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A companion title to 'The Beatles in Hamburg', this is a definitive, fully illustrated account of the formative years of the world's most influential rock 'n' roll band. The book features exclusive interviews with Pete Best, Cynthia Lennon, Julian Lennon, and many others.
The musical and cultural legacy of the Beatles remains complex. In a post-industrial setting in which both popular and traditional heritage tourism have emerged as providers of regular employment on Merseyside, Michael Broken considers how major players in what might be described as a Beatles music tourism industry have constructed new interpretations of the past and placed these in such an order as to re-confirm, re-create and re-work the city as a symbolic place that both authentically and contextually represents the Beatles.
ROLL UP ... and that's an invitation - to find all about the real Sir Paul McCartney.
The history of the Beatles from beginning to the end.
Concentrates solely on The Beatles and Liverpool, covering their rise from childhood in the 1940s and obscurity to their triumphant civic reception at Liverpool Town Hall on 10th July, 1964.
In the 1960s, Liverpool had the biggest country and western scene in Europe. Country music was part of the fabric of Liverpool; as ingrained as the Irish influence and a bowl of Scouse. Country music influenced every group. Follow the story of one of the top groups: Phil Brady and the Ranchers. When John Lennon started his group, The Quarrymen, their musical influences were skiffle (which has its roots in country music), country and western and rock 'n' roll (which has country roots too). Their musical heroes had their roots in country music and shaped The Beatles sound. ● Why were Liverpool lads obsessed with cowboys? ● Which Beatles album did John call their "Country and Western Album"? ● How many country-influenced songs did they record, both during and after The Beatles? The roots of the beat music scene of the 1960s began with Lonnie Donegan's "Rock Island Line", which was issued in 1956, beginning the skiffle craze. However, examining the skiffle music scene shows that the roots of skiffle were in country; the roots of John Lennon's Quarrymen were in country and western, which was reflected in the songs of The Beatles. Liverpool groups were playing a mixture of country, rock 'n' roll, rhythm and blues, rockabilly and whatever else it discovered. Groups had to decide which route to take. However country music wasn't completely new to Liverpool because of skiffle. Hank Walters formed his first group around 1947, while still at school. There was a country scene in Liverpool in the 1940s, when Liverpool sailors brought records back from America. They brought jazz, country, R & B and everything else that was for sale in the record stores of New York and Boston. When radio brought those American hits to the ears of British people, another music revolution was taking place. Liverpool, the last Western frontier of England, would find it had more in common with Nashville than London. So in 1962, Phil Brady decided to act on the influence of country music in his life and start his first band, going on to become the #1 country artist in Britain, receiving an award from Roy Orbison at the first British Country Music Awards. Phil, from the Dingle, met and toured with some of the biggest names in country music, like Slim Whitman, Willie Nelson, Buck Owens, Hank Snow and, when he visited Nashville in 1968, met up with Chet Atkins and George Hamilton IV, and spent the day at Willie Nelson's ranch. He recorded several albums and singles, including the very first 45rpm single for the new Cavern Sound Ltd. Phil had a fan club, run by Frank Nash, who saved many of his photos, flyers and newspaper cuttings, which are reproduced here for an insight into the musical career of one of Britain's greatest ever country music stars. Yes, some of the photos are blurred, crooked and low quality, but that makes them even more authentic and special.
Beatlemania is building! Liverpool record store girl, Helen Spencer, lands the plummiest job -- in the Beatles Fan Club! She is new to the craziness...and the Beatles themselves. She's thrilled to meet the boys and attend their insane concerts... screaming with the growing legion of fans...answering mountains of fan club mail and seeing their 1962 shows... an exciting, pulse pounding, heart-racing time to be alive and in the midst of their soaring popularity... ...but one week before their long sought studio recording she is robbed of the souped up lyrics to Please Please Me...and goes on a desperate search to recover them before someone else records the song... The Bobbies believe she's the culprit...as she gets closer to the truth she's chased through the streets by mysterious men...to silence her. With John, Paul, George, and Ringo she's in fun-loving company and on an intense and hilarious ride. Together they work against time to figure out who did the crime. What does a junior fan girl know about saving the Beatles' dreams? Nothing except she must risk her safety and her thrilling job to solve the robbery. And she learns how much the Beatles need her help to make their big break happen. (This is a novella intended for all ages. No Beatles are harmed, mild language, no graphic descriptions of violence, or bedroom activities)
It's 1987, and the Beatles are gathering in Liverpool for a reunion. It has been twenty-five years since John Lennon walked out of the Parlophone studios, taking George and Ringo with him. Paul, American-speaking and -acting, has become the world-famous Las Vegas entertainer Paul Montana, and he's visiting Liverpool for the first time since 1962, hoping to reunite with his boyhood chums, the once "hottest little quartet—in Liverpool." Father George, now a Jesuit priest, is recovering from a nervous breakdown; John is embittered, alcoholic, unemployed, and on the dole. His wife has left him, and young Julian has joined the fascist National Front. Ringo lives on the earnings of his entrepreneurial hairdressing wife while he and John sit in weekends with old rivals, Gerry and the Pacemakers. It is Lennon's curse that he can imagine what might have been. Liverpool Fantasy is a blackly comic meditation on the enduring hazards of friendship, the alchemy of collaboration, and what a world without the Beatles—that is, without idealism—looks like.
Biography of John Lennon told by his "best friend."