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The Honda collection is one of the finest private collections of South-East Asian ceramics ever assembled. Exceptional in its range and quality, it includes over 350 pieces from Burma, Cambodia, Laos, and Thailand that span some 4,000 years, from the Neolithic period to the seventeenth century. The pieces are outstanding and in excellent condition. They serve as model examples to present the latest research on various aspects of South-East Asian ceramics, including new kiln sites and dating. This English edition aims to make the Honda collection available to a wider, more general readership. Not only does it boast superb colour photographs of the pieces featured but it also contains an abundance of black-and-white illustrations, including photographs, line drawings, and maps, to augment the text.
This book should appeal to a wide range of people but particularly those who would like to have a go at pottery without having to spend a lot of money on a kiln.
Formulating, mixing, applying and firing clay boolies and glazes.
"Though their work is informed by a shared sense of culture, place, and identity as women, each artist has her own unique style, source of inspiration, and approach to her craft. Daily life and flights of fancy, spiritual devotion and earthly concerns all find expression in these finely crafted and beautifully colored ceramic marvels, including street scenes and nativities, Virgins and Zapotec creatures, vases, plates, candleholders, and figures of Frida Kahlo."--BOOK JACKET.
This book covers techniques of firing and finishing at low temperature without using glazes. Many ancient cultures and contemporary potters use methods of low firing, adding slips and burnishing pieces to create a more natural finish. The advantages are that it can be done without a kiln using old dustbins, pits dug out of the earth, or bonfires, meaning that providing you have outdoor space, it can be done on a low budget. This book is a step-by-step practical approach and beginner's guide, which focuses on how to do low firing and natural finishes, with many illustrations of beautiful work by contemporary makers. Chapters include burnishing, terra sigillata, smoke-firing, pit-firing, saggar firing and raku techniques.
Banished from her clan for being a Muslim, a 400 year-old jinn named Zamar is hiding from her past. But an ancient evil is about to surface, unearthing her secrets and carrying painful reminders of the life she once lived. Ages ago, Zamar had lived in solitary exile along the banks of the Senegal River. Then a lone man entered her world, altering it forever. Spanning several centuries, book one of Fire & Clay, pulls you into the unseen world of mankind's distant cousins, the jinn. Like humans, these beings were given the gift of free will. And like us there are a few that choose the way of good, some that choose the way of evil, and many that live their lives torn between the two. But what happens when the lives of creatures cast from smokeless fire, and those shaped from the clay of the Earth become intertwined? The story told here takes readers on a journey of mystery, imagination, and magic to search for the answers. It plunges into the depths of jealousy, fear, and greed-as well as violence, sorrow, and loss. But it also scales the heights of love and faith, hope and deliverance. This story may be fictional, but it is true. Its truths are about what it means to be human, what it means to have the power to choose. Fire & Clay is no mere fairytale. What we can see, touch, and taste is only a narrow sliver of reality. There is a war being fought all around us, even within us. And sooner than we might think, our final battle is coming.
This book describes the development of the main types of wood-fired kilns used by today's potters.
The known history of ceramics is over 30,000 years old. The outcome of man's discovery of the properties of fired clay opened a technological portal that remains open today. Acknowledging there are many excellent books on ceramics, Palul has written a series of short stories in a historical novel format, showing unique characters actually experiencing clay in their lives - making discoveries and technical advances, creating objects in their times and places - a book that is not only technically informative, but educational and interesting to read as well. Palul draws on 50 years experience as a ceramic artist and 35 years teaching the subject for Shasta College in Redding, California. Book 1 of the series covers three major clay discoveries during prehistoric times between 30,000 and 9,000 BC.
" ... Included is a historical chapter, a how-to chapter, and a series of artist profiles that showcase pit fired ceramics of contemporary practitioners."--Page 2 of cover.
Provides an introduction to clay and pottery, plus instructions for twenty-five projects using various methods, such as a pinch and coil Japanese tea bowl and a press-molded hanging bird bath.