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Hold on to your umbrella and stock up on marshmallows - Judy Moody and Stink face wicked weather in their third full-colour adventure.In their third full-colour adventure, Judy Moody and Stink face some wicked weather - and a night without any electricity! Hold on to your umbrella and stock up on marshmallows - Hurricane Elmer is coming to town! The Moody family hunker down with baked beans and batteries to wait out the storm. But along with massive rain and strong winds, Hurricane Elmer throws down ghosts, bionic squirrels and aliens. Spooky! Just when things couldn't possibly get any freakier - flicker, flicker, gulp! - the lights go O-U-T out. The Moodys are smack-dab in the middle of a big bad blackout! Grandma Lou proposes musical board games and some good old-fashioned storytelling. Will Hurricane Elmer go down in Moody family history as bad news, a happy memory or simply an LBS (Long Boring Story)?
During a weekend trip to Ocracoke Island, siblings Judy and Stink Moody take part in a pirate treasure-hunting game, in which various clues lead them to silver coins, or "pieces of eight," hidden across the island.
The explosive conclusion to the Newsflesh trilogy from New York Times bestseller Mira Grant — a saga of zombies, geeks, politics, social media, and the virus that runs through them all. The year was 2014. The year we cured cancer. The year we cured the common cold. And the year the dead started to walk. The year of the Rising. The year was 2039. The world didn't end when the zombies came, it just got worse. Georgia and Shaun Mason set out on the biggest story of their generation. They uncovered the biggest conspiracy since the Rising and realized that to tell the truth, sacrifices have to be made. Now, the year is 2041, and the investigation that began with the election of President Ryman is much bigger than anyone had assumed. With too much left to do and not much time left to do it, the surviving staff of After the End Times must face mad scientists, zombie bears, rogue government agencies-and if there's one thing they know is true in post-zombie America, it's this: Things can always get worse. More from Mira Grant: Newsflesh Feed Deadline Blackout Feedback Rise Praise for Feed: "It's a novel with as much brains as heart, and both are filling and delicious."―The A. V. Club "Gripping, thrilling, and brutal... McGuire has crafted a masterpiece of suspense with engaging, appealing characters who conduct a soul-shredding examination of what's true and what's reported."―Publishers Weekly (Starred Review) “Feed is a proper thriller with zombies.” —SFX
When a busy family's activities come to a halt because of a blackout, they find they enjoy spending time together and not being too busy for once.
One set, two Moodys, three full-color escapades! Included in this super-awesome set: Judy Moody and Stink: The Mad, Mad, Mad, Mad Treasure Hunt Judy and Stink hunt for adventure (and pirate gold!) when the Moody family drops anchor on "Artichoke" Island for a summer getaway. Judy Moody and Stink: The Big Bad Blackout The Moody family is hunkered down at home during a storm when the lights go O-U-T out! Will a combination of storytelling, games, and s’mores brighten the day? Judy Moody and Stink: The Holly Joliday It’s almost Christmas, and Judy Moody is making a list and checking it twice. But all her brother, Stink, wants this year is snow.
A lift-the-flap version of the familiar tale in which three little pigs deal with the big bad wolf.
In honor of Judy Moody's younger "bother," the creators of the award-winning series have put themselves in a very Stink-y mood. Shrink, shrank, shrunk! Every morning, Judy Moody measures Stink and it's always the same: three feet, eight inches tall. Stink feels like even the class newt is growing faster than he is. Then, one day, the ruler reads -- can it be? -- three feet, seven and three quarters inches! Is Stink shrinking? He tries everything to look like he’s growing, but wearing up-and-down stripes and spiking his hair aren't fooling anyone into thinking he's taller. If only he could ask James Madison -- Stink's hero, and the shortest person ever to serve as President of the United States. In Stink's first solo adventure, his special style comes through loud and strong -- enhanced by a series of comic strips, drawn by Stink himself, which are sprinkled throughout the book. From "The Adventures of Stink in SHRINK MONSTER" to "The Adventures of Stink in NEWT IN SHINING ARMOR," these very funny, homespun sagas reflect the familiar voice of a kid who pictures himself with super powers to deal with the travails of everyday life -- including the occasional teasing of a bossy big sister!
