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Lance Gordon’s running out of room and time. Back in the Sierras he killed the man who murdered his father. Unfortunately that man turned out to be a Deputy Marshal, and now Lance has a price on his head. Lance wants only to live in peace, but he’ll have to go through hell to get there. Running from the law and the cavalry, Lance heads for the one place no sheriff or soldier will go—into the territory ruled by The Baron of Coyote River. The Baron is the king of the cattle rustlers—as feared and hated as he is powerful. No one dares take him on ... until now. Lance is sick of running, and taking on the Baron is his last chance for a second chance. Before the battle is over, Coyote River will run red with blood, as Lance has vowed to redeem himself ... or die trying. Also includes the Western adventure, “Reign of the Gila Monster,” in which a stranger rides into the roughest, toughest town in the West—and sets out to show the town who’s boss. “Pure entertainment from the first page to the last with that L. Ron Hubbard touch giving this tale an enduring reader engagement from beginning to end.” —The Midwest Book Review * An International Book Awards Finalist
The story of Coast Guard Chief Petty Officer Johnny Trescott. A man as smart, tough, and fearless as they come. But he’s about to lose everything—his boat, his freedom, and his identity. Long before Tom Hanks as Captain Phillips fell into the hands of modern-day pirates, Johnny faced the same high-stakes action on the high seas. He’s cunning has always outwitted his antagonists, but now the odds have turned and he must pull off the ultimate drug bust. An adversary that has emerged from the deep blue. Johnny has met his match. The Phantom Patrol marked a turning point in L. Ron Hubbard’s fiction. In writing this story he recognized the vital importance of research and realism. To that end, Hubbard toured Coast Guard vessels and interviewed officers who were actually involved in chasing down drug smugglers. The resulting authenticity and success of the tale was a sign of things to come. Read The Phantom Patrol and experience the development of a unique voice in storytelling. “Nonstop action and a hero to root for.” —Publishers Weekly * An International Book Awards Finalists
He’s handsome. He’s charming. He’s a total gentleman . . . and he’s totally outgunned and outnumbered. He’s Michael Patrick Obañon—a role that has Antonio Banderas written all over it. Obañon’s lost his inheritance—a 100,000-acre New Mexico spread—and he could lose his life if he’s not careful. A ruthless band of renegades have seized his land, and he’s determined to get it back.. Obañon’s got one secret weapon: his fierce intelligence. He can’t outshoot the outlaws, so he’ll have to find a way to outwit them. . . . Part Irish, part Mexican, Michael Patrick Obañon is as American as they come—crafty, confident, and cool under fire. It may be one man against the world, but before he’s done the world will know how the West will be won. In the 1930s a radio program, Writers and Readers, hosted by Bob de Haven, delivered news of the hottest authors of the day—interviewing the writers behind the stories. Here’s how he promoted an upcoming broadcast with L. Ron Hubbard: “He has placed in print a million and a half words. He is a quantity producer, well paid and in constant demand. He has outlined some valuable information on his lead novelette . . . Six-Gun Caballero.” It is an introduction to Hubbard that is as pertinent now as it was then. “Hubbard uses the traditional Western form to tell a challenging and unpredictable story, where the hero outwits his attackers instead of merely having to outshoot them. . . . so intelligent and suspenseful.” —SomebodyDies.com
American Sailor Kurt Reid is a hothead and a hard case—a man who hits first and asks questions later. As scrappy and rough around the edges as Jimmy Cagney, it’s no wonder that when the ship’s captain turns up dead, it’s Reid who takes the rap. Falsely accused and under the gun, Reid jumps ship and vanishes into Shanghai —only to get caught in a web of intrigue, betrayal, and murder. In a world where nothing is what it seems and everything is for sale, he’s soon out of his depth, drawn into a spy game in which the winner takes all . . . and the loser takes a knife to the back. Will Reid live up to his reputation as the Spy Killer? He’ll have to learn the rules fast, because with players like sexy Russian agent Varinka Savischna in the hunt, the game is about to turn as seductive as it is sinister. As a young man, Hubbard visited pre-Communist China three times, where his closest friend headed up British intelligence. In a land where communists, nationalists, war lords and foreign adventurers schemed for control, Hubbard gained a unique insight into the intelligence operations and spy-craft in the region—a knowledge that informs stories like Spy Killer. “Vividly written, super-fast-paced.” —Ellery Queen
Tom Bristol's career as first mate of the Maryland bark Randolph abruptly ends during shore leave when he is press-ganged into serving aboard the British HMS Terror. Toil under the cruel whip of England is merciless: Crew members are treated as little more than chattel barely fed, made to work past the brink of exhaustion and kept in line with a cat-o'-nine-tails. Fate finally smiles on young Bristol when the vessel is overtaken by pirates and he gladly turns coat and joins them. Yet Tom's new pirate mates desert him quickly after he's found guilty of killing a mutinous pirate and unwittingly harboring a woman on board. Marooned on a deserted island, Tom has nothing but a small supply of water, a gun and just enough bullets to kill himself. But Tom dreams up a devious plan that will return him to the high seas and make his past adventures pale compared to what he has in store for his many enemies. . . .
