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Yo'oe is very very shy and rarely speaks to anyone. But when grandma teaches her how to basket weave Yo'oe gets an idea of how she can communicate with the village. This is a beautifully illustrated book for 4-8 year old readers. Proceeds from this sale benefit nonprofit organisation Library For All, helping children around the world learn to rea
The Centurions horse reared wildly, as it panicked at the noise of the busy marketplace. As his front hooves came down, crashing into Maleena's back, he sent her sprawling onto the cobblestone street, her hands stretched out in front of her. There had been no opportunity to protect her four-month pregnant belly, and the thought flashed through her mind, that she had not yet told Phineas the news, that there would soon be another mouth to feed. As she struggled through the intense pain to get up, the bright sunshine faded to blackness, and she slumped to the ground. The "story behind the story" answers some questions, as the Bible is not explicit about why there was not enough wine at the wedding of Caana, or how Doctor Luke came to be a disciple. Was Mary Magdalin "possessed" as a child, and why was Rachel, the woman at the well, married five times? How did Cara, the young woman dragged before Jesus and accused of adultery, ever get herself into such a predicament; and why did her mother, Moirah, think that just touching Jesus clothes, would heal her of a twelve-yearlong problem? How did there happen to be twelve baskets available to gather the leftovers, after Jesus used a little boy's lunch to feed a multitude? The little boy, Jebby, watches in amazement as he sees this miracle unfold before his eyes. The lives of many people, fisherman and farmers; merchants, carpenters and soldiers, are woven together to tell the "story behind the story." Humor and tragedy, adventure, drama, and romance depict the lives of the people that make up the tapestry of the "story behind the story" of the greatest story ever told.
A young boy in a small Carib village learns the importance of traditions when his grandfather the basket-weaver becomes too feeble to weave.
"With the inborn wisdom that has guided them for so long through so many obstacles, Hopi men and women perpetuate their proven rituals, strongly encouraging those who attempt to neglect or disrespect their obligations to uphold them. One of these obligations is to respect the flora and fauna of our planet. The Hopi closeness to the Earth is represented in all the arts of all three mesas, whether in clay or natural fibers. What clay is to a potter's hands, natural fibers are to a basket weaver."--from the Introduction Rising dramatically from the desert floor, Arizona's windswept mesas have been home to the Hopis for hundreds of years. A people known for protecting their privacy, these Native Americans also have a long and less known tradition of weaving baskets and plaques. Generations of Hopi weavers have passed down knowledge of techniques and materials from the plant world around them, from mother to daughter, granddaughter, or niece. This book is filled with photographs and detailed descriptions of their beautiful baskets--the one art, above all others, that creates the strongest social bonds in Hopi life. In these pages, weavers open their lives to the outside world as a means of sharing an art form especially demanding of time and talent. The reader learns how plant materials are gathered in canyons and creek bottoms, close to home and far away. The long, painstaking process of preparation and dying is followed step by step. Then, using techniques of coiled, plaited, or wicker basketry, the weaving begins. Underlying the stories of baskets and their weavers is a rare glimpse of what is called "the Hopi Way," a life philosophy that has strengthened and sustained the Hopi people through centuries of change. Many other glimpses of the Hopi world are also shared by author and photographer Helga Teiwes, who was warmly invited into the homes of her collaborators. Their permission and the permission of the Cultural Preservation Office of the Hopi Tribe gave her access to people and information seldom available to outsiders. Teiwes was also granted access to some of the ceremonial observances where baskets are preeminent. Woven in brilliant reds, greens, and yellows as well as black and white, Hopi weavings, then, not only are an arresting art form but also are highly symbolic of what is most important in Hopi life. In the women's basket dance, for example, woven plaques commemorate and honor the Earth and the perpetuation of life. Other plaques play a role in the complicated web of Hopi social obligation and reciprocity. Living in a landscape of almost surreal form and color, Hopi weavers are carrying on one of the oldest arts traditions in the world. Their stories in Hopi Basket Weaving will appeal to collectors, artists and craftspeople, and anyone with an interest in Native American studies, especially Native American arts. For the traveler or general reader, the book is an invitation to enter a little-known world and to learn more about an art form steeped in meaning and stunning in its beauty.
There is nothing like the satisfaction of owning a beautiful handmade basket. They brighten any room, are useful around any home, and make cherished heirloom gifts. This magnificent collection of over 30 baskets draws on the long, rich tradition of basketmaking and uses a variety of fascinating techniques and easy-to-find materials. In a matter of hours, you can proudly produce a handsome basket that will be admired for generations to come. You'll appreciate the step-by-step instructions, including over 400 illustrations, colorful full-page photos and helpful hints and suggestions. Gorgeous watercolors of baskets are interspersed throughout, making this book as beautiful as it is useful. Book jacket.
Redwood Valley Pomo master weaver Corine Pearce describes the history, wild-crafting, distinct styles and contemporary use of traditional cradle baskets.
For millennia, Native artists on Olympic Peninsula, in what is now northwestern Washington, have created coiled and woven baskets using tree roots, bark, plant stems—and meticulous skill. From the Hands of a Weaver presents the traditional art of basket making among the peninsula’s Native peoples—particularly women—and describes the ancient, historic, and modern practices of the craft. Abundantly illustrated, this book also showcases the basketry collection of Olympic National Park. Baskets designed primarily for carrying and storing food have been central to the daily life of the Klallam, Twana, Quinault, Quileute, Hoh, and Makah cultures of Olympic Peninsula for thousands of years. The authors of the essays collected here, who include Native people as well as academics, explore the commonalities among these cultures and discuss their distinct weaving styles and techniques. Because basketry was interwoven with indigenous knowledge and culture throughout history, alterations in the art over time reflect important social changes. Using primary-source material as well as interviews, volume editor Jacilee Wray shows how Olympic Peninsula craftspeople participated in the development of the commercial basket industry, transforming useful but beautiful objects into creations appreciated as art. Other contributors address poaching of cedar and native grasses, and conservation efforts—contemporary challenges faced by basket makers. Appendices identify weavers and describe weaves attributed to each culture, making this an important reference for both scholars and collectors. Featuring more than 120 photographs and line drawings of historical and twentieth-century weavers and their baskets, this engaging book highlights the culture of distinct Native Northwest peoples while giving voice to individual artists, masters of a living art form.
A world-renowned Pomo basket weaver and medicine woman, Mabel McKay expressed her genius through her celebrated baskets, her Dreams, her cures, and the stories with which she kept her culture alive. She spent her life teaching others how the spirit speaks through the Dream, how the spirit heals, and how the spirit demands to be heard. Greg Sarris weaves together stories from Mabel McKay's life with an account of how he tried, and she resisted, telling her story straight—the white people's way. Sarris, an Indian of mixed-blood heritage, finds his own story in his search for Mabel McKay's. Beautifully narrated, Weaving the Dream initiates the reader into Pomo culture and demonstrates how a woman who worked most of her life in a cannery could become a great healer and an artist whose baskets were collected by the Smithsonian. Hearing Mabel McKay's life story, we see that distinctions between material and spiritual and between mundane and magical disappear. What remains is a timeless way of healing, of making art, and of being in the world. Sarris’s new preface, written expressly for this edition, meditates on Mabel McKay’s enduring legacy and the continued importance of her teachings.