When FINAL BLACKOUT was written there was still a Maginot Line, Dunkirk was just another French coastal town and the Battle of Britain, the Bulge, Saipan, Iwo, V2s and Nagasaki were things unknown and far ahead in history. While it concerns these things, its action will not take place for many years yet to come and it is, therefore, still a story of the future though some of the "future" it embraced (about one fifth) has already transpired. When published in magazine form before the war it created a little skirmish of its own and, I am told, as time has gone by and some of it has unreeled, interest in it has if anything increased. So far its career has been most adventurous as a story. The "battle of FINAL BLACKOUT" has included loud wails from the Communists—who said it was pro-fascist (while at least one fascist has held it to be pro-Communist). Its premises have been called wild and unfounded on the one hand while poems (some of them very good) have been written about or dedicated to the Lieutenant. Meetings have been held to nominate it to greatness while others have been called to hang the author in effigy (and it is a matter of record that the last at least was successfully accomplished). The British would not hear of its being published there at the time it appeared in America, though Boston, I am told, remained neutral—for there is nothing but innocent slaughter in it and no sign of rape. There are those who insist that it is all very bad and those who claim for it the status of immortality. And while it probably is not the worst tale ever written, I cannot bring myself to believe that FINAL BLACKOUT, as so many polls and such insist, is one of the ten greatest stories ever published. Back in those mild days when Pearl Harbor was a place you toured while vacationing at Waikiki and when every drawing room had its business man who wondered disinterestedly whether or not it was not possible to do business with Hitler, the anti-FINAL BLACKOUTISTS (many of whom, I fear, were Communists) were particularly irked by some of the premises of the tale. Russia was, obviously, a peace-loving nation with no more thought than America of entering the war. England was a fine going concern without a thought, beyond a contemptuous aside, for the Socialist who, of course, could never come to power. One must understand this to see why FINAL BLACKOUT slashed about and wounded people. True enough, some of its premises were far off the mark. It supposed, for instance, that the politicians of the great countries, particularly the United States, would push rather than hinder the entrance of the whole world into the war. In fact, it supposed, for its author was very young, that politicians were entirely incompetent and would not prevent for one instant the bloodiest conflict the country had ever known. Further, for the author was no critic, it supposed that the general staffs of most great nations were composed of stupid bunglers who would be looking up their friends on the selection board when they should be looking to their posts and that the general world wide strategy of war would go off in a manner utterly unadroit to the sacrifice of efficiency. It surmised that if general staffs went right on bungling along, military organization would cease to exist, and it further—and more to the point—advanced the thought that the junior combat officer, the noncom and, primarily the enlisted men would have to prosecute the war. These, it believed, would finally be boiled down, by staff "stupidity," to a handful of unkillables who would thereafter shift for themselves. FINAL BLACKOUT declared rather summarily—and very harshly, for the author was inexperienced in international affairs—that the anarchy of nations was an unhealthy arrangement maintained by the greed of a few for the privileges of a few and that the "common people" (which is to say those uncommon people who wish only to be let go about their affairs of getting enough to eat and begetting their next generation) would be knocked flat, silly and completely out of existence by these brand new "defensive" weapons which would, of course, be turned only against soldiers. Bombs, atomics, germs and, in short, science, it maintained, were being used unhealthily and that, soon enough, a person here and there who was no party to the front line sortie was liable to get injured or dusty; it also spoke of populations being affected boomerang fashion by weapons devised for own governments to use. Certainly all this was heresy enough in that quiet world of 1939, and since that time, it is only fair to state, the author has served here and there and has gained enough experience to see the error of his judgment. There have been two or three stories modeled on FINAL BLACKOUT. I am flattered. It is just a story. And as the past few years have fortunately proven, it cannot possibly happen.
Deadly attacks are sweeping across the country. Alec and Laura are at the center of the violence, while in a small remote town, Aubrey and Jack feel sheltered from the turmoil. But these four seemingly normal teenagers are about to find their lives connected in ways they could never have imagined—and one wrong step could trigger an explosion that ends it all.
Now a Netflix film starring Julia Roberts, Mahershala Ali, Ethan Hawke, Myha'la, Farrah Mackenzie, Charlie Evans and Kevin Bacon. Written for the Screen and Directed by Sam Esmail. Executive Producers Barack and Michelle Obama, Tonia Davis, Daniel M. Stillman, Nick Krishnamurthy, Rumaan Alam A Read with Jenna Today Show Book Club Pick! Finalist for the 2020 National Book Award in Fiction One of Barack Obama's Summer Reads A Best Book of the Year From: The Washington Post * Time * NPR * Elle * Esquire * Kirkus * Library Journal * The Chicago Public Library * The New York Public Library * BookPage * The Globe and Mail * EW.com * The LA Times * USA Today * InStyle * The New Yorker * AARP * Publisher's Lunch * LitHub * Book Marks * Electric Literature * Brooklyn Based * The Boston Globe A magnetic novel about two families, strangers to each other, who are forced together on a long weekend gone terribly wrong. From the bestselling author of Rich and Pretty comes a suspenseful and provocative novel keenly attuned to the complexities of parenthood, race, and class. Leave the World Behind explores how our closest bonds are reshaped—and unexpected new ones are forged—in moments of crisis. Amanda and Clay head out to a remote corner of Long Island expecting a vacation: a quiet reprieve from life in New York City, quality time with their teenage son and daughter, and a taste of the good life in the luxurious home they’ve rented for the week. But a late-night knock on the door breaks the spell. Ruth and G. H. are an older couple—it’s their house, and they’ve arrived in a panic. They bring the news that a sudden blackout has swept the city. But in this rural area—with the TV and internet now down, and no cell phone service—it’s hard to know what to believe. Should Amanda and Clay trust this couple—and vice versa? What happened back in New York? Is the vacation home, isolated from civilization, a truly safe place for their families? And are they safe from one other?