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A group of teenage boys take turns assessing each other’s changing bodies before a Friday night disco… A grieving woman strikes up an unlikely friendship with a fellow traveller on a night train to Kiev… An unusually well-informed naturalist is eyed with suspicion by his comrades on a forest exhibition with a higher purpose… The stories shortlisted for the 2021 BBC National Short Story Award with Cambridge University take place in liminal spaces – their characters find themselves in transit, travelling along flight paths, train lines and roads, or in moments where new opportunities or directions suddenly seem possible. From the reflections of a new mother flying home after a funeral, to an ailing son’s reluctance to return to the village of his childhood, these stories celebrate small kindnesses in times of turbulence, and demonstrate a connection between one another that we might sometimes take for granted. The BBC NSSA is one of the most prestigious prizes for a single short story, with the winning author receiving £15,000, and four further shortlisted authors £600 each. James Runcie is joined on the judging panel by a group of acclaimed writers and critics including: Booker Prize shortlisted novelist Fiona Mozley; award winning writer, poet and winner of the Desmond Elliott Prize, Derek Owusu; multi-award winning Irish novelist and short story writer, Donal Ryan; and returning judge, Di Speirs, Books Editor at BBC Radio.
A young woman’s birthday party is disturbed by the vision of a homeless man sleeping under an arrangement of mocking fruit... A late-night text conversation goes awry when a forwarded link to a live feed of gathering walruses doesn’t have its intended effect... A woman hopes a pending announcement to her in-laws will finally give her husband the attention he craves... The stories shortlisted for the 2020 BBC National Short Story Award with Cambridge University demonstrate how a single moment might become momentous; how a small encounter or exchange can irreversibly change the way others see you, or the way you see yourself. From the struggles of two women trapped by joblessness and addiction to the hopes of two teenage brothers embarking on a new life without the protection of their parents, these stories show us what happens when we fail to relate to each other as well as the refuge that belonging affords.Now celebrating its fifteenth year, the BBC National Short Story Award is one of the most prestigious for a single short story, with the winning writer receiving £15,000, and the four further shortlisted authors £600 each. The BBC National Short Story Award with Cambridge University was established to raise the profile of the short form and the writers shortlisted for this year’s award join distinguished alumni such as Zadie Smith, Lionel Shriver, Rose Tremain, William Trevor, Sarah Hall and Mark Haddon. As well as rewarding the most renowned short story writers, the Award has raised the profile of new writers including Ingrid Persaud, Jo Lloyd, K J Orr, Julian Gough, Cynan Jones and Clare Wigfall. The shortlist will be announced on the 11th September 2020, with the winner to be announced live on BBC Radio 4 Front Row in October.
Back for the fourteenth year, the BBC National Short Story Award with Cambridge University aims to celebrate and promote the best in contemporary short fiction. This year the judging panel will be chaired by television and radio broadcaster Nikki Bedi, who will select the shortlist alongside novelist and writer of narrative non-fiction, Richard Beard; short story writer and novelist Daisy Johnson; screenwriter, novelist and 2017 BBC National Short Story Award winner, Cynan Jones; and returning judge, Di Speirs, Books Editor at BBC Radio.
There is in the short story, at its most characteristic, something we do not often find in the novel, Frank O’Connor wrote, ‘an intense awareness of human loneliness.’ The stories shortlisted for the BBC National Short Story Award with BookTrust 2017 all feature characters that are disconnected, willingly or unwillingly, from those around them: a mysterious out-of-towner is shunned by her new colleagues; a grieving husband retreats into his old compulsion for hoarding; a promising academic risks his career for a casual liaison with a younger man. And whether we follow the characters’ need to be alone – like the fisherman drifting dangerously far from shore – or trace it back to its root – like the daughter burying her violent father – what we find there is always unexpected. Jenni Fagan, Benjamin Markovits and Helen Oyeyemi, three of Granta’s recent ‘20 under 40’, are joined by critic and novelist, Will Eaves and Wales Book of the Year Fiction Prize winner, Cynan Jones on the 2017 shortlist. This year’s shortlist was selected by authors Eimear McBride, Jon McGregor and Sunjeev Sahota, as well as BBC Radio’s Di Speirs and acclaimed novelist Joanna Trollope who chaired the panel and introduces the collection.
