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The final book by the noted novelist, short story writer, and teacher John L'Heureux: the story of an affable stranger whose appeals for money gradually upend the lives of an academic's family After a decades-long career as a critically acclaimed writer (including several novels with Viking and Penguin in the late '80s and early '90s) John L'Heureux had a late flowering in his career. In the year before his death in April of 2019, The New Yorker published three of his stories, and a collection of his short stories will be published by A Public Space in December 2019. His final novel, The Beggar's Pawn, is the story of a family whose chance meeting with a stranger while dog walking slowly becomes an ominous invasion of their domestic lives. David and Maggie Holliss are an ordinary married couple about to ease into a comfortable, well-earned retirement while tending to three middle-aged children with whom they share an edgy relationship of love and resentment. Reginald Parker enters their lives when he saves their dog from being run over by a truck, and when asked how they can possibly thank him, he replies with a request for the loan of two hundred dollars. They lend it to him, gladly, and thus begins what will become for them and their family a nightmare that moves from comic resignation to stark tragedy. In The Beggar's Pawn, John L'Heureux explores the strains of marriage, the nature of trust, the limits of love, and the inevitability of fate.
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In this fascinating study of a community of Chinese beggars, David Schak offers evidence that challenges widely held theories on poverty. It is a path-breaking, systematic anthropological study that challenges long-held beliefs about poverty, and is one of the few works on beggars available. Over a period of seven years, Schak's fieldwork uncovers a structure of leadership, organizational methods, and alms-getting tactics. Moreover, certain members became upwardly mobile and able to leave this lifestyle. The severe stigma of gambling, adultery, and failure to marry proved the stimulus for a younger generation to leave begging behind.
This selection gives equal weight to the two aspects of Robert Burns's reputation, as a lyricist and as a much-loved Scottish poet. Placing works in probable order of composition, it includes lyrics to his most well known songs, such as the nostalgic Auld Lang Syne, the romantic A Red, Red Rose, and the patriotic Scots What Hae. As a poet, Burns wrote with deceptive simplicity and imaginative sympathy, and demonstrated enormous range - from comic dramatic monologues such as Holy Willie's Prayer, which mocks hypocrisy, to narratives including the celebrated Tam O' Shanter, about the ghostly visions of a drunk.
DigiCat Publishing presents to you this special edition of "The Beggar's Purse: A Fairy Tale of Familiar Finance" by Samuel Hopkins Adams. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
This is a rich and comprehensive study of beggars’ culture and the institution of mendicancy in China from late imperial times to the mid-twentieth century, with a glance at the resurgence of beggars in China today. Generously illustrated, the book brings to life the concepts and practices of mendicancy including organized begging, state and society relations as reflected in the issues of poverty, public opinions of beggars and various factors that contribute to almsgiving, the role of gender in begging, and street people and Communist politics. Panoramically, the reader will see that the culture and institution of Chinese mendicancy, which had its origins in earlier centuries, remained remarkably consistent through time and space and that there were perennial and lively interactions between the world of beggars and mainstream society.
With over 60 contributions, The Tokugawa World presents the latest scholarship on early modern Japan from an international team of specialists in a volume that is unmatched in its breadth and scope. In its early modern period, under the Tokugawa shoguns, Japan was a world apart. For over two centuries the shogun’s subjects were forbidden to travel abroad and few outsiders were admitted. Yet in this period, Japan evolved as a nascent capitalist society that could rapidly adjust to its incorporation into the world system after its forced "opening" in the 1850s. The Tokugawa World demonstrates how Japan’s early modern society took shape and evolved: a world of low and high cultures, comic books and Confucian academies, soba restaurants and imperial music recitals, rigid enforcement of social hierarchy yet also ongoing resistance to class oppression. A world of outcasts, puppeteers, herbal doctors, samurai officials, businesswomen, scientists, scholars, blind lutenists, peasant rebels, tea-masters, sumo wrestlers, and wage workers. Covering a variety of features of the Tokugawa world including the physical landscape, economy, art and literature, religion and thought, and education and science, this volume is essential reading for all students and scholars of early modern Japan.