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There is – and could only ever be – one Billy Bob Thornton: actor, musician, Academy Award-winning screenwriter, and accidental Hollywood badass. In The Billy Bob Tapes, he spins colourful tales of his dirt-poor Southern upbringing, his Obsessive Compulsive Disorder (fear of komodo dragons and antiques), his life, his loves (including his marriage to fellow Oscar winner Angelina Jolie), and, of course, his movie career. The Billy Bob Tapes is full of incredible stories and righteous philosophical rants, told with the help of his close friend, legendary country music star and bestselling author, Kinky Friedman. Put these two iconoclasts together and you get a story that’s not just a celebrity memoir, but a unique, hilarious and insightful pop culture manifesto.
Raised in small-town Arkansas, Billy Bob Thornton grew up amid a rich storytelling tradition. See, the South is just different than other places. . . . You can feel the ghosts there. As a kid, he would sit on the porch listening to his family or some old man down the road spinning yarns about colorful neighbors. These stories didn't have to be made up. The characters were already there, so the stories just came out of the characters we knew. Thus was borne his Oscar®-winning masterpiece Sling Blade and now The Billy Bob Tapes—a narrative based on late-night conversations with Kinky Friedman and other friends who gathered 'round to hear Billy mine a cave full of ghosts. Billy grew up shooting squirrels, playing drums in VFW clubs, and dreaming of rock 'n' roll stardom or pitching for the St. Louis Cardinals. Then at sixteen he took a drama class to meet chicks—and met Mrs. Treadway, who noticed the young man's talent and encouraged him as an actor and writer. "You don't know what it's like to be a drama teacher in a small town in Arkansas where nobody really cares," she said, "but let me tell you something. You can do this." These stories didn't have to be made up. The Everything I've accomplished since, I can trace back to this woman, Maudie Treadway. The colorful characters, stories, and experiences of his youth would find their way into Billy's work, in his films and music, and in his perspective and attitude. It's like the old saying goes: you can take the boy out of the hills, but you can't take the hills out of the boy. That boy did leave the hills—for Hollywood Hills. A true fish out of water, he recalls stories of miserable jobs, the cheapest accommodations, and physical hunger—but also a devoted writing partner Tom Epperson, a life-changing acting teacher in L.A., and a compassionate nurse who snuck him milk shakes when he was near starvation. But there was always the dream of being an actor, and his fortunes turned when he served hors d'oeuvres as a catering waiter to legendary director Billy Wilder, who advised him, "Write about your interesting life." Billy's long career in Hollywood yields stories of inspired collaborations and failed ones, true friendships with other actors and musicians, and good friends gone too soon. In The Billy Bob Tapes, he reflects on the critics, the culture around fame, and the challenges of conveying an artistic vision in film. Most striking is Billy's clear-eyed perspective about the magic of entertainment, and how we perceive it in a rapidly changing world. With passion, unvarnished honesty, wry humor, and a little help from friends Angelina Jolie, Robert Duvall, Dwight Yoakam, Tom Epperson, and Daniel Lanois, Billy Bob finally talks.
Sling Blade, winner of the 1996 Academy Award for best screenplay, is the powerful story of Karl, who returns to his hometown after serving 25 years in a mental hospital for committing a gruesome crime. There he befriends a young boy and develops a close relationship with the boy and his widowed mother. These relationships evolve quickly and, ultimately, Karl's feelings for the mother and son lead him to a selfless act. Writer Billy Bob Thornton demonstrates a searing insight into the lives of ordinary people, portraying with equal skill both the good and bad who inhabit the small Arkansas town. Sling Blade is both the tale of one man's struggle to reconcile his life and of love's ultimate redemptive power.
