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(Applause Books). Lose yourself in a universe of forces familiar and frightening in the 21 plays presented in this exclusive volume. The playwrights included here succeed in pushing back the boundaries of conventional dramatic expression. Among them, Lanford Wilson dissects a survivor's anguish after his lover's death in A Poster of the Cosmos and Deborah Pryor spins an eerie tale of spellbinding romance in The Love Talker . Richard Greenberg plots a battle of wills between a young writer and his elusive muse, while Sheila Walsh examines the exchange of a woman's soul for her husband's fame in Molly and James . From the starkly realistic to the fantastic, these plays challenge their audiences to confront the universal from a new perspective.
(Applause Books). A collection of eleven short plays from 1989. Includes: "The Author's Voice," "San Antonio Sunset," "There is No John Garfield," "The Mask of Hiroshima," "Penguin Blues," "Haiku," "Chemical Reactions," "Dolores," "April Snow," "Trout" and "A Poster of the Cosmos."
(Best American Short Plays). A collection of eleven short plays from 1989. Includes: "The Author's Voice" Richard Greenberg; "San Antonio Sunset" Willy Holtzman; "There Is No John Garfield" Ernest A. Joselovitz; "The Mask of Hiroshima" Ernest Ferlita; "Penguin Blues" Ethan Phillips; "Haiku" Katherine Snodgrass; "Chemical Reactions" Andrew Foster; "Dolores" Edward Allan Baker; "April Snow" Romulus Linney; "Trout" William R. Lewis; "A Poster of the Cosmos" Lanford Wilson.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
A collection of one-act plays from American playwrights, which cover such themes as love, fantasy, politics, grief, marriage, crime, and deceit.
Covers plays produced in New York, awards, details of productions, prizes, people, and publications, as well as the editors' choices of the ten best plays
THE STORIES: THE DANCE AND THE RAILROAD. While his fellow workers are striking for higher pay, Lone, once an actor in China, exercises and practices alone on a mountaintop the ritual gestures used in Chinese opera. Ma, a slightly younger man, who w
Mention southern drama at a cocktail party or in an American literature survey, and you may hear cries for "Stella!" or laments for "gentleman callers." Yet southern drama depends on much more than a menagerie of highly strung spinsters and steel magnolias. Charles Watson explores this field from its eighteenth- and nineteenth-century roots through the southern Literary Renaissance and Tennessee Williams's triumphs to the plays of Horton Foote, winner of the 1994 Pulitzer Prize. Such well known modern figures as Lillian Hellman and DuBose Heyward earn fresh looks, as does Tennessee Williams's changing depiction of the South—from sensitive analysis to outraged indictment—in response to the Civil Rights Movement. Watson links the work of the early Charleston dramatists and of Espy Williams, first modern dramatist of the South, to later twentieth-century drama. Strong heroines in plays of the Confederacy foreshadow the spunk of Tennessee Williams's Amanda Wingfield. Claiming that Beth Henley matches the satirical brilliance of Eudora Welty and Flannery O'Connor, Watson connects her zany humor to 1840s New Orleans farces. With this work, Watson has at last answered the call for a single-volume, comprehensive history of the South's dramatic literature. With fascinating detail and seasoned perception, he reveals the rich heritage of southern drama.
Provides a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to American classics such as Arthur Miller's Death of a Salesman and Thornton Wilder's Our Town to the groundbreaking works of today's best writers.