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A collection of biographical sketches of notable people from the Leeds area, written by local historian Richard Vickerman Taylor. Covering a wide range of professions and backgrounds, from politicians and artists to entrepreneurs and scientists, this book offers a valuable portrait of the intellectual, cultural, and social life of a thriving industrial city in the 19th century. With detailed research and engaging prose, this book is a must-read for anyone interested in local history and biography. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Parish Church has not only played a significant part in the life of Leeds, it captures within it the history of the great events and people who together have shaped that city through the centuries. Hundreds of monuments and memorials dating from the Middle Ages to the present day encrust its walls and floors, telling as they do, the part Leeds people have played in that story. Here we see memorials to members of the Leeds Volunteers, formed to offset Napoleon's threatened invasion, and to the men from the city who fought in the Crimea, in South Africa and in two World Wars. Here also we find tributes to hundreds of local men, women and children who lived out their lives in the town; some now forgotten, others nationally famous, like Richard Oastler the 'Factory King'. Now for the first time, those memorials have been captured in Margaret Pullan's pioneering publication, the product of years of devoted research. The range of information offered includes records of births, marriages, and deaths, full inscriptions, background histories explaining why the deceased were buried in the Parish Church and the artistic merits of their tombs. Architectural, ecclesiastical and local historians will find this an invaluable contribution in their respective fields of work whilst the general public will find it gives a fascinating view of the people of Leeds who lived through the years as the old town grew into a major city.
An Exhibition History of Victorian Leeds is a groundbreaking account of the city’s cultural history through its public exhibitions. Offering a vivid analysis of these striking displays in appropriated spaces, it explores Leeds’ relationship with fine and decorative arts, industrial culture and the sciences over the course of the nineteenth century. This significant contribution to urban history establishes Leeds’ importance to the development of British art and design, collecting practices and museum culture, firmly situated in their regional, national and international contexts. From temporary exhibitions in music halls and cloth halls, hospitals and military barracks emerged the networks and structures that informed the development of the city’s permanent cultural institutions. The book closes with the first comprehensive history of the establishment of Leeds Art Gallery, its inaugural exhibitions and founding donations, which would go on to form one of the strongest collections of fine art in the country.