chronicles his service as a battalion surgeon in the Vietnam War, and his storied career as a medical and business professional in Ohio. As the title suggests, in life's arduous race, there is no finish line for Dr. Master. Inside, readers will find the following: - Stories from the Vietnam War - Dr. Master's rare bird photos - "Vireo masteri, " a bird named after Dr. Master - Ivory-billed Woodpecker illustrations by famed American artist Julie Zickefoose - Original photos of Japanese soldiers on American soil during WWII ""A quintessential journal of a successful American doctor and businessman, with birding providing the background fabric of a forty-year career. He is helping to save the planet through his support of education and nature conservation."" -William J Mitsch, Eminent Scholar and Director, Everglades Wetland Research Park andJuliet C. Sproul Chair for Southwest Florida Habitat Restoration and Management, Florida Gulf Coast University;Professor Emeritus, The Ohio State University; 2004 Stockholm Water Prize Laureate ""Dr. Master's leadership, medical expertise and human compassion made him the best battalion surgeon in the Fifth Mechanized Infantry Division in Vietnam. It was an honor to serve with him."" -Klemm Ungemach, 1st Lt. MSC Corp ""Bernie Master has seen more species and bird families than almost anyone else on earth and shares his knowledge of birds with others as a lecturer, author, and photographer and as a board member of the American Birding Association, BirdLife International and many organizations in his home state of Ohio."" -Peter W. Thayer, President of Thayer Birding Software ""Visiting nearly every corner of the globe, Dr. Master understands the importance of saving ecosystems to save birds. In the course of his journeys, he's encountered enough adventure to last several lifetimes." " -Jim McCormac, Author of Wild Ohio: The Best of Our Natural Heritage"
A Japanese manga legend's autobiographical graphic novel about a struggling artist and the first full-length work by the great Yoshiharu Tsuge available in the English language. Yoshiharu Tsuge is one of comics' most celebrated and influential artists, but his work has been almost entirely unavailable to English-speaking audiences. The Man Without Talent, his first book ever to be translated into English, is an unforgiving self-portrait of frustration. Swearing off cartooning as a profession, Tsuge takes on a series of unconventional jobs -- used camera salesman, ferryman, and stone collector -- hoping to find success among the hucksters, speculators, and deadbeats he does business with. Instead, he fails again and again, unable to provide for his family, earning only their contempt and his own. The result is a dryly funny look at the pitfalls of the creative life, and an off-kilter portrait of modern Japan. Accompanied by an essay from translator Ryan Holmberg that discusses Tsuge's importance in comics and Japanese literature, The Man Without Talent is one of the great works of comics literature.
John Hodgman—bestselling author, The Daily Show's "Resident Expert," minor television celebrity, and deranged millionaire—brings us the third and final installment in his trilogy of Complete World Knowledge. In 2005, Dutton published The Areas of My Expertise, a handy little book of Complete World Knowledge, marked by the distinction that all of the fascinating trivia and amazing true facts were completely made up by its author, John Hodgman. At the time, Hodgman was merely a former literary agent and occasional scribbler of fake trivia. In short: a nobody. But during an interview on The Daily Show with Jon Stewart, an incredible transformation occurred. He became a famous minor television personality. You may ask: During his whirlwind tornado ride through the high ether of minor fame and outrageous fortune, did John Hodgman forget how to write books of fake trivia? The answer is: Yes. Briefly. But soon, he remembered! And so he returned, crashing his Kansas farmhouse down upon the wicked witch of ignorance with More Information Than You Require, a New York Times bestseller containing even more mesmerizing and essential fake trivia, including seven hundred mole-man names (and their occupations). And now, John Hodgman completes his vision with That Is All, the last book in a trilogy of Complete World Knowledge. Like its predecessors, That Is All compiles incredibly handy made-up facts into brief articles, overlong lists, and beguiling narratives on new and familiar themes. It picks up exactly where More Information left off—specifically, at page 596—and finally completes COMPLETE WORLD KNOWLEDGE. Look out for John Hodgman's latest book, Vacationland, available from Viking in Fall 2017.
In this new standalone story set in the world of The Anvil of the World and The House of the Stag, two teenagers join the crew of a huge river barge after their mother drowns. The girl and her half-breed younger brother try to make the barge their new home. As the great boat proceeds up the long river, we see a panorama of cities and cultures, and begin to perceive patterns in the pirate attacks that happen so frequently in the river cities. Eliss, the girl, becomes a sharp-eyed spotter of obstacles in the river for the barge, and more than that, one who perceives deeply. A young boy her age, Krelan, trained as a professional assassin, has come aboard, seeking the head of a dead nobleman, so that there might be a proper burial. But the head proves as elusive as the real explanation behind the looting of cities, so he needs Eliss's help. And then there is the massive Captain of the barge, who can perform supernatural tricks, but prefers to stay in his cabin and drink.
My collection of poems is my way of expressing my views about life, love, hope, duty, honor, and country. We as a people experience struggles, pain, heartaches, but thanks be to God for giving us life and the tools to persevere. Life is precious and we must cherish every moment that we live. This collection of poems will tell a compelling story of life as experienced by the author.
The Ways of the Desert, translated from the French, offers an introduction to the North African Arab nomads—their way of life, customs, dress, and religion. The companion to this volume, The Horses of the Sahara, provides a detailed description and history of the great breeds of Arab horses. While part of this book is devoted to descriptions of the various animals that are both hunted and used for hunting, its appeal goes well beyond its attraction for those with a special interest in the lore of desert hunt and chase. General Daumas and his major collaborator-informant, the Emir Abd-el-Kader, together provide sensitive insights into the total culture of the North African desert people of the nineteenth century. Both spiritual and material aspects of desert life are encompassed in this work, which ranges from translations of Arab poetry to descriptions of the uses of the fat and remains of the ostrich. The patterns of conviction and conduct described form an important part of the rich cultural heritage of the modern Maghreb nations. The way of life described in this book is often presented from what comes very close to being an inside point of view. Occasionally Daumas feels obliged to disapprove of certain practices or beliefs or to criticize his Arab friends, but in large part his underlying sympathy for the Arab people permits his informants to speak clearly through his pen. General Melchior Joseph Eugene Daumas took part in the conquest of Algeria by France and, for his distinguished service, was named Director of the Bureau of Algerian Affairs in the French Ministry of War. During the campaigns and the occupation that followed, he studied and attempted to understand the native peoples with an objectivity and sympathy unusual among the colonialists of the period. He recorded a way of life that has changed much since the nineteenth century, and much of what he recorded has since been lost. His account, as well as being an important source for the historian and ethnographer, provides for the general reader a fascinating record of the vanishing ways of the desert.