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Hailed as a classic by reviewers and historians, Bertram Wyatt-Brown's Southern Honor now appears in abridged form under the title Honor and Violence in the Old South. Winner of a Phi Alpha Theta Book Award and a Jefferson Davis Memorial Book Award and a finalist for the Pulitzer Prize in History, this is the first major reinterpretation of Southern life and custom since W.J, Cash's The Mind of the South. It explores the meaning and expression of the ancient code of honor as whites—both slaveholders and non-slaveholders—applied it to their lives. Wyatt-Brown ranges widely—covering topics such as childbearing, marital patterns, duelling, slave discipline, and lynch-law—to discover the role of honor in the psyche of white Southerners.
Ancient Egypt infiltrates Regency England in this elegant, hilarious, witty, insane, and unexpectedly romantic monster parody of Jane Austen's classic novel.
Author Paul T. Gilbert has filled Bertram and His Fabulous Animals, first published in 1937, with ten tales of Bertram's imaginative antics. Drawings by Minnie H. Rousseff and Barbara Maynard illustrate his adventures with a dragon, griffin, squeazle-weasel, unicorn, mermaid, anting-anting, dinosaur, roc, and miki-miki, as well as everyone's favorite winged horse, Pegasus.
Why do we read? What do we cherish in a book? What is the nature of a masterpiece? What do Alice Munro, Albert Camus, and the great Polish experimentalist Witold Gombrowicz have in common? In the tradition of Nabokov, Calvino, and Kundera, Douglas Glover’s new essay collection fuses his long experience as an author with his love of philosophy and his passion for form. Call it a new kind of criticism or an operator’s manual for readers and writers, The Erotics of Restraint extends Glover’s long and deeply personal conversation with great books and their authors. With the same dazzling mix of emotion and idea that characterizes his fiction, he dissects narrative and shows us how and why it works, why we love it, and how that makes us human. Erudite and obsessively detailed, inventive, confessional, and cheeky, these essays offer a brilliant clarity, a respite in an age of doubt. They raise the bar.
With the Christmas season upon him, Detective Sergeant Bruce Robertson of Edinburgh's finest is gearing up socially—kicking things off with a week of sex and drugs in Amsterdam. There are some sizable flies in the ointment, though: a missing wife and child, a nagging cocaine habit, some painful below-the-belt eczema, and a string of demanding extramarital affairs. The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . . .In Bruce Robertson Welsh has created one of the most compellingly misanthropic characters in contemporary fiction, in a dark and disturbing and often scabrously funny novel about the abuse of everything and everybody. "Welsh writes with a skill, wit and compassion that amounts to genius. He is the best thing that has happened to British writing in decades."—Sunday Times [London] "[O]ne of the most significant writers in Britain. He writes with style, imagination, wit, and force, and in a voice which those alienated by much current fiction clearly want to hear."—Times Literary Supplement "Welsh writes with such vile, relentless intensity that he makes Louis-Ferdinand Céline, the French master of defilement, look like Little Miss Muffet. "—Courtney Weaver, The New York Times Book Review "The corrupt Edinburgh cop-antihero of Irvine Welsh's best novel since Trainspotting is an addictive personality in another sense: so appallingly powerful is his character that it's hard to put the book down....[T]he rapid-fire rhythm and pungent dialect of the dialogue carry the reader relentlessly toward the literally filthy denouement. "—Village Voice Literary Supplement, "Our 25 Favorite Books of 1998" "Welsh excels at making his trash-spewing bluecoat peculiarly funny and vulnerable—and you will never think of the words 'Dame Judi Dench' in the same way ever again. [Grade:] A-. "—Charles Winecoff, Entertainment Weekly
Little Bertram, he's always bringing home the most extraordinary pets, usually after asking his mamma for permission first, of course. But who ever heard of cutting holes in the ceiling for a giraffe? Running from a dangerously ticklish rhinoceros? Or dealing with a baboon for a babysitter? If only Bertram would bring home a dog or a cat or even a turtle instead, he might not find himself in such predicaments. And his mamma-my, is she frazzled! Author Paul T. Gilbert, who happened to have a son just like Bertram, first imagined these pet-ownership mishaps as bedtime stories, full of laughter and mayhem and wacky good fun. Bertram and His Funny Animals became a book in 1934. Now it's back in a new edition, and this time a troublesome camel joins the original's mischievous menagerie! Children will love Bertram's cackle-inducing dilemmas and the sweet drawings by Minnie Rousseff, and parents will delight in tales filled with the charming foibles of childhood. Assisting Bertram in his misadventures are his well-behaved little brother, Baby Sam, and friends Ginny Banning and George Fish. Aunt Ella and Great-Aunt Jane reliably offer their disapproval of Bertram's not-so-wild animals. Neighbor Mrs. Cree is appropriately nosy. Bertram's mamma, well, she means well. And Bertram's daddy always manages to save the day (that is, when he gets back from business in Omaha).