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Biblical criticism faces increasing hostility on two fronts: from biblical conservatives, who claim it is inherently positivistic and religiously skeptical, and from postmodernists, who see it as driven by the falsities of objectivity and neutrality. In this magisterial overview of the key factors and developments in biblical studies, John Barton demonstrates that these evaluations of biblical criticism fail to do justice to the work that has been done by critical scholars over many generations. Traditional biblical criticism has had as its central concern a semantic interest: a desire to establish the "plain sense" of the biblical text, which in itself requires sensitivity to many literary aspects of texts. Therefore, he argues, biblical criticism already includes many of the methodological approaches now being recommended as alternatives to it and, further, the agenda of biblical studies is far less fragmented than often thought.
Modern biblical scholarship is often presented as analogous to the hard and natural sciences; its histories present the developmental stages as quasi-scientific discoveries. That image of Bible scholars as neutral scientists in pursuit of truth has persisted for too long. Modern Biblical Criticism as a Tool of Statecraft (1700-1900) by Scott W. Hahn and Jeffrey L. Morrow examines the lesser known history of the development of modern biblical scholarship in the eighteenth and nineteenth centuries. This volume seeks partially to fulfill Pope Benedict XVI’s request for a thorough critique of modern biblical criticism by exploring the eighteenth and nineteenth century roots of modern biblical scholarship, situating those scholarly developments in their historical, philosophical, theological, and political contexts. Picking up where Scott W. Hahn and Benjamin Wiker’s Politicizing the Bible: The Roots of Historical Criticism and the Secularization of Scripture 1300-1700 left off, Hahn and Morrow show how biblical scholarship continued along a secularizing trajectory as it found a home in the newly developing Enlightenment universities, where it received government funding. Modern Biblical Criticism as a Tool of Statecraft (1700-1900) makes clear why the discipline of modern biblical studies is often so hostile to religious and faith commitments today.
This well-written introduction to the method of literary criticism gives the reader an awareness and appreciation of the rich diversity of thought found in the Old Testament. The student is shown how to identify the elements of structure, style, form, language, and composition in the books of the Old Testament. Norman Habel demonstrates how literacy criticism works with examples which are familiar and well-suited for a beginner's level of study. The literary features of Genesis 1-9 are fully explored, then the author focuses on the importance of the Yahwist and priestly sources for the whole Pentateuch. This book's explanation of techniques used in the process of literary criticism will be valuable to both student and professor.
Literary approaches to the Bible systematically presents the different ways of analyzing the text within its literary context. Highlighted sections and annotated bibliographies in each chapter create ease for reading and give a path for further study. -- from back cover resources.
Textual Criticism of the Bible provides a starting point for the study of both Old and New Testament textual criticism. In this book, you will be introduced to the world of biblical manuscripts and learn how scholars analyze and evaluate all of that textual data to bring us copies of the Bible in Hebrew, Aramaic, and Greek that can be used for translating the Bible into modern languages. Textual Criticism of the Bible surveys the field, explains technical terminology, and demonstrates in numerous examples how various textual questions are evaluated. Complicated concepts are clearly explained and illustrated to prepare readers for further study with either more advanced texts on textual criticism or scholarly commentaries with detailed discussions of textual issues. You may not become a textual critic after reading this book, but you will be well prepared to make use of a wide variety of text--critical resources.
From celebrated translator of the Hebrew Bible Robert Alter, the "groundbreaking" (Los Angeles Times) book that explores the Bible as literature, a winner of the National Jewish Book Award. Renowned critic and translator Robert Alter's The Art of Biblical Narrative has radically expanded our view of the Bible by recasting it as a work of literary art deserving studied criticism. In this seminal work, Alter describes how the Hebrew Bible's many authors used innovative literary styles and devices such as parallelism, contrastive dialogue, and narrative tempo to tell one of the most revolutionary stories of all time: the revelation of a single God. In so doing, Alter shows, these writers reshaped not only history, but also the art of storytelling itself.
This is the first large-scale critical introduction for biblical criticism of a significant area of contemporary cultural and literary theory, namely Marxist literary criticism. The book comprises studies of major figures in the tradition, specifically Althusser, Gramsci, Eagleton, Adorno, Benjamin, Bloch, Lefebvre, Lukcs and Jameson. At the same time, through careful choice of critics, the book will function as a general introduction to Marxist literary theory as a whole in relation to biblical studies. Throughout the aim is to show how this material is relevant to biblical criticism, in terms of both particular approaches to the Bible and the use of those approaches for interpreting selected texts from Genesis, Exodus, Ruth, 1 Samuel, 1-2 Kings, Jeremiah, Ezekiel, Psalms and Daniel. Biblical Seminar Series, Volume 87
This is a print on demand book and is therefore non- returnable. Although many conservative scholars have had reservations about biblical criticism since its rise a century ago, Carl Armerding contends that critical rationalism need not be antithetical to belief in a divinely inspired Word of God. Indeed, says Armerding, the evangelical scholar -- mediating the traditional conservative view and the rational critical view of Scripture -- is able to use all the tools of historical, philological, and literary study, while still retaining biblical categories of revelation, inspiration, and history. Armerding applies this synthesis of approaches -- the traditional and the critical -- to four major branches of criticism: literary (or source) criticism, form criticism, structural analysis, and textual criticism. Cautioning against misuse of these critical methods, he demonstrates how each method can be conscientiously used by faithful scholars to enrich their understanding of the Old Testament text. Of great value to scholars, students, and pastors, Armerding's work promises to enrich study of the Old Testament much as George Eldon Ladd's book (The New Testament and Criticism) has enriched study of the New.
Rediscover the incomparable literary richness and strength of a book that all of us live with an many of us live by. An international team of renowned scholars, assembled by two leading literary critics, offers a book-by-book guide through the Old and New Testaments as well as general essays on the Bible as a whole, providing an enticing reintroduction to a work that has shaped our language and thought for thousands of years.