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This bibliography, first published in 1993, attempts to provide a complete and accurate description of the manuscripts of Patrick Branwell Brontë, excluding his letters. Its aim is not only to correct previous errors and update and extend earlier lists, but also to reconstruct as far as possible dismembered and scattered manuscripts. This book will be of interest to students of English Literature.
This volume, first published in 1997, contains all of Patrick Branwell Brontë’s known writings, excluding his letters, from 1827 to 1833. This title primarily focuses on the creation of the Glass Town Confederacy and on the emergence of Rouge/Alexander Percy/Ellrington as Branwell’s chief character. All of the texts in this edition are based on Neufeldt’s own transcriptions of the manuscripts, or, where the manuscript is unavailable, on the most reliable accessible text. This edition serves as a record for the growth and development of Branwell’s writing, and it is hoped that it will help to dispel some of the myths and misconceptions that have become associated with Branwell’s name. This book will be of interest to students of English Literature.
Volume I, covering 1827-33, appeared in 1997. This volume covers 1834-36, the period in which Branwell, focusing on the growing conflict between Alexander Percy, Earl of Northangerland, and Arthur Wellesly, Duke of Zamorna and King of Angria, produced the largest, most sustained body of written work of any comparable period in his literary life, totaling approximately 308,500 words of prose and 42 (37 extant) poems. Of the prose, approximately 241,000 words are published here for the first time. Volume III, covering 1837-47, is due to appear in 1999.
This volume covers 1837-1848 and depicts the end of the Angrian conflict, Branwell's abandonment of the Angrian saga, and his attempts to establish himself as a published poet and man of letters. During this period he produced approximately 80,700 words of prose, 65 new poems and verse fragments, 54 revised poems, and 37 translations of Latin odes. Along with his significant poems, sonnets and prose pieces, this volume also contains Branwell's notable translations of Horace's odes.
In this new edition the writings of the young Brontës - Charlotte, Emily, Anne, and Branwell - are presented together for the first time in a single volume. The fantasy worlds of Glass Town, Angria, and Gondal, experiments in romance and realism, provided a rich source for their later work and offer an insight into their developing creativity.
This new addition to Palgrave Macmillan's Author Chronologies Series details events in the lives of the Brontë sisters and their associates. Major events such as the publication of history of their works are included, and are balanced by details of Brontë domestic life. There are original discussions, in the light of chronology, of the scandal affecting the Brontë's brother, Branwell, and the imaginary kingdoms shared by all four children.
The Poems of Patrick Branwell Brontë, first published in 1990, provides a collection of Branwell Brontë’s poetry, as well as a detailed history of the use and locations of his manuscripts, the story of their publication over the years, and a commentary of the poetry itself. This edition will be of interest to students of English Literature.
This set reissues 8 books on the Brontë family, originally published between 1968 and 1999. The volumes cover the four Brontë children; Charlotte, Emily, Anne and Patrick Branwell, and provides an analysis and commentary of their most respected works. This collection also provides a comprehensive collection of Patrick Branwell Brontë’s works and the history behind his manuscripts. This set will be of particular interest to students of English Literature.
How much of ourselves do we disclose when we speak or write? A person’s accent may reveal, for example, whether they hail from Australia, or Ireland, or Mississippi. But it’s not just where we were born—we divulge all sorts of information about ourselves and our identity through language. Level of education, gender, age, and even aspects of our personality can all be reliably determined by our vocabulary and grammar. To those who know what to look for, we give ourselves away every time we open our mouths or tap on a keyboard. But how unique is a person’s linguistic identity? Can language be used to identify a specific person? To identify—or to exonerate—a murder suspect? To determine who authored a particular book? The answer to all these questions is yes. Forensic and computational linguists have developed methods that allow linguistic fingerprinting to be used in law enforcement. Similar techniques are used by literary scholars to identify the authors of anonymous or contested works of literature. Many people have heard that linguistic analysis helped to catch the Unabomber, or to unmask an anonymous editorialist—but how is it done? LINGUSISTIC FINGERPRINTS will explain how these methods were developed and how they are used to solve forensic and literary mysteries. But these techniques aren’t perfect, and the book will also include some cautionary tales about mistaken linguistic identity.
The extraordinary works of the three sisters Charlotte, Emily and Anne Brontë have entranced and challenged scholars, students, and general readers for the past 150 years. This Companion offers a fascinating introduction to those works, including two of the greatest novels of the nineteenth century - Charlotte's Jane Eyre and Emily's Wuthering Heights. In a series of original essays, contributors explore the roots of the sisters' achievement in early nineteenth-century Haworth, and the childhood 'plays' they developed; they set these writings within the context of a wider history, and show how each sister engages with some of the central issues of her time. The essays also consider the meaning and significance of the Brontës' enduring popular appeal. A detailed chronology and guides to further reading provide further reference material, making this a volume indispensable for scholars and students, and all those interested in the Brontës and their work.