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Sivasankari (born October 14, 1942) is a renowned Tamil writer and activist. She has carved a niche for herself in the Tamil literary world during the last four decades with her works that reflect an awareness on social issues, a special sensitivity to social problems, and a commitment to set people thinking. She has many novels, novellas, short stories, travelogues, articles and biographies to her credit. Her works have been translated into several Indian languages, English, Japanese and Ukrainian. Eight of her novels have been made into films, having directed by renowned directors like K. Balachander, SP Muthuraman and Mahendran. Her novel 'Kutti' on girl child labour, filmed by the director Janaki Viswanathan, won the President's Award. Sivasankari's novels have also been made as teleserials, and have won the national as well as regional 'Best Mega Serial' awards. As a multi-faceted personality, she has won many prestigious awards including Kasturi Srinivasan Award, Raja Sir Annamalai Chettiyar Award, Bharatiya Bhasha Parishad Award, 'Woman of the year 1999-2000' by the International Women's Association, and so on. 'Knit India Through Literature' is her mega-project involving intense sourcing, research and translations of literature from 18 Indian languages, with a mission to introduce Indians to other Indians through culture and literature.
Featured in the Netflix series Love, Death & Robots Bestselling author Ken Liu selects his multiple award-winning stories for a groundbreaking collection—including a brand-new piece exclusive to this volume. With his debut novel, The Grace of Kings, taking the literary world by storm, Ken Liu now shares his finest short fiction in The Paper Menagerie and Other Stories. This mesmerizing collection features many of Ken’s award-winning and award-finalist stories, including: “The Man Who Ended History: A Documentary” (Finalist for the Hugo, Nebula, and Theodore Sturgeon Awards), “Mono No Aware” (Hugo Award winner), “The Waves” (Nebula Award finalist), “The Bookmaking Habits of Select Species” (Nebula and Sturgeon Award finalists), “All the Flavors” (Nebula Award finalist), “The Litigation Master and the Monkey King” (Nebula Award finalist), and the most awarded story in the genre’s history, “The Paper Menagerie” (The only story to win the Hugo, Nebula, and World Fantasy awards). Insightful and stunning stories that plumb the struggle against history and betrayal of relationships in pivotal moments, this collection showcases one of our greatest and original voices.
Daniel Abraham delighted fantasy readers with his brilliant, original, and engaging first novel, A Shadow in Summer. Now he has produced an even more powerful sequel, a tragedy as darkly personal and violent as Shakespeare's Macbeth. As a boy, Otah Machi was exiled from his family, Machi's ruling house. Decades later, he has witnessed and been part of world-changing events. Yet he has never returned to Machi. Now his father--the Khai, or ruler, of Machi--is dying and his eldest brother Biitrah has been assassinated, Otah realizes that he must return to Machi, for reasons not even he understands. Tradition dictates that the sons of a dying Khai fall upon each other until only one remains to succeed his father. But something even worse is occurring in Machi. The Galts, an expansive empire, has allied with someone in Machi to bring down the ruling house. Otah is accused, the long-missing brother with an all-too-obvious motive for murder. With the subtlety and wonderful storytelling skill of his first novel, Abraham has created a masterful drama filled with a unique magic, a suspenseful thriller of sexual betrayal, and Machiavellian politics. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Nora knows the secrets behind the horrifying things happening on Fear Street and reveals the dark legacy that marked the start of the terror three hundred years earlier, when a young girl was burned at the stake.
The brilliant new Elizabethan thriller from the highly acclaimed author of SACRED TREASON. 1564: Catholic herald William Harley, Clarenceux King of Arms, is the custodian of a highly dangerous document. When it is stolen, Clarenceux immediately suspects a group of Catholic sympathisers, the self-styled Knights of the Round Table. Francis Walsingham, the ruthless protégé of the queen's Principal Secretary, Sir William Cecil, intercepts a coded message from the Knights to a Countess known to have Catholic leanings. He is convinced that Clarenceux is trying to use the document to advance the cause of the Catholic Queen. And soon Clarenceux enters a nightmare of suspicion, deception and conspiracy. Conflict and fear, compounded by the religious doubts of the time, conceal a persistent mystery. Where has the document gone? Who has it and who really took it? And why? The roots of betrayal are deep and shocking: and Clarenceux's journey towards the truth entails not just the discovery of clues and signs, but also the discovery of himself.
The novel A Brief Excursion anchors this collection of fiction by one of the most significant postwar Croatian writers. This novel and six stories, including many from Soljan's first book, Traitors, reveal a sensibility both comic and poignant, devoted to questions of identity and solidarity, of how the one and the many conflict and intermingle-issues that were at the center of both political and literary life for Soljan. Whether fixing up a summerhouse on the Istrian coast or confronting prejudice and the past in a tourist town, Soljan's characters are stirred to action by an undefined longing, only to find the stark landscape of self-knowledge and loss.
He asked particularly for the nurse who was with Miss Hudson last week when he operated. I think he didn’t even remember that you had a name. When I asked if he meant Miss Randolph, he repeated that he wanted the nurse who had been with Miss Hudson. She was small, he said, and cheerful-looking. This, of course, might apply to one or two of the others, but none of these was with Miss Hudson...FROM THE BOOKS.
The Self, and Other Stories is an autoethnographic reflection on the value in the act of writing, illuminating the life of the researcher—in particular the researcher as human. Shepherd explores the multitudes of the academic, feminist self through expanding vocabularies of how scholars, researchers, writers, teachers, and academics can make sense of their worlds. At the intersection of international relations theory and the personal, Shepherd presents seven reflexive essays on aspects of being and knowing as she has encountered them. The essays are grounded in and inspired by her experiences as a way of asking readers to imagine how knowledge production in the social sciences might look different if we could create and hold space for different ways of writing, being, and knowing. The disciplining practices which produce our limited modes of academic expression can be encountered otherwise. She calls on us to reflect on academic subjectification across the interconnected spaces we simultaneously inhabit and produce.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.