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Seminar paper from the year 2000 in the subject American Studies - Literature, grade: 2 (B), Ruhr-University of Bochum (English Seminar), course: The Greening of America: Fiction and Anti-fiction in the 1960s, language: English, abstract: Mailer, the novelist, sees himself as agent for change. His critics on the other hand assign to his works the brilliancy of reportage. The nonfiction novel exists in order not to change the American situation that makes possible so much literary aggression against it. Norman Mailer′s Miami and The Siege of Chicago is an account of the 1968 Conventions in Miami (Republicans) and Chicago (Democrats). This "classic work of interpretive political reportage"4,5 consists of two parts, the first "Nixon in Miami" and the second "The Siege of Chicago". Mailer uses a device he developed to high craft: third-person story telling based on first-person participation."His style and rhetorical devices stand out among other novelists. When Mailer describes the Republican convention in Miami using metaphorical language filled with disgust he risks to offend the audience: "And the country roaring like the bull in its wounds, coughing like a sick lung in the smog [...]." His informal critical account is often directed against the audience. Even though it sounds like a paradox, with this style Mailer, the surrealistic critic and observer of American society, seems to attract many readers to his novels. The Republican Convention 1968 in Miami preceded the election of Nixon as 33rd American President, which was a close victory of 43,4% vs. Hubert Humphrey of the Democrats with a total of 42,7% votes. The Amphitheatre in Chicago, location of the Democratic Convention, had according to Mailer then the "packed intimacy of a neighborhood fightclub"8 and "the air of circus was also the air of slaughterhouse". Chicago was also home to a Yippie Convention, which made the situation worse and was reason enough for the Democrats to discuss about another location
In this landmark work of journalism, Norman Mailer reports on the presidential conventions of 1968, the turbulent year from which today’s bitterly divided country arose. The Vietnam War was raging; Martin Luther King, Jr., and Robert F. Kennedy had just been assassinated. In August, the Republican Party met in Miami and picked Richard Nixon as its candidate, to little fanfare. But when the Democrats backed Lyndon Johnson’s ineffectual vice president, Hubert Humphrey, the city of Chicago erupted. Antiwar protesters filled the streets and the police ran amok, beating and arresting demonstrators and delegates alike, all broadcast on live television—and captured in these pages by one of America’s fiercest intellects. Praise for Miami and the Siege of Chicago “For historians who wish for the presence of a world-class literary witness at crucial moments in history, Mailer in Miami and Chicago was heaven-sent.”—Michael Beschloss, The Washington Post “Extraordinary . . . Mailer [predicted that] ‘we will be fighting for forty years.’ He got that right, among many other things.”—Christopher Hitchens, The Atlantic “Often reads like a good, old-fashioned novel in which suspense, character, plot revelations, and pungently describable action abound.”—The New York Review of Books “[A] masterful account . . . To understand 1968, you must read Mailer.”—Chicago Tribune
A supplemental textbook for middle and high school students, Hoosiers and the American Story provides intimate views of individuals and places in Indiana set within themes from American history. During the frontier days when Americans battled with and exiled native peoples from the East, Indiana was on the leading edge of America’s westward expansion. As waves of immigrants swept across the Appalachians and eastern waterways, Indiana became established as both a crossroads and as a vital part of Middle America. Indiana’s stories illuminate the history of American agriculture, wars, industrialization, ethnic conflicts, technological improvements, political battles, transportation networks, economic shifts, social welfare initiatives, and more. In so doing, they elucidate large national issues so that students can relate personally to the ideas and events that comprise American history. At the same time, the stories shed light on what it means to be a Hoosier, today and in the past.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.
Cover -- Title Page -- Copyright -- Dedication -- Epigraphs -- Contents -- Introduction: American Niceness and the Democratic Personality -- 1. Indian Giving and the Dangers of Hospitality -- 2. Southern Niceness and the Slave's Smile -- 3. The Christology of Niceness -- 4. Feminine Niceness -- 5. The Likable Empire from Plymouth Rock to the Philippines -- Notes -- Acknowledgments -- Index
Online version of Common Errors in English Usage written by Paul Brians.
A Pulitzer Prize winner interviews workers, from policemen to piano tuners: “Magnificent . . . To read it is to hear America talking.” —The Boston Globe A National Book Award Finalist and New York Times bestseller Studs Terkel’s classic oral history Working is a compelling look at jobs and the people who do them. Consisting of over one hundred interviews with everyone from a gravedigger to a studio head, this book provides a “brilliant” and enduring portrait of people’s feelings about their working lives. This edition includes a new foreword by New York Times journalist Adam Cohen (Forbes). “Splendid . . . Important . . . Rich and fascinating . . . The people we meet are not digits in a poll but real people with real names who share their anecdotes, adventures, and aspirations with us.” —Business Week “The talk in Working is good talk—earthy, passionate, honest, sometimes tender, sometimes crisp, juicy as reality, seasoned with experience.” —The Washington Post
Gelber's highly readable and lively prose makes clear how this unique economic ritual survived into the industrial twentieth century, in the process adding a colorful and interesting chapter to the history of the automobile.