Download Free The Beauties Of Thomson Book in PDF and EPUB Free Download. You can read online The Beauties Of Thomson and write the review.

Time to freshen up your bag of tricks? Why fritter a fortune at the cosmetics counter when you can conjure your own beauty magic faster than you can say mirror, mirror on the wall? Powder your nose and twinkle your toes with these 101 magical potions: ocean-fresh mermaid body wash, fashionable Parisian powder, tropical island crushed fruit scrub, enticing cinnamon lotion, secret Egyptian spa wrap, and even a pinch of shimmering fairy dust. From silkening salts to glimmering glosses, Beauty Magic presents a lifetime supply of inspiration for the do-it-yourself glamour goddess. Book jacket.
Spanning some 350 years, the Thomson Collection of historic ship models contains examples of exquisite workmanship and some of the masterpieces of the genre. Pride of the collection are the rare British dockyard models made to scale for affluent 18th-century clients closely associated with the Navy. A large number of models--made from wood and bone, with rigging of human hair--were made by some of the 120,000 French and other prisoners of the Napoleonic Wars.
Background of Thomson's Seasons was first published in 1942. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. There have been many valuable scattered studies of James Thomson's famous Seasons,but this is the first comprehensive book on the subject to be published in this country. This most popular long poem published in England in the eighteenth century well deserves reexamination. It is interesting not only to students of literature but also to those concerned with the history of ideas and the relationship of the fields of human knowledge. Thomson's Seasons reflects the trends of his time in literature, philosophy, science, history, and religion. Professor McKillop presents an illuminating and systematic analysis of the general philosophic and literary situation in which Thomson worked. Then he discusses Thomson's use of the natural sciences and of the literature of history, geography, and travel. He shows that the poet was also concerned with the patterns of human society, both primitive and civilized. The author reveals clearly how Thomson was indebted to the classical tradition; to the literary inspiration of Milton; to the scientific discussions and theories of Newton, Halley, Burnet, and the writers of popular physico-theological manuals; to the philosophical discussions of Shaftesbury and Locke; to the contemporary periodical essay; to the religious works of Blackmore and Hill; to the descriptions of remote regions and peoples in such writers as Scheffer, Varenius, and Maupertuis. All Thomson's borrowings and characteristic ideas fall into the framework of his poem. As this book was leaving the bindery, discovery was made in Glasgow of a catalogue of Thomson's library. The document substantiates many of Professor McKillop's deductions.
Alexander 'Greek' Thomson is at last being recognised as an architect of genius, comparable in stature to Charles Rennie Mackintosh. Now in paperback, this is the first book in which a team of distinguished architectural commentators and historians use the latest research in the area to illuminate the full range of Thomson's talents. Thomson emerges not just as a great architect, but as a towering intellect whose theory and practice synthesised the best thought of his time in architectural history, aesthetic philosophy and, not least, theology. His ventures into urban planning are explored, and his approaches to facade design and interiors are examined in detail, while rare colour plates complete a portrait which brings this outstanding architect to life. With an Introduction by the late Sir John Summerson this volume celebrates the work of arguably the greatest exponent of the Greek Revival.
Drawing on the methods of textual and reception studies, book history, print culture research, and visual culture, this interdisciplinary study of James Thomson’s The Seasons (1730) understands the text as marketable commodity and symbolic capital which throughout its extended affective presence in the marketplace for printed literary editions shaped reading habits. At the same time, through the addition of paratexts such as memoirs of Thomson, notes, and illustrations, it was recast by changing readerships, consumer fashions, and ideologies of culture. The book investigates the poem’s cultural afterlife by charting the prominent place it occupied in the visual cultures of eighteenth- and early nineteenth-century Britain. While the emphasis of the chapters is on printed visual culture in the form of book illustrations, the book also features discussions of paintings and other visual media such as furniture prints. Reading illustrations of iconographic moments from The Seasons as paratextual, interpretive commentaries that reflect multifarious reading practices as well as mentalities, the chapters contextualise the editions in light of their production and interpretive inscription. They introduce these editions’ publishers and designers who conceived visual translations of the text, as well as the engravers who rendered these designs in the form of the engraving plate from which the illustration could then be printed. Where relevant, the chapters introduce non-British illustrated editions to demonstrate in which ways foreign booksellers were conscious of British editions of The Seasons and negotiated their illustrative models in the sets of engraved plates they commissioned for their volumes.