*INCLUDES WINNING STORY BY INGRID PERSAUD* Hung-over and grief-stricken, a man contemplated suicide at the edge of a cliff, until he is unexpectedly distracted by the sight of a woman emerging from the water below... A group of art students protesting the demolition of a housing block decide to turn its destruction into a creative act... Waiting in her car for the rain to pass after her mother's funeral, a woman nurses her child and reflects on a world outside that remains headless of her sorrow... The stories shortlisted for the BBC National Short Story Award with Cambridge University 2018 pivot around the theme of loss, and the different ways that individuals, and communities, respond to it. From the son caring for his estranged father, to the widow going out for her first meal alone, the characters in these stories are trying to find ways to repair themselves, looking ahead to a time when grief will eventually soften and sooth. Above all, these stories explore the importance of human connection, and salutary effect of companionship and friendship when all else seems lost. Contributors: Kerry Andrew, Sarah Hall, Kiare Ladner, Ingrid Persaud, Nell Stevens
‘It seems probable that there are no more moss witches; the times are cast against them. But you can never be certain. In that sense they are like their mosses; they vanish from sites they are known to have flourished in, they are even declared extinct – and then they are there again, there or somewhere else, small, delicate but triumphant, alive. Moss Witches, like mosses, do not compete; they retreat….’ Each story in Sara Maitland’s new collection enacts a daring kind of alchemy, fusing together raw elements of scientific theory with ancient myth, folkloric archetype and contemporary storytelling. As the laboratory smoke settles, we are treated to a new strain of narrative: a hybrid of fiction and non-fiction, the atavistic and the futuristic. We’re also introduced to a weird and wonderful cast of characters: identical twins who fight bitterly day and night for purely quantum mechanical reasons; an expert on bird migration awaiting the homecoming of her lover on the windswept shores of the Hebrides. All the more remarkable is that each of these stories sprang from a conversation with a scientist and grew directly out of cutting-edge research. As befits their hybrid nature, each is also accompanied by an afterword, specially written by the consulting scientist to introduce us to the wonder behind the weirdness. Featuring: SCIENTISTS: Prof. Jim Al-Khalili, Dr. Rob Appleby, Dr. Melissa Baxter, Dr. Jamie Davies, Prof. Robin Dunbar, Dr. Charles Fernyhough, Prof. Robert Furness, Dr. Linda Kirstein, Gemma Lewis, Prof. Tim O’Brien, Dr. Neil Roberts, Dr. Jennifer Rowntree, Dr. Tara Shears, Prof. Ian Stewart.
**WINNER of the 2013 Frank O'Connor International Short Story Award** **WINNER of the BBC National Short Story Prize** 'The excellence of the collection is fractal: the whole book is excellent, and every story is excellent, and every paragraph is excellent, and every sentence is excellent. And, unlike some literary fiction, it's effortless to read.' - The Independent on Sunday ‘Perhaps the finest of contemporary writers in this form.’ – The Reader To the woman watching they looked like grace itself, the heart and soul of which is freedom. It pleased her particularly that they were attached by invisible strings to colourful curves of rapidly moving air. How clean and clever that was! You throw up something like a handkerchief, you tether it and by its headlong wish to fly away, you are towed along... Like the kite-surfers in this opening scene, the characters in David Constantine’s fourth collection are often delicately caught in moments of defiance. Disregarding their age, their family, or the prevailing political winds, they show us a way of marking out a space for resistance and taking an honest delight in it. Witness Alphonse – having broken out of an old people’s home, changed his name, and fled the country – now pedalling down the length of the Rhône, despite knowing he has barely six months to live. Or the clergyman who chooses to spend Christmas Eve – and the last few hours in his job – in a frozen, derelict school, dancing a wild jig with a vagrant called Goat. Key to these characters’ defiance is the power of fiction, the act of holding real life at arm’s length and simply telling a story – be it of the future they might claim for themselves, or the imagined lives of others. Like them, Constantine’s bewitching, finely-wrought stories give us permission to escape, they allow us to side-step the inexorable traffic of our lives, and beseech us to take possession of the moment.
The New York Times bestselling collection, from the Man Booker prize-winner for Wolf Hall and Bring Up the Bodies, that has been called "scintillating" (New York Times Books Review), "breathtaking" (NPR), "exquisite" (The Chicago Tribune) and "otherworldly" (Washington Post). "A new Hilary Mantel book is an Event with a ‘capital ‘E.'"—NPR "A book of her short stories is like a little sweet treat."—USA Today (4 stars) "[Mantel is at] the top of her game."—Salon "Genius."—The Seattle Times One of the most accomplished, acclaimed, and garlanded writers, Hilary Mantel delivers a brilliant collection of contemporary stories In The Assassination of Margaret Thatcher, Hilary Mantel's trademark gifts of penetrating characterization, unsparing eye, and rascally intelligence are once again fully on display. Stories of dislocation and family fracture, of whimsical infidelities and sudden deaths with sinister causes, brilliantly unsettle the reader in that unmistakably Mantel way. Cutting to the core of human experience, Mantel brutally and acutely writes about marriage, class, family, and sex. Unpredictable, diverse, and sometimes shocking, The Assassination of Margaret Thatcher displays a magnificent writer at the peak of her powers.
*Includes the winner of the 2021 BBC National Short Story Award* 'Outstanding.' Guardian 'Eleven perfect stories.' Irish Independent 'Glorious.' The Times 'My FAVE collection ever.' Pandora Sykes In eleven stories, Intimacies exquisitely charts the steps and missteps of young women trying to find their place in the world. From a Belfast student ordering illegal drugs online to end an unwanted pregnancy to a young mother's brush with mortality, and from a Christmas Eve walking the city centre streets when everything seems possible, to a night flight from Canada which could change a life irrevocably, these are stories of love, loss and exile, of new beginnings and lives lived away from 'home'. 'Embedded in these stories are exquisite, often moving descriptions where everyday moments mix with the monumental.' Financial Times