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(Applause Books). Lose yourself in a universe of forces familiar and frightening in the 21 plays presented in this exclusive volume. The playwrights included here succeed in pushing back the boundaries of conventional dramatic expression. Among them, Lanford Wilson dissects a survivor's anguish after his lover's death in A Poster of the Cosmos and Deborah Pryor spins an eerie tale of spellbinding romance in The Love Talker . Richard Greenberg plots a battle of wills between a young writer and his elusive muse, while Sheila Walsh examines the exchange of a woman's soul for her husband's fame in Molly and James . From the starkly realistic to the fantastic, these plays challenge their audiences to confront the universal from a new perspective.
(Applause Books). A collection of eleven short plays from 1989. Includes: "The Author's Voice," "San Antonio Sunset," "There is No John Garfield," "The Mask of Hiroshima," "Penguin Blues," "Haiku," "Chemical Reactions," "Dolores," "April Snow," "Trout" and "A Poster of the Cosmos."
(Best American Short Plays). A collection of eleven short plays from 1989. Includes: "The Author's Voice" Richard Greenberg; "San Antonio Sunset" Willy Holtzman; "There Is No John Garfield" Ernest A. Joselovitz; "The Mask of Hiroshima" Ernest Ferlita; "Penguin Blues" Ethan Phillips; "Haiku" Katherine Snodgrass; "Chemical Reactions" Andrew Foster; "Dolores" Edward Allan Baker; "April Snow" Romulus Linney; "Trout" William R. Lewis; "A Poster of the Cosmos" Lanford Wilson.
Covers plays produced in New York, awards, details of productions, prizes, people, and publications, as well as the editors' choices of the ten best plays
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
Accurate and reliable biographical information essential to anyone interested in the world of literature TheInternational Who's Who of Authors and Writersoffers invaluable information on the personalities and organizations of the literary world, including many up-and-coming writers as well as established names. With over 8,000 entries, this updated edition features: * Concise biographical information on novelists, authors, playwrights, columnists, journalists, editors, and critics * Biographical details of established writers as well as those who have recently risen to prominence * Entries detailing career, works published, literary awards and prizes, membership, and contact addresses where available * An extensive listing of major international literary awards and prizes, and winners of those prizes * A directory of major literary organizations and literary agents * A listing of members of the American Academy of Arts and Letters
Beth Henley's twelve complete plays (three of which have been turned into films) have achieved worldwide production. At age 29, she produced her first full-length drama, Crimes of the Heart, which won a Pulitzer Prize and garnered three Academy Award nominations as a film. Her Mississippi upbringing and her penchant for the eccentricities of southern culture, however, have caused critics to categorize her writing as a kind of southern gothic folklore inspired by feminist ideology. This book, the first critical study of Henley's complete plays, attempts to dispel the common stereotypes that associate Henley's work with regional drama and sociological treatises. It argues instead that Henley can best be perceived as a dramatist who delineates an existential despair manifested in various forms of what Freud calls the modern neurosis. The book maintains that Henley's plays must be understood as universal statements about the angst of modern civilization, and Henley's characters are assessed in light of Freud's proposition that cultural restrictions create neurotic individuals. The introduction provides a brief account of Henley's childhood and career. Early chapters summarize the theory of the modern angoisse espoused in Freud's Civilization and Its Discontents, while later chapters relate this theory to thematic and stylistic elements of Henley's most popular play, Crimes of the Heart, as well as Am I Blue, The Wake of Jamie Foster, The Miss Firecracker Contest, The Debutante Ball, The Lucky Spot, Abundance, Signature, Control Freaks, Revelers, L-Play, and Impossible Marriage.
Gathers highlights from the season's ten best plays and information on plays produced in the United States