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What Do I Do Now? The Secrets of a Midlife Reboot The Real Brass Ring takes The Secret on a high-speed road test in a tale of midlife transformation in the real, flesh-and-blood world of contemporary Chicago. It is the story of a “midlife reboot,” a raw, unfiltered journey of enlightenment that illustrates a woman’s daunting personal reinvention and the rewards of fearlessly pursuing a life’s true calling. After a jolting encounter with internationally known psychic and author Sonia Choquette, Dianne Bischoff James is forced to face the truth about her life. Sonia’s words cut like a knife: Dianne, you are a talented writer, healer, teacher and performer. But sadly your life is heading down the wrong path. Your brass ring is coming by and you need to grab it before it’s too late. You have modeled yourself after your parents’ desires. You are completely stuck in the make-believe role of being a ‘good girl.’ You live with depression because nothing about your life is your own. … Fix your ways or soon it will be too late. Dianne had achieved an impressive education, an accomplished entrepreneurial career, a busy family life and social status; yet somehow, she had completely missed “the real brass ring.” Although she had had a perfectly “traditional” background, her marriage was a sham, career uninspiring, health failing and self-esteem and spirituality non-existent. At 38, it was as if she had awakened to a nightmare: she had been living a profound lie. Finding herself completely off-track, Dianne openly bares her soul and utilizes the metaphysical principles of The Secret to set out to change every aspect of her existence. She insists that she is worthy of an authentic romantic relationship and initiates the break-up of her marriage, with three children in tow; and dives into midlife “cougar” dating, including a close call with a charming but dangerously abusive alcoholic. By experimenting with the Law of Attraction, she also launches the acting career she had always dreamed of as a child and surprises even herself with success in an extremely competitive arena. Gradually, yet boldly, Dianne also faces other critical issues, including physical afflictions, a terrifying financial recession and the death of a loved one – removing each daunting roadblock one by one and manifesting a newly-created self. “I’d approached every change as a free fall, diving through the air and grabbing at brass rings along the way,” Dianne writes. “I’d made more mistakes than I could even count, but I also absorbed the painful, yet innately valuable teachings … Now, I had what I wanted all along, emotional peace, love, a uniquely sculpted family unit, an outlet for my creativity and a new life in hand … This was the picture Sonia painted for me on my 38th birthday – it just took me over a decade to erect the living model from the shadows.” By chronicling her own personal reinvention with grit, humor, incisiveness and compassion in The Real Brass Ring, Dianne provides the inspiration and passion others need to reclaim their authentic self.
Claire Harte and her disabled husband, Jon, run a foundation to help people with spinal cord injuries. Claire witnesses a woman leap to her death, and the tragedy sparks long-buried memories from Claire's childhood that now change her life. Library Journal called BRASS RING "well-written and suspenseful." Formerly published by Harper Collins. BRASS RING was a Literary Guild alternate selection.
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"There have long been rumors of a lost cache of tapes containing private conversations between Orson Welles and his friend the director Henry Jaglom, recorded over regular lunches in the years before Welles died. The tapes, gathering dust in a garage, did indeed exist, and this book reveals for the first time what they contain. Here is Welles as he has never been seen before: talking intimately, disclosing personal secrets, reflecting on the highs and lows of his astonishing career, the people he knew--FDR, Winston Churchill, Charlie Chaplin, Marlene Dietrich, Laurence Olivier, David Selznick, Rita Hayworth, and more--and the many disappointments of his last years"--Dust jacket flap.
A bestselling author and award winning journalist follows a year in the life of a big urban hospital, painting a revealing portrait of how medical care is delivered in America today Most people agree that there are complicated issues at play in the delivery of health care today, but those issues may not always be what we think they are. In 2005, Maimonides Hospital in Brooklyn, New York, unveiled a new state-of-theart, multimillion-dollar cancer center. Determined to understand the whole spectrum of factors that determine what kind of medical care people receive in this country, bestselling author Julie Salamon spent one year tracking the progress of the center and getting to know the characters who make the hospital run. Located in a community where sixty-seven different languages are spoken, Maimonides is a case study for the particular kinds of concerns that arise in institutions that serve an increasingly multicultural American demographic. Granted an astonishing “warts and all” level of access by the hospital higher-ups, Salamon followed the doctors, patients, administrators, nurses, ambulance drivers, cooks, and cleaning staff. She explored not just the action on the ground—what happens between doctors and patients—but also the financial, ethical, technological, sociological, and cultural matters that the hospital community encounters every day. Drawing on her skills as interviewer, observer, and social critic, Salamon presents the story of modern medicine, uniquely viewed from the vantage point of those who make it run. She draws out the internal and external political machinations that exist between doctors and staff as well as between hospital and community. And she grounds the science and emotion of medical drama in the financial realities of operating a huge, private institution that must contend with issues like adapting to the specific needs of immigrant groups that make up a large and growing portion of our society. Salamon exposes struggles of both the profound and humdrum variety. There are bitter internal feuds, warm personal connections, comedy, egoism, greed, love, and loss. There are rabbinic edicts to contend with as well as imams and herbalists and local politicians. There are system foul-ups that keep blood test results from being delivered on time, careless record keepers, shortages of everything except forms to fill, recalcitrant and greedy insurance reimbursement systems, and the surprising difficulty of getting doctors to wash their hands. This is the dynamic universe of small and large concerns and personalities that, taken together, determine the nature of our care and assume the utmost importance. As Martin Payson—chairman of the board at Maimonides and ex-Time-Warner vice chairman—puts it: “Hospitals have a lot in common with the movie business. You’ve got your talent, entrepreneurs, ambition, ego stroking, the business versus the creative part. The big difference is that in the hospital you don’t get second takes. Movies are make-believe. This is real life.”
At twenty-five, Orson Welles (1915-1985) directed, co-wrote, and starred in Citizen Kane, widely considered the best film ever made. But Welles was such a revolutionary filmmaker that he found himself at odds with the Hollywood studio system. His work was so far ahead of its time that he never regained the wide popular following he had once enjoyed as a young actor-director on the radio. Frustrated by Hollywood and falling victim to the postwar blacklist, Welles departed for a long European exile. But he kept making films, functioning with the creative freedom of an independent filmmaker before that term became common and eventually preserving his independence by funding virtually all his own projects. Because he worked defiantly outside the system, Welles has often been maligned as an errant genius who squandered his early promise. Film critic Joseph McBride, who acted in Welles's legendary unfinished film The Other Side of the Wind, provocatively challenges conventional wisdom about Welles's supposed creative decline. McBride is the first author to provide a comprehensive examination of the films of Welles's artistically rich yet little-known later period. During the 1970s and '80s, Welles was breaking new aesthetic ground, experimenting as adventurously as he had throughout his career. McBride's friendship and collaboration with Welles and his interviews with those who knew and worked with the director make What Ever Happened to Orson Welles? a portrait of rare intimacy and insight. Reassessing Welles's final period in the context of his entire life and work, McBride's revealing portrait of this great film artist will change the terms of how Orson Welles is regarded.
DigiCat Publishing presents to you this special edition of "The Big Sleep" by Raymond Chandler. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.