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John Betjeman was without question the most popular poet of the twentieth century and his poems have been bought and read by millions. He opened eyes to what before him had seemed ordinary but is now unforgettable. There is no other poet remotely like him and this collection of favourites is a perfect reminder of his extraordinary originality and appeal. It is perfect too for those who still have in store the pleasure of discovery.
John Betjeman was without question the most popular poet of the twentieth century and his poems have been bought and read by millions. He opened eyes to what before him had seemed ordinary but is now unforgettable. There is no other poet remotely like him and this collection of favourites is a perfect reminder of his extraordinary originality and appeal. It is perfect too for those who still have in store the pleasure of discovery.
John Betjeman, appointed Poet Laureate in 1972, is celebrated as the best loved poet of the twentieth century. His subtle blend of wit and melancholia, affection and criticism continues to attract an ever-expanding readership. From beneath his sparkling wit and deceptively simple nostalgia, Betjeman emerges as the authority on a broad range of subjects from conservation and church architecture to tradition and Englishness. In this selection of his greatest poetry and prose, cherished classics such as Slough, Pot Pourri from a Surrey Garden and A Subaltern’s Love-song sit beside rare gems like Metro-land, Betjeman’s critically acclaimed film script.
A selection of poetry, prose and work for television covering nearly 50 years.
This volume presents a selection of Betjeman's poems. They deal with love of many sorts, with people of all kinds observed with comedy and pathos, with the places he made his own and with the church whose foibles he pinpointed so exactly.
Tells the story of a boy's growth to early manhood, seaside holidays, meddling arts, school bullies and an unexpected moment of religious awakening.
Much of the originality of John Betjeman as a poet, apart from the unique assonance of his haunting verse forms, comes from the sharp and affectionate gusto with which he introduces his readers to the people and places in a poetic world he has made so much his own. He has few rivals in the personal harmonics he draws from his themes and from the natural world as the setting for human hopes and achievements in all their odd, humorous, and poignant trajectories.