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The Bader Collection stands among the great private collections of its kind in the world. For the past 40 years Dr. Alfred Bader of Milwaukee has donated works to the Agnes Etherington Art Centre at his Canadian alma mater, Queens University, where the entire Bader Collection will be housed . This extraordinary collection demonstrates a rich interplay of interests and insights, at the same time drawing back the curtain on the motivations and principles behind these remarkable acquisitions, whose history dates back to 1950. This scholarly publication presents 200 Dutch and Flemish Baroque paintings that form the collections focus. Exhaustively researched, the richly illustrated entries present each painting in detail. An introductory essay explores the life of this remarkable collector and the motivations that drive his pursuit of the art of the Age of Rembrandt with such passion and insight.
For many decades the Agnes Etherington Art Centre has received European paintings from the Bader Collection from a wide range of periods and schools, from the German Renaissance to the Italian Rococo. This book features the centre's substantial group of over 50 remarkable paintings from European schools, notably Italy, Germany, France and England.
Kent Monkman's new, large-scale project takes the viewer on a journey through Canada's history that starts in the present and takes us back to 150 years before Confederation. With its entry points in the harsh urban environment of Winnipeg's north end, and contemporary life on the reserve, Kent Monkman: Shame and Prejudice, A Story of Resilience takes us all the way back to the period of New France and the fur trade. The Rococo masterpiece The Swing by Jean-Honore ́ Fragonard has been reinterpreted as an installation with Monkman's alter ego, Miss Chief Eagle Testickle, in a beaver trimmed baroque dress, swinging back and forth between the Generals Wolfe and Montcalm. The book includes Monkman's own paintings, drawings and sculptural works, in dialogue with historical artefacts and art works borrowed from museum and private collections from across Canada.
The distinguished curator, critic, collector, art historian, and teacher William Rubin was a forceful presence for over two decades at The Museum of Modern Art (MoMA) from the late 1960s through the 1980s.