A brilliantly layered novel of crime, character, and place from the two-time Edgar Award winner, Gold Dagger Award winner, and New York Times bestselling author of Sunset Limited. Few writers in America today combine James Lee Burke's lush prose, crackling story lines, and tremendous sense of history and landscape. In Cimmaron Rose, longtime fans of the Dave Robicheaux series found that the struggles of Texas defense attorney Billy Bob Holland show Burke at his best in exploring classic American themes--the sometimes subtle, often violent strains between the haves and the have-nots; the collision of past and present; the inequities in the criminal justice system. Heartwood is a kind of tree that grows in layers. And as Billy Bob's grandfather once told him, you do well in life by keeping the roots in a clear stream and not letting anyone taint the water for you. But in Holland's dusty little hometown of Deaf Smith, in the hill country north of Austin, local kingpin Earl Deitrich has made a fortune running roughshod and tainting anyone who stands in his way. Billy Bob has problems with Deitrich and his shamelessly callous demeanor, but can't shake the legacy of his passion for Deitrich's "heartbreak-beautiful" wife, Peggy Jean. When Holland takes on the defense of Wilbur Pickett--a man accused of stealing an heirloom and three hundred thousand dollars in bonds from Deitrich's office--he finds himself up against not only Earl's power and influence, but also a past Billy Bob can't will away. A wonderfully realized novel, rich in Texas atmosphere and lore, and a dazzling portrait of the deadly consequences of self-delusion, Heartwood could only have been written by James Lee Burke, a writer in expert command of his craft.
Contains primary source material.
As the 1960s ended, Herbie Hancock embarked on a grand creative experiment. Having just been dismissed from the celebrated Miles Davis Quintet, he set out on the road, playing with his first touring group as a leader until he eventually formed what would become a revolutionary band. Taking the Swahili name Mwandishi, the group would go on to play some of the most innovative music of the 1970s, fusing an assortment of musical genres, American and African cultures, and acoustic and electronic sounds into groundbreaking experiments that helped shape the American popular music that followed. In You’ll Know When You Get There, Bob Gluck offers the first comprehensive study of this influential group, mapping the musical, technological, political, and cultural changes that they not only lived in but also effected. Beginning with Hancock’s formative years as a sideman in bebop and hard bop ensembles, his work with Miles Davis, and the early recordings under his own name, Gluck uncovers the many ingredients that would come to form the Mwandishi sound. He offers an extensive series of interviews with Hancock and other band members, the producer and engineer who worked with them, and a catalog of well-known musicians who were profoundly influenced by the group. Paying close attention to the Mwandishi band’s repertoire, he analyzes a wide array of recordings—many little known—and examines the group’s instrumentation, their pioneering use of electronics, and their transformation of the studio into a compositional tool. From protofunk rhythms to synthesizers to the reclamation of African identities, Gluck tells the story of a highly peculiar and thrillingly unpredictable band that became a hallmark of American genius.
Based on 18 months of reporting, Woodward's 17th book is an intimate, documented examination of how President Obama and the highest profile Republican and Democratic leaders in the United States Congress attempted to restore the American economy and improve the federal government's fiscal condition over three and one half years. Drawn from memos, contemporaneous meeting notes, emails and in-depth interviews with the central players, THE PRICE OF POLITICS addresses the key issue of the presidential and congressional campaigns: the condition of the American economy and how and why we got there. Providing verbatim, day-by-day, even hour-by-hour accounts, the book shows what really happened, what drove the debates, negotiations and struggles that define, and will continue to define, the American future.
Willie Nelson says, "Billy Joe Shaver may be the best songwriter alive today." And legions of fans agree. "Honky Tonk Hero" is the story of a man who not only walked on the wild side and lived to tell about it, but also got it all down in songs that many people consider to be some of the finest country songs ever written.
The world needs leaders who are prepared to dismantle injustice. Through the story told in the Song of Solomon, you will learn to use the one tool that heals both victim and oppressor: God's love. This once popular interpretation of the Song of Solomon details a young woman's struggle between submitting to King Solomon as his sex slave and accepting her beloved Shepherd's invitation to come away. The scholars who subscribed to this interpretation believed the Song of Solomon was a rallying cry to dismantle the injustices perpetuated by the unpopular King Solomon against his Northern Kingdom. Was this interpretation buried in modern times to justify slavery and segregation? You will need to judge for yourself. The book is divided into eight lessons, each ending with a suggested spiritual practice. The reader gets a solid understanding of the Song of Solomon wrapped around an unforgettable parable: the story of an African-American baseball coach turned congressional representative, who, influenced by the Song of Solomon, spent his life dismantling injustice. The Disorderly Parable Bible Studies teach the way Jesus taught, by using stories of everyday people and things to illustrate spiritual truths.
Tells for the first time the whole story of the Basement Tapes, recorded in summer 1967, when Bob Dylan's career was at a crossroads. Dylan gathered together a few musician friends in Woodstock, New York, and informally recorded a bunch of songs intended to be heard by no one but themselves. Instead, they change music forever.