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The nation's favourite annual guide to the short story, now in its seventh year.Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This critically acclaimed series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.Featuring stories by Jay Barnett, Peter Bradshaw, Rosalind Brown, Krishan Coupland, Claire Dean, Niven Govinden, Françoise Harvey, Andrew Michael Hurley, Daisy Johnson, James Kelman, Giselle Leeb, Courttia Newland, Vesna Main, Eliot North, Irenosen Okojie, Laura Pocock, David Rose, Deirdre Shanahan, Sophie Wellstood and Lara Williams.
?There is no more carefully chosen yet eclectic anthology series in existence in Britain todayOCO ?SUSAN HAIGH, "The Short Review" "Best British Short Stories" invites you to judge a book by its cover ? or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editorOCOs brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Featuring: Elizabeth Baines, David Constantine, Ailsa Cox, Claire Dean, Stuart Evers, Jonathan Gibbs, Jay Griffiths, David Grubb, M John Harrison, Vicki Jarrett, Richard Knight, Philip Langeskov, Sion Melangell Dafydd, Anna Metcalfe, Louise Palfreyman, Christopher Priest, Joanne Rush, Mick Scully, Joanna Walsh and Adam Wilmington. Praise for Best British Short Stories ?Another effective and well-rounded short story anthology from Salt ? keep up the good work, we say!OCO ?SARAH-CLARE CONLON, "Bookmunch" ?This annual feast satisfies again. Time and again, in Royle's crafty editorial hands, closely observed normality yields (as Nikesh Shukla's spear-fisher grasps) to the things we ?cannot controlOCO.OCO ?BOYD TONKIN, "The Independent" ?Highly recommendedOCO ?KATE SAUNDERS, "The Times""
'There is no more carefully chosen yet eclectic anthology series in existence in Britain today' - Susan Haigh, The Short Review Best British Short Stories invites you to judge a book by its cover - or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor's brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Featuring: Elizabeth Baines, David Constantine, Ailsa Cox, Claire Dean, Stuart Evers, Jonathan Gibbs, Jay Griffiths, David Grubb, M John Harrison, Vicki Jarrett, Richard Knight, Philip Langeskov, Sian Melangell Dafydd, Anna Metcalfe, Louise Palfreyman, Christopher Priest, Joanne Rush, Mick Scully, Joanna Walsh and Adam Wilmington. Praise for Best British Short Stories 'Another effective and well-rounded short story anthology from Salt - keep up the good work, we say!' - Sarah-Clare Conlon, Bookmunch 'This annual feast satisfies again. Time and again, in Royle's crafty editorial hands, closely observed normality yields (as Nikesh Shukla's spear-fisher grasps) to the things we "cannot control."' - Boyd Tonkin, The Independent 'Highly recommended' - Kate Saunders, The Times
This anthology is in many was a ‘best of the best’, containing gems from thirty-four of Britain's outstanding contemporary writers. It is a book to dip into, to read from cover to cover, to lend to friends and read again. It includes stories of love and crime, stories touched with comedy and the supernatural, stories set in London, Los Angeles, Bucharest and Tokyo. Above all, as you will discover, it satisfies Samuel Butler's anarchic pleasure principle: 'I should like to like Schumann's music better than I do; I daresay I could make myself like it better if I tried; but I do not like having to try to make myself like things; I like things that make me like them at once and no trying at all ...'
The nationâe(tm)s favourite annual guide to the short story, now in its sixth year.Best British Short Stories invites you to judge a book by its cover âe" or more accurately, by its title. This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editorâe(tm)s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume.This new anthology includes stories by: Claire-Louise Bennett, Neil Campbell, Crista Ermiya, Stuart Evers, Trevor Fevin, David Gaffney, Janice Galloway, Jessie Greengrass, Kate Hendry, Thomas McMullan, Graham Mort, Ian Parkinson, Tony Peake, Alex Preston, Leone Ross, John Saul, Colette Sensier, Robert Sheppard, DJ Taylor, Greg Thorpe and Mark Valentine.
