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"The novel that asks the question: How much do you have to pay to get on the bestseller list?"--cover.
Les Belles Lettres (The Beautiful Letters) is a collection of poetry, prose, and thoughtful musings that come from the deep desire to bring beauty and enlightenment to fellow dreamers and romantics. In a world where bite-sized, commercialized snippets have been glorified as poetry, Les Belles Lettres is an ode to classical poetry, and a take on modern day prose alike. Inspired by an old poetry anthology one might find in a vintage book store, with the feeling of a newly discovered, yet age-old treasure. It is a collection of writings by Sarah Loven, spanning from across her teenage years, into young adult and womanhood. It is not just poetry, but also a journal, a note to self, and a love letter to the world. Les Belles Lettres is written for anyone with an eye for beauty and an artistic soul, with no limit on age bracket or gender. An experience encapsulated in words, and divided into 4 chapters: Love, Musings, Inspiration & Poetry. Pronounced: Lay Bell Let(rh!)
'Abbasid literature was characterized by the emergence of many new genres and of a scholarly and sophisticated critical consciousness. This volume of The Cambridge History of Arabic Literature covers the prose and poetry produced in the heartland and provinces of the 'Abbasid Empire from the mid-eighth to the thirteenth centuries A.D. Chronologically organized, the book explores the main genres and provides extended studies of major poets, prose writers and literary theorists. To make the material accessible to nonspecialist readers, 'Abbasid authors are quoted in English translation wherever possible, and clear explanations of their literary techniques and conventions are provided. The volume concludes with the first comprehensive survey of the relatively unknown literature of the Yemen to appear in a European language since the manuscript discoveries of recent years.
In the middle of the eighteenth century, English literature, composition, and rhetoric were introduced almost simultaneously into colleges throughout the British cultural provinces. Professorships of rhetoric and belles lettres were established just as print was reaching a growing reading public and efforts were being made to standardize educated taste and usage. The provinces saw English studies as a means to upward social mobility through cultural assimilation. In the educational centers of England, however, the introduction of English represented a literacy crisis brought on by provincial institutions that had failed to maintain classical texts and learned languages.Today, as rhetoric and composition have become reestablished in the humanities in American colleges, English studies are being broadly transformed by cultural studies, community literacies, and political controversies. Once again, English departments that are primarily departments of literature see these basic writing courses as a sign of a literacy crisis that is undermining the classics of literature. The Formation of College English reexamines the civic concerns of rhetoric and the politics that have shaped and continue to shape college English.
Winner of the PEN Open Book Award * Winner of the Whiting Award * Longlisted for the National Book Award and Aspen Words Literary Prize * Nominated for the PEN/Robert W. Bingham Prize * Finalist for the Kirkus Prize and Los Angeles Times Book Prize Named a Best Book of the Year by Refinery29, NPR, The Root, HuffPost, Vanity Fair, Bustle, Chicago Tribune, PopSugar, and The Undefeated In one of the season’s most acclaimed works of fiction, Nafissa Thompson-Spires offers “a firecracker of a book...a triumph of storytelling: intelligent, acerbic, and ingenious” (Financial Times). Nafissa Thompson-Spires grapples with race, identity politics, and the contemporary middle class in this “vivid, fast, funny, way-smart, and verbally inventive” (George Saunders, author of Lincoln in the Bardo) collection. Each captivating story plunges headfirst into the lives of utterly original characters. Some are darkly humorous—two mothers exchanging snide remarks through notes in their kids’ backpacks—while others are devastatingly poignant. In the title story, when a cosplayer, dressed as his favorite anime character, is mistaken for a violent threat the consequences are dire; in another story, a teen struggles between her upper middle class upbringing and her desire to fully connect with so-called black culture. Thompson-Spires fearlessly shines a light on the simmering tensions and precariousness of black citizenship. Boldly resisting categorization and easy answers, Nafissa Thompson-Spires “has taken the best of what Toni Cade Bambara, Morgan Parker, and Junot Díaz do plus a whole lot of something we’ve never seen in American literature, blended it all together...giving us one of the finest short-story collections” (Kiese Laymon, author of Long Division).
Literature begins at Sumer, we may say. Given that this ancient crossroads of tin and copper produced not only bronze and the entire Bronze Age, but also by neccesity, the first system of record-keeping and the technique of writing. Scribal schools served to propogate the new technique and their curriculum grew to create, preserve and transmit all manner of creative poetry. In a lifetime of research, the author has studied multiple aspects of this most ancient literary oeuvre, including such questions as chronology and bilingualism, as well as contributing fundamental insights into specific genres such as proverbs, letter-prayers and lamentations. In addition, he has drawn conclusions for the comparative or contextual approach to biblical literature. His studies, widely scattered in diverse publications for nearly fifty years, are here assembled in convenient one-volume format, made more user-friendly by extensive cross-references and indices.