As daring and defiant as Kirk Douglas journeying 20,000 Leagues Under the Sea, there’s no stopping diver Hawk Ridley as he takes the plunge into a briny world of untold riches and danger. The Caribbean is a fortune hunter’s dream, salted with the gold of galleons long ago claimed by the deep. Now Hawk’s headed for the Windward Passage of Haiti to stake his claim. But a rival team has also picked up the scent, and they’re willing to turn the sea red with blood to get to the gold first. Fighting off ruthless competitors is nothing new to Hawk...but fighting off a beautiful woman is a different story. Is she an innocent stowaway or a seductive saboteur? Between the cool millions lying on the bottom of the ocean, and the boiling-hot race to grab it, Hawk’s about to find the answer and make a discovery Twenty Fathoms Down that will blow you out of the water. When it came to research, Hubbard was not one to head for the library. He always went to the source—in this case a U.S. Navy deep-sea diver who agreed to show him the ropes and the danger. Hubbard admits it was daunting—even frightening—but he returned from the experience with all the first-hand knowledge he needed to fathom the true nature of life and death underwater. “Primo Pulp Fiction.” — Booklist
Pilot Pete England used to think there was nothing more exciting in the world than flying off into the wild blue yonder. But lately the blue yonder hasn’t been wild at all . . . it’s been downright dull. Pete’s like a jaded Clark Gable who’s hungry for adventure—and he’s about to get his fill. Pete has fallen into a rut, flying the same route—New York to D.C.—with the same passengers, day after day after day. He might as well be driving a bus... until “her highness” climbs aboard. Apparently a princess, she’s the Carole Lombard to Pete’s Clark Gable, and for one flight, she’s bought up every ticket on the plane. Once Pete gets her into the air, the action heats up fast. He learns that the lady is at the center of some international intrigue that could turn the tide of war ... and now a mysterious plane is on their tail, bent on shooting them out of the sky. But that’s the least of Pete’s concerns. There’s more to this princess than meets the eye, and falling in love with her could turn out to be the greatest flight risk of all. As a barnstorming pilot in the early days of aviation, Hubbard was dubbed “Flash” Hubbard by the aviation magazines of the day. Expanding his knowledge even more, he visited Boeing in Seattle where the president and chief engineer gave him an inside look at their test pilot program. His unique and pioneering insight of flight streaks across the page in novels like The Battling Pilot.
