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Designed to fill an overlooked gap, this book, originally published in 1972, provides a single unified introduction to bibliographical sources of British military history. Moreover it includes guidance in a number of fields in which no similar source is available at all, giving information on how to obtain acess to special collections and private archives, and links military history, especially during peacetime, with the development of science and technology.
What exactly is military history? Forty years ago it meant battles, campaigns, great commanders, drums and trumpets. It was largely the preserve of military professionals and was used to support national history and nationalism. Now, though, the study of war has been transformed by the war and society approach, by the examination of identity, memory and gender, and a less Euro-centric and more global perspective. Generally it is recognised that war and conflict must be integrated into the wider narrative of historical development, and this is why Ian Becketts research guide is such a useful tool for anyone working in this growing field. It introduces students to all the key debates, issues and resources. While European and global perspectives are not neglected, there is an emphasis on the British experience of war since 1500. This survey of British military history will be essential reading and reference for anyone who has a professional or amateur interest in the subject, and it will be a valuable introduction for newcomers to it.
The centuries-long history of the legendary and deadly English longbow is explored and explained in a “classic work . . . an engaging, enjoyable read” (De Re Military). From the twelfth to the fifteenth centuries, the longbow was the weapon that changed European history more than any other. In the skilled hands of English and Welsh archers it revolutionized all the medieval concepts and traditions of war. It was the winning factor in every major battle from Morlaix in 1342 to Patay in 1429. This well-researched study of the English longbow from its early development until the Wars of the Roses offers fascinating insight into a game-changing tool of warfare and the men who wielded it in an age of courage, vitality, and endurance—culminating in an enthralling reconstruction of the engagement in which it was last used: in 1940 France at the outbreak of World War II.
Between 1513 and 1525 Niccolò Machiavelli wrote a series of works dealing with political, military, and historical matters. One of these (the 'Arte della guerra') was published in 1521, but the rest of his major writings were not published until 1531-2, nearly five years after his death. They continued to be reissued regularly, well into the early seventeenth century. The popularity of Machiavelli's books, the variety of his themes, the different contexts within which he was studied, the range of readers' interests, and the fact that his name entered the vocabulary of every European language - all make his early reception a fruitful field of enquiry. Historians of ideas have tended to tidy up the past in order to make it comprehensible but Sydney Anglo is concerned with heterogeneity, and with the often irrational and emotional aspects of sixteenth-century thought. Basing his research entirely upon primary sources he quotes extensively in the conviction that, in a battle of words, the words themselves and their tone convey more than summaries of intellectual abstractions. Authors - hostile, enthusiastic, and indifferent - are closely examined; and many different contexts, political and intellectual, are considered. Sometimes Machiavelli was influential, sometimes not, but in this history of his reception, silences often prove significant. Written in a lively and trenchant style, this new interpretation of the impact of Machievalli is an original contribution of high quality by a leading expert in the field of Renaissance studies.
The description of the battle itself is based on known facts, supplemented by probabilities which have been worked out by the author from his own historical and military knowledge and from many visits to the battlefield itself.
There can be few military victories so complete, or achieved against such heavy odds, as that won by Henry V on 25 October 1415 against Charles VI's army at Agincourt. In the words of one contemporary French chronicler, it was the 'most disgraceful event that had ever happened to the Kingdom of France'. Christopher Hibbert's wonderfully concise account draws on the unusual number of contemporary sources available to historians to describe in lucid detail not only what happened, but how it happened. His classic account of the crushing defeat of the French at Agincourt combines historical rigour with a vigorous and very readable narrative style.
"What is the role of the British media in our perception of warfare? Are the impressions which we glean from war films, television news reports and newspaper stories reliable? What are the issues - practical and political - involved in bringing reports of armed conflict to our television screens? Are British military institutions fairly represented, and how are enemy forces portrayed? How are ideas of nationalism and patriotism incorporated into the presentation of war?" "These are some of the questions addressed in this new collection of essays. The book is intended to provide students and general readers with a concise introduction to the main arguments and issues surrounding war and the moving image media in 20th century Britain, as well as contributing new perspectives to this increasingly important area of debate." "Among the subjects discussed are: the media build-up to the Gulf War; representations of the First World War; reporting terrorism; British imperialism in film; transmission technologies and the news reporting of armed conflict; the meaning of war-toys and war-games; and postmodernism and military history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved