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A comprehensive study guide offering in-depth explanation, essay, and test prep for John Gay’s The Beggar’s Opera, without a doubt the most popular drama written during the hundred years between 1700 and 1800. As a comedy of the Restoration period of British drama, the humor in The Beggar’s Opera serves as a medium for carrying the author's meaning - social satire - which is applicable in all countries at all times. Moreover, the basis of the play's success rests on three factors: its artistic merit; its originality (this is in part measured by the number of later dramas which clearly display the influence of its innovations); and its pervasive humor. This Bright Notes Study Guide explores the context and history of Gay’s classic work, helping students to thoroughly explore the reasons it has stood the literary test of time. Each Bright Notes Study Guide contains: - Introductions to the Author and the Work - Character Summaries - Plot Guides - Section and Chapter Overviews - Test Essay and Study Q&As The Bright Notes Study Guide series offers an in-depth tour of more than 275 classic works of literature, exploring characters, critical commentary, historical background, plots, and themes. This set of study guides encourages readers to dig deeper in their understanding by including essay questions and answers as well as topics for further research.
When Richard Steele remarked that the greatest Evils in human Society are such as no Law can come at, he was not able to forsee the spectacular success of John Gay's satire of society, the administration of law and crime, politics, the Italian opera and other topics. Gay's The Beggar's Opera, with its mixture of witty dialogue and popular songs, was imitated by 18th century writers, criticized by those on the seats of power, but remained a favourite of the English theatre public ever since. With N. Playfair's 1920 revival and B. Brecht's and K. Weill's 1928 Dreigroschenoper, Gay's play has been a starting-point for dramatists such as V. Havel (Zebrácká opera, 1975), W. Soyinka (Opera Wonyosi, 1977), Ch. Buarque (Ópera do Malandro, 1978), D. Fo (L'opera dello sghignazzo, 1981), A. Ayckbourn (A Chorus of Disapproval, 1984), as well as others such as Latouche, Hacks, Fassbinder, Dear, Wasserman, and Lepage. Apart from contributions by international scholars analysing the above-named plays, the editors' introduction covers other dramatists that have payed hommage to Gay. This interdisciplinary collection of essays is of particular interest for scholars working in the field of drama/theatre studies, the eighteenth century, contemporary drama, postcolonial studies, and politics and the stage.
In this work, John Gay turned the conventions of Italian opera riotously upside-down, instead using traditional popular ballads and street tunes, while also indulging in political satire at the expense of the then Prime Minister, Sir Robert Walpole.
Gale Researcher Guide for: John Gay and The Beggar's Opera is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
First published in 1959. Routledge is an imprint of Taylor & Francis, an informa company.