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A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
Hindu mythological text; retold.
A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
The Bhagavata Purana is one of the most important, central and popular scriptures of Hinduism. A medieval Sanskrit text, its influence as a religious book has been comparable only to that of the great Hindu epics, the Ramayana and the Mahabharata. Ithamar Theodor here offers the first analysis for twenty years of the Bhagavata Purana (often called the Fifth Veda ) and its different layers of meaning. He addresses its lyrical meditations on the activities of Krishna (avatar of Lord Vishnu), the central place it affords to the doctrine of bhakti (religious devotion) and its treatment of older Vedic traditions of knowledge. At the same time he places this subtle, poetical book within the context of the wider Hindu scriptures and the other Puranas, including the similar but less grand and significant Vishnu Purana. The author argues that the Bhagavata Purana is a unique work which represents the meeting place of two great orthodox Hindu traditions, the Vedic-Upanishadic and the Aesthetic. As such, it is one of India s greatest theological treatises. This book illuminates its character and continuing significance."
A seamless blend of fable and philosophy, the Bhagavata Purana is perhaps the most revered text in the Vaishnava tradition. It brings to life the legends of gods, asuras, sages and kings-all the while articulating the crucial ethical and philosophical tenets that underpin Hindu spiritualism. The narrative unfolds through a series of conversations and interconnected stories. We are told how the sage Vyasa was inspired by Narada to compose the Bhagavata Purana as a means to illumine the path to a spiritual life. We learn of the devotion of Prahlada, the austerity of Dhruva, and the blinding conceit of Daksha. Also recounted are tales of the many incarnations of Vishnu, especially Krishna, whom we see grow from a beloved and playful child to a fierce protector of the faithful.
Shrimad Bhagavat is renowned as one of the greatest compositions in Sanskrit Literature. The 18th Purana composed by Maharishi Veda-Vyasa, it stands unparalleled in its distinct and resplendent exaltation of devotion to God, revealing throughout the quintessence of Vedantic teachings. Masterfully profound and delightfully enchanting, Shrimad Bhagavat abounds in work-paintings of the supreme Lord's wondrous and endearing avatars, divine sports and devotees - paintings that kindle, intensity and establish devotion in one's heart. This spring of devotion leads one to satsang, to the Guru and to teachings that unveil one's essential nature of Brahman.
From the author of what has become the standard edition of The Yoga Sutras of Patañjali, an exploration of probably the most significant tradition in Hinduism, along with a rendering of key texts and parables from that tradition Bhakti Yoga explores one of the eight “limbs” of yoga. In the simplest terms, bhakti yoga is the practice of devotion, which is the essential heart of yoga and of Hinduism in general. In recent times, the term has come to be used in a rather simplistic way to refer to the increasingly popular practice of kirtan, or chanting in a group or at large gatherings. But bhakti yoga is far more complex and ancient than today’s growing kirtan audiences are aware, and embraces many strands and practices. Edwin F. Bryant focuses on one famous and important school of bhakti and explores it in depth to show what bhakti is and how it is expressed. And he supplies his own renderings of central texts from that tradition in the form of “tales and teachings” from an important work called the Bhagavata Purana, or “The Beautiful Legend of God.” This clarifying work establishes a baseline for understanding, and will be welcomed by all serious students of the spiritual heritage of India.
Devi-Bhagavata Purana, also known as the Shrimad Devi Bhagvatam, the Devi Bhagavatam, is one of the most important works in Shaktism, a branch of Hinduism focusing on the veneration of the divine feminine, along with the Devi Mahatmya. Also, the Devi-Bhagavata Purana claims itself as a Maha Purana ("Great Purana"). The Devi-Bhagavata Purana has a special importance for the Shakta sect within Hinduism. The text describes the Devi (Divine) the Goddess, as the foundation of the world and as identical with Brahman, the Supreme Being. As the divine mother, she reveals her virat rupa (universal form) and describes the proper ways for worshipping her: especially the practice of Yoga, Meditation, and Ritual. The Devi-Bhagavata Purana also deals with topics like spiritual knowledge, social and personal ethics, and holy places. Devi-Bhagavata Purana consists of 12 skandhas (books), 318 adhyayas (chapters) and 18,000 verses and it is ascribed to the sage Krishna Dvaipayana Veda Vyasa, who is also regarded as the author of the Mahabharata and who is credited with dividing the Vedas into four parts. The first skandha consists of 20 chapters. The first three chapters of the first skandha deal with the praise of Suta by Shaunaka for studying the eighteen puranas from Veda Vyasa and on the request of Shaunaka, Suta's beginning of narration. Chapters 4-19 describe the narrative of Suka. The last chapter narrates the story of the Mahabharata from the marriage of Shantanu with Satyavati to the birth of Dhritarashtra, Pandu and Vidura. The second, third, fourth, fifth, sixth and seventh skandhas consist of 12, 30, 25, 35, 31 and 40 chapters respectively. The last nine chapters (31-40) of the seventh skandha is known as the Devi Gita. It is a dialogue between Parvati and her father Himavat. It deals with the universal form of the Devi, meditations on the major texts of Upanishads, ashtanga-yoga, the yogas of jnana, karma and bhakti, locations of the temples dedicated to the Devi and the rituals pertaining to her worship. The eighth, ninth, tenth, eleventh, and twelfth skandhas have 24, 50, 13, 24 and 14 chapters respectively. Like other Puranas, the Devi-Bhagavata Purana contains narratives, sections praising the Devi as supreme, and instructions in various types of sadhana. Parts of it have worked their way into popular Hinduism, such as the narrative of the goddess Durga in her fight against the buffalo-demon Mahishasura (Book 5, Chapters 2-18), which is also described in the Devi Mahatmya. This narrative provides the mythological backdrop for the annual ritual called Durga Puja, celebrated especially in Bengal.
Retold in simple language, underlining importance of each Purana, with a lucid summary.