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Forty different hand-embroidery stitches, plus a host of creative ideas for using them, generate a range of amazing textures that will delight anyone who enjoys needlework. In what will clearly become a classic of the craft, Jan Beaney analyzes in detail the eye-catching effects that an embroiderer can achieve through the use of different background fabrics, unusual threads, and various needles. She asks questions such as “Can the stitch be worked in circles?” and “Can it be worked upside down?” and illustrates some of the possible answers. All the orthodox methods of working a canvas are discarded; unique, original techniques reign, and the colorful photos show the wonderful results.
An invaluable reference guide to the latest machine embroidery techniques, materials and equipment, all in handy A-Z format. Entries include correct tension settings, digitized motifs, enlarging patterns, fabric sculpture, gold thread, hand embroidery machines, interlaced machine stitches, lace techniques, multi-head machines, overlockers reverse stitching, smocking, understitching, whitework and many more. Embracing both free motion and computerised embroidery, this book contains all you need to know to make the most of your machine.
This latest title in the highly successful Ancient Textiles series is the first substantial monograph-length historiography of early medieval embroideries and their context within the British Isles. The book brings together and analyses for the first time all 43 embroideries believed to have been made in the British Isles and Ireland in the early medieval period. New research carried out on those embroideries that are accessible today, involving the collection of technical data, stitch analysis, observations of condition and wear-marks and microscopic photography supplements a survey of existing published and archival sources. The research has been used to write, for the first time, the ‘story’ of embroidery, including what we can learn of its producers, their techniques, and the material functions and metaphorical meanings of embroidery within early medieval Anglo-Saxon society. The author presents embroideries as evidence for the evolution of embroidery production in Anglo-Saxon society, from a community-based activity based on the extended family, to organized workshops in urban settings employing standardized skill levels and as evidence of changing material use: from small amounts of fibers produced locally for specific projects to large batches brought in from a distance and stored until needed. She demonstrate that embroideries were not simply used decoratively but to incorporate and enact different meanings within different parts of society: for example, the newly arrived Germanic settlers of the fifth century used embroidery to maintain links with their homelands and to create tribal ties and obligations. As such, the results inform discussion of embroidery contexts, use and deposition, and the significance of this form of material culture within society as well as an evaluation of the status of embroiderers within early medieval society. The results contribute significantly to our understanding of production systems in Anglo-Saxon England and Ireland.
The ultimate resource for needlecrafters on using these traditional, timelessly appealing embroidery techniques. In whitework, the texture of the stitchery, whether it be delicate or bold, creates the beauty and interest. In this book, over 1,000 step-by-step photos illustrate the creation of this beautiful, traditional white-on-white embroidery that has inspired needlecrafters for centuries. Encompassing candlewicking, Mountmellick, cut work, appliqué, shadow work and net embroidery, this comprehensive guide in the popular A-Z series includes many useful tips and fascinating historical information.
This unique book collection culls the expertise of academics and the actual embroidery machines archives of Manchester Metropolitan University in Great Britain whose specialist embroidery department has been instrumental in artistic and educational innovations in textiles since the 1960s. This book is the definitive record of the vast number of machines from the traditional Irish Embroidery machines to the latest generation of computerized sewing machines and features a rich and fascinating record of the machines themselves and the samples and artwork that were produced on them. Each contributor gives their own individual perspective on machine stitch and the book illustrates how key machines can be applied to the artistic, industrial and domestic practice and shows how to combine techniques and develop new ideas in machine embroidery, a creative medium that is flourishing in both design and production.
Translation of a German traveller's account of his journey through Scotland in 1842
Covering nearly 1,400 information sources, this book maps the vast terrain of knowledge in humanities studies. Detailed annotations give users an in-depth view of the sources and thorough indexes provide easy access. Web resources are included on a highly selective basis. The number of information sources and the diversification of formats are revolutionizing library and scholarly practice. While accessing information is easier, evaluation of resources has become increasingly more difficult. Covering a broader territory and more sources than previous editions, this book offers an up-to-date, reliable guide to nearly 1,400 of the most important and representative information sources in the immense discipline of humanities studies. Following the basic organization of previous editions, Blazek and Aversa present chapters on sources (reference tools) and access (ways to find and retrieve information) for each subject covered (e.g., language and literature, philosophy, visual arts). For the first time the authors have included web resources and their URLs on a highly selective basis. All sources have been reviewed, updated, and in many cases expanded. Computerized databases (both online and CD-ROM) are integrated with the books. Detailed annotations give users an in-d