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From the Caldecott Medal-winning author/illustrator of "Mirette on the Highwire" comes this dramatic, multi-layered story of two legendary women warriors, Wu Mei, the "beautiful warrior", and her most famous pupil, Mingyi. Full color.
Impressionistic and dreamy, a nine-year-old girl immediately feels that she might be called by God when a Catholic missionary speaks to her third grade class at a Catholic school. The idea of this calling embeds itself into her, haunting her through elementary and high school, after which she chooses to enter the convent. Her story follows the five years she spent as an Adrian Dominican nun struggling to balance her desire for a secular life with her great fear of turning her back on God's call. Her stories are sad as well as joyous, inspiring as well as unsettling.
Marj Charlier’s The Rebel Nun is based on the true story of Clotild, the daughter of a sixth-century king and his concubine, who leads a rebellion of nuns against the rising misogyny and patriarchy of the medieval church. At that time, women are afforded few choices in life: prostitution, motherhood, or the cloister. Only the latter offers them any kind of independence. By the end of the sixth century, even this is eroding as the church begins to eject women from the clergy and declares them too unclean to touch sacramental objects or even their priest-husbands. Craving the legitimacy thwarted by her bastard status, Clotild seeks to become the next abbess of the female Monastery of the Holy Cross, the most famous of the women’s cloisters of the early Middle Ages. When the bishop of Poitiers blocks her appointment and seeks to control the nunnery himself, Clotild masterminds an escape, leading a group of nuns on a dangerous pilgrimage to beg her royal relatives to intercede on their behalf. But the bishop refuses to back down, and a bloody battle ensues. Will Clotild and her sisters succeed with their quest, or will they face excommunication, possibly even death? In the only historical novel written about the incident, The Rebel Nun is a richly imagined story about a truly remarkable heroine.
A druid-turned-nun writes of faith, love, loss, and religion in this “beautifully written and thought-provoking book” set at the dawn of Ireland’s Christian era (Library Journal) Cloistered in a stone cell at the monastery of Saint Brigit, a sixth-century Irish nun secretly records the memories of her Pagan youth, interrupting her assigned task of transcribing Augustine and Patrick. She revisits her past, piece by piece—her fiercely independent mother, whose skill with healing plants and inner strength she inherited; her druid teacher, the brusque and magnetic Giannon, who introduced her to the mysteries of the written language. But disturbing events at the cloister keep intervening. As the monastery is rent by vague and fantastic accusations, Gwynneve's words become the one force that can save her from annihilation. “As a slant of sunlight illuminates jewels long buried, Kate Horsley's novel brings words to an ancient silence and a living, vivid presence to people who lived in that time of great changes and estrangements we call the Dark Ages.” —Ursula K. Le Guin
Of her vocation we read: “Only those who have yearned to bring souls to Christ can understand the sentiments which filled Irma's heart during her four years of patient waiting. But the summons came at last. In 1839 Bishop de la Hailandiere of Vincennes, Indiana, an intimate friend of the family, who was in France, seeking aid for his mission, visited Irma's home. Here was the heaven-sent messenger. Never did a Desdemona listen to an Othello with half the eagerness with which Irma listened to the details which Bishop de la Hailandiere gave of those distant lands in America where so many souls were in darkness and in the shadow of death. Immediately after the visit, Irma wrote to a friend: 'We had a visit yesterday from Bishop de la Hailandiere, who spoke of his diocese and his great labors. Cecile wished to set out with him immediately. I did not say any thing, but I thought, "It is there perhaps that God calls me." Eugenie laughs and will not believe me; her gayety and her assurance make me heartsick. Poor dear sister how she will weep when I leave her.'”