**WINNER of the 2013 Frank O'Connor International Short Story Award** **WINNER of the BBC National Short Story Prize** 'The excellence of the collection is fractal: the whole book is excellent, and every story is excellent, and every paragraph is excellent, and every sentence is excellent. And, unlike some literary fiction, it's effortless to read.' - The Independent on Sunday ‘Perhaps the finest of contemporary writers in this form.’ – The Reader To the woman watching they looked like grace itself, the heart and soul of which is freedom. It pleased her particularly that they were attached by invisible strings to colourful curves of rapidly moving air. How clean and clever that was! You throw up something like a handkerchief, you tether it and by its headlong wish to fly away, you are towed along... Like the kite-surfers in this opening scene, the characters in David Constantine’s fourth collection are often delicately caught in moments of defiance. Disregarding their age, their family, or the prevailing political winds, they show us a way of marking out a space for resistance and taking an honest delight in it. Witness Alphonse – having broken out of an old people’s home, changed his name, and fled the country – now pedalling down the length of the Rhône, despite knowing he has barely six months to live. Or the clergyman who chooses to spend Christmas Eve – and the last few hours in his job – in a frozen, derelict school, dancing a wild jig with a vagrant called Goat. Key to these characters’ defiance is the power of fiction, the act of holding real life at arm’s length and simply telling a story – be it of the future they might claim for themselves, or the imagined lives of others. Like them, Constantine’s bewitching, finely-wrought stories give us permission to escape, they allow us to side-step the inexorable traffic of our lives, and beseech us to take possession of the moment.
Since its first printing in 1954, this outstanding anthology has been the book of choice by teachers, students, and lovers of short fiction. Surveying stories by British and American writers in the first half of the twentieth century, editors Robert Penn Warren and Albert Erskine selected stories that broke new ground and challenged the imagination with their style, subject matter, or tone: the unforgettable, enduring works that shaped the literature of our time. A truly exceptional collection of great stories, including: The Bride Comes to Yellow Sky by Stephen Crane The Horse Dealer’s Daughter by D. H. Lawrence Barn Burning by William Faulkner The Sojourner by Carson McCullers The Open Window by Saki Flowering Judas by Katherine Anne Porter The Boarding House by James Joyce Soldier’s Home by Ernest Hemingway The Tree of Knowledge by Henry James Why I Live at the P.O. by Eudora Welty . . . and twenty-five more of the century’s best stories!
From the acclaimed, New York Times bestselling award-winning author of Serena and The Cove, thirty of his finest short stories, collected in one volume. No one captures the complexities of Appalachia—a rugged, brutal landscape of exquisite beauty—as evocatively and indelibly as author and poet Ron Rash. Winner of the Frank O'Connor International Short Story Award, two O Henry prizes, and a finalist for the PEN/Faulkner Award, Rash brilliantly illuminates the tensions between the traditional and the modern, the old and new south, tenderness and violence, man and nature. Though the focus is regional, the themes of Rash’s work are universal, striking an emotional chord that resonates deep within each of our lives. Something Rich and Strange showcases this revered master’s artistry and craftsmanship in thirty stories culled from his previously published collections Nothing Gold Can Stay, Burning Bright, Chemistry, and The Night New Jesus Fell to Earth. Each work of short fiction demonstrates Rash’s dazzling ability to evoke the heart and soul of this land and its people—men and women inexorably tethered to the geography that defines and shapes them. Filled with suspense and myth, hope and heartbreak, told in language that flows like “shimmering, liquid poetry” (Atlanta Journal Constitution), Something Rich and Strange is an iconic work from an American literary virtuoso.
Ranging from the 19th to the 20th centuries, this wonderfully wide-ranging and enjoyable anthology includes Tolstoy, Kipling, Chekhov, Joyce, Kafka, Pirandello, Mann, Updike, Borges, and other major writers of world literature.