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This selection of papers by scholarly specialists offers an introduction to the history of the book and book culture in West Asia and North Africa from antiquity to the 20th century. The flourishing and long-lived manuscript tradition is discussed in its various aspects - social and economic as well as technical and aesthetic. The very early but abortive introduction of printing - long before Gutenberg - and the eventual, belated acceptance of the printed book and the development of print culture are explored in further groups of papers. Cultural, aesthetic, technological, religious, social, political and economic factors are all considered throughout the volume. Although the articles reflect the predominance in the area of Muslim books - Arabic, Persian and Turkish - the Hebrew, Syriac and Armenian contributions are also discussed. The editor’s introduction provides a survey of the field from the origins of writing to the modern literary and intellectual revivals.
Middle Eastern newspapers evolved in the 19th century and were shaped during a period of accelerated change into a unique political, social and cultural role. Drawing on a wealth of sources, this study explores the press as a fundamental Middle Eastern institution.
Prior to the twentieth century, Arab society in Palestine was predominantly illiterate, with most social and political activities conducted through oral communication. There were no printing presses, no book or periodical production, and no written signs in public places. But a groundswell of change rapidly raised the region's literacy rates, a fascinating transformation explored for the first time in Reading Palestine. Addressing an exciting aspect of Middle Eastern history as well as the power of the printed word itself, Reading Palestine describes how this hurried process intensified the role of literacy in every sphere of community life. Ami Ayalon examines Palestine's development of a modern educational system in conjunction with the emergence of a print industry, libraries and reading clubs, and the impact of print media on urban and rural populations. Drawn from extensive archival sources, official reports, autobiographies, and a rich trove of early Palestinian journalism, Reading Palestine provides crucial insight into the dynamic rise of literacy that revolutionized the way Palestinians navigated turbulent political waters.
Bernard Lewis looks at the new era in the Middle East. With the departure of imperial powers, the region must now, on its own, resolve the political, economic, cultural, and societal problems that prevent it from accomplishing the next stage in the advance of civilization. There is enough in the traditional culture of Islam on the one hand and the modern experience of the Muslim peoples on the other, he explains, to provide the basis for an advance toward freedom in the true sense of that word.
This is the first comprehensive examination of block printing in the medieval Islamic world. Examples of Arabic block prints have been preserved in various collections across the globe, but they have long been treated as curiosities and oddities. Here, for the first time, a large representative corpus of block prints is examined and illustrated. The first section of the book places Arabic block printing in historical perspective and recounts their rediscovery by modern day scholars. The second section illustrates fifty-five examples of medieval Arabic block printed amulets, provides detailed techical descriptions of each, presents transcriptions of their texts into legible Arabic and offers translations of those texts into English.
This book seeks to explain the political and religious factors leading to the economic reversal of fortunes between Europe and the Middle East.
Explores two centuries of history in the Middle East, from Napoleon's invasions of Egypt, through the Ottoman Empire's collapse, to the discovery of oil, the founding of Israel, and beyond
The great cities of the Middle East and North Africa have long attracted the attention and interest of historians. With the discovery and wider use over the last few decades of Islamic court records and Ottoman administrative documents, our knowledge of Middle Eastern cities between the seventeenth and early twentieth centuries has vastly expanded. Drawing upon a treasure trove of documents and using a variety of methodologies, the contributors succeed in providing a significant overview of the ways in which Middle Eastern cities can be studied, as well as an excellent introduction to current literature in the field.
A collection of essays examining the role and power of images from a wide variety of media in today’s Middle Eastern societies. This timely book examines the power and role of the image in modern Middle Eastern societies. The essays explore the role and function of image making to highlight the ways in which the images “speak” and what visual languages mean for the construction of Islamic subjectivities, the distribution of power, and the formation of identity and belonging. Visual Culture in the Modern Middle East addresses aspects of the visual in the Islamic world, including the presentation of Islam on television; on the internet and other digital media; in banners, posters, murals, and graffiti; and in the satirical press, cartoons, and children’s books. “This volume takes a new approach to the subject . . . and will be an important contribution to our knowledge in this area. . . . It is comprehensive and well-structured with fascinating material and analysis.” —Peter Chelkowski, New York University “An innovative volume analyzing and instantiating the visual culture of a variety of Muslim societies [which] constitutes a substantially new object of study in the regional literature and one that creates productive links with history, anthropology, political science, art history, media studies, and urban studies, as well as area studies and Islamic studies.” —Walter Armbrust, University of Oxford
This second edition considers how the 'global war on terror' has changed the way the West views the Islamic world.