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Winner of the National Jewish Book Award for 1998. How can women's full participation transform Jewish law, prayer, sexuality, and marriage? What does it mean to "engender" Jewish tradition? Pioneering theologian Rachel Adler gives this timely and powerful question its first thorough study in a book that bristles with humor, passion, intelligence