They don’t call him Caution Jones for nothing. An ace pilot, ever since his barnstorming father was killed in an air stunt, Jones has stuck strictly to business—as the no-nonsense general manager of Trans-Continental Airlines. But, like Robert Redford in The Great Waldo Pepper, he’s about to find that, sometimes, if you want to get anywhere, you have to throw caution to the wind. The race is on for a monster contract: the U.S. Postal Service. But to get it, Trans-Continental will have to circle the globe and beat its top competitor to the prize. And there’s only one pilot with the skill to do it: Caution Jones. He’ll have to dust off his wings and soar to heights even his father never dreamed of. The wild blue yonder has never been wilder as Jones discovers that the competition will go to any length to bring his plane down. But an even greater challenge sits in his own cockpit—his co-pilot. She’s blonde, she’s brazen, and she just might get Caution Jones to take the biggest risk of all. . . . L. Ron Hubbard, the pilot, was a sensation in his flying days. As an article in the July 1934 issue of The Pilot magazine said: “Wherever two or three pilots are gathered together around the Nation’s Capital, whether it be a Congressional hearing, or just in the back of some hangar, you’ll probably hear the name of Ron Hubbard mentioned . . . for the flaming haired pilot hit the city like a tornado a few years ago and made women scream and strong men weep by his aerial antics. He just dared the ground to come up and hit him.” And straight from the cockpit to the typewriter, Hubbard brought all the thrills and chills of his flight experience to his stories. Includes the aviation adventure Boomerang Bomber, in which a former U.S. Army officer undertakes a mission for the Chinese only to end up in the crosshairs of Japan’s Imperial military. In a world of double- and triple-crosses, this is one conflict that can only be settled in battle . . . in the sky. “Wild adventure.” —The Midwest Book Review
Imagine a young Laurence Olivier cast as a scholarly Oxford professor—an academic snatched out of his bookish world and pressed into service aboard Lord Nelson’s legendary British fleet—in the position of schoolmaster. Such is the life of the land-loving, seafaring Mister Tidwell, Gunner. Thrust into service at the height of the Napoleonic Wars, Tidwell soon finds himself directly in the line of fire and way out of his depth. Fate has cast him into a terrible and terrifying spot—alone on deck to face the fearsome approach of a French man-o’-war. The professor is about to get an object lesson in war, self-reliance ... and survival. Overwhelmed by the smell of gunpowder, the sound of cannons, and the sight of death, he will either experience the sweet taste of victory ... or the bitter taste of his own blood. In an essay called Search for Research Hubbard wrote about how he came up with story ideas: “I want one slim, forgotten fact. From there a man can go anywhere.... In one old volume, for instance, I discovered that there was such a thing as a schoolmaster aboard Nelson’s ships.... When did this occur? The Napoleonic Wars.” Drawing on this single obscure discovery, Hubbard delved deeper into the history and let his remarkable imagination do the rest. “Complete after a few days of search, I had my Mister Tidwell, Gunner.” Also includes the sea adventures The Drowned City, the story of two deep-sea divers who set out in search of a long-lost treasure only to find that the waters are full of treacherous currents and even more treacherous men; and Submarine, in which a young sailor on leave enjoys a quiet interlude with his girlfriend—only to have it interrupted by a call to duty and danger.
Extra! Extra! Read all about it! The Empire State Building has vanished into thin air! Gone, too, are Grant’s Tomb and Grand Central Station, and all hell is breaking loose in New York City! What’s the story? One grizzled old newspaper reporter known simply as Pop—a role made for Walter Matthau—is on top of it . . . and better stay there, because his livelihood is on the line. If Pop fails to get to the bottom of the vanishing landmarks, his job will disappear as well—and land in the hands of the newspaper publisher’s son-in-law. Any cub reporter could find a someone breaking the laws of the city, but tracking down a suspect who’s breaking the laws of physics is a different story altogether. But Pop’s like a dog with a bone, and he won’t let go until he gets at the truth . . . no matter how strange or astounding it is. In the end, he gets a lesson in larceny, proving that when you get down to business, size really does matter. By the spring of 1938, Hubbard’s stature as a writer was well established. As author and critic Robert Silverberg puts it: he had become a “master of the art of narrative.” Hubbard’s editors urged him to apply his gift for succinct characterization, original plot, deft pacing and imaginative action to a genre that was new, and essentially foreign, to him—science fiction and fantasy. The rest is Sci-Fi history. Also features the science fiction adventures Battle of the Wizards, in which an epic battle between science and magic unfolds with an entire planet hanging in the balance, and Hubbard’s first published foray into science fiction and fantasy, The Dangerous Dimension, the story of a mathematics professor who discovers an equation that enables him to teleport anywhere he can imagine . . . even if he doesn’t want to go.