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When his troop transport ship left for Vietnam there were no patriotic farewells. It would continue to be so for the marines of Golf Company, 2nd Platoon, 2nd Battalion, 4th Marines as Goddard recounts their experiences in the rice paddies and jungles from DaNang to the DMZ.
Ronald G. Goddard grew up seeing Hollywood movies that showed American troops boarding ships and going off to World War II with bands playing and well-wishers swarming docks to give soldiers rousing sendoffs. But when his troop transport ship left San Diego Harbor for Vietnam in March 1967, there were no patriotic farewells. It would be a chilling wake-up call for Goddard and his fellow marines of Golf Company, 2nd Platoon, 2nd Battalion, 4th Marines. He shares an accurate account of their experiences in this autobiography. From being issued an M16 rifle that jammed to being baptized in a blaze of fire on the front lines, he reveals what he learned about fighting the Viet Cong and North Vietnamese Regular Army troops in the rice paddies and jungles from DaNang to the DMZ. At nineteen years old, Goddard was a corporal leading squad sized patrols.
An investigative account of the medical, sexual, and scientific questions surrounding the spread of AIDS across the country.
A fascinating exploration of the relationship between American culture and music as defined by musicians, scholars, and critics from around the world. Music has been the cornerstone of popular culture in the United States since the beginning of our nation's history. From early immigrants sharing the sounds of their native lands to contemporary artists performing benefit concerts for social causes, our country's musical expressions reflect where we, as a people, have been, as well as our hope for the future. This four-volume encyclopedia examines music's influence on contemporary American life, tracing historical connections over time. Music in American Life: An Encyclopedia of the Songs, Styles, Stars, and Stories That Shaped Our Culture demonstrates the symbiotic relationship between this art form and our society. Entries include singers, composers, lyricists, songs, musical genres, places, instruments, technologies, music in films, music in political realms, and music shows on television.
Known around the globe, Detroit, Michigan, is famous for grit, blue-collar workers, and murder. The underground music scene has produced many noteworthy bands, but in the 1990s it was Legend. The band formed when four friends wanted to change the stagnant hardcore metal scene, and when they added the best singer in the city, they took over. As the years passed, the band discovered that two things destroy kings--either they are overthrown, or they die from within. Everything changes! The band rises in popularity, flirt with national success, but never quite make it. The choice of one ultimately dooms the band and one of the members.
When first published in 2001, Have Not Been The Same became the first book to comprehensively document the rise of Canadian underground rock from 1985 to 1995. 10 years on, the 650-page book is still regarded by critics and musicians as the definitive history of the era. To mark this milestone, the authors have updated many key areas of the book through new interviews, further illuminating the ongoing influence of this generation of artists.
Originally published: Montreal: Bongo Beat, 2009.
Al Rose has known virtually every noteworthy jazz musician of this century. For many of them he has organized concerts, composed songs that they later played or sang, and promoted their acts. He has, when called upon, bailed them out of jail, straightened out their finances, stood up for them at their weddings, and eulogized them at their funerals. He has caroused with them in bars and clubs from New Orleans to New York, from Paris to Singapore -- and survived to tell the story. The result has been a lifetime of friendship with some of the music world's most engaging and rambunctious personalities. In I Remember Jazz, Rose draws on this unparallelled experience to recall, through brief but poignant vignettes, the greats and the near-greats of jazz. In a style that is always entertaining, unabashedly idiosyncratic, and frequently irreverent, he writes about Jelly Roll Morton and Bunny Berigan, Eubie Blake and Bobby Hackett, Earl Hines and Louis Armstrong, and more than fifty others. Rose was only twenty-two when he was first introduced to Jelly Roll Morton. He quickly discovered that they had more in common than a love of music. Something of a peacock at that age, Rose was dressed in a "polychromatic, green-striped suit, pink shirt with a detachable white collar, dubonnet tie, buttonhole, and handkerchief" -- and so was Jelly Roll. About Eubie Blake, Rose notes that he was not only a superb musician but also a notorious ladies' man. Rose recalls asking the noted pianist when he was ninety-seven, "How old do you have to be before the sex drive goes?" Blake's reply: "You'll have to ask someone older than me." Once in 1947, Rose was asked to assemble a group of musicians to play at a reception to be hosted by President Truman at Blair House in Washington, D.C. The musicians included Muggsy Spanier, George Brunies, Pee Wee Russell, Pops Foster, and Baby DOdds. But the hit of the evening was President Truman himself, who joined the group on the piano to play "Kansas City Kitty" and the "Missouri Waltz." I Remember Jazz is replete with such amusing and affectionate anecdotes -- vignettes that will delight all fans of the music. Al Rose does indeed remember jazz. And for that we can all be grateful.
"Rush is one of rock's most influential bands. Ranked third in consecutive gold or platinum albums after the Beatles and the Rolling Stones, the band enjoys a devoted following by legions around the world and is revered by generations of musicians.
Marsgal Royal was a core member of the Count Basei Orchestra for twenty years during its resurgence in the 1950s and 1960s. Before that, he was a pioneer of jazz on the West Coast, playing with many bands in and around Los Angeles. A child prodigy of both the violin and saxophone, Royal was literally born on the road as his musician parents made their way West. Royal shares his experiences with Les Hite's band at Sebastian's New Cotton Club, where 's Orchestra after a wartime career in U.S. Navy bands. After leaving Hampton, Royal made countless recordings as a freelancer before joining Basie, where he was responsible for rehearsing the Orchestra. Later, he became internationally known as a soloist while continuing his prolific recording career. His brother, Ernie, who was a star trumpeter in the bands of Woody Herman and Stan Kenton, is also profiled. Claire P. Gordon is the editor of Rex Stewart's memoir, Boy Meets Horn, and of Stewart's other collections of writings. She lives on the West Coast and has a long-term interest in the oral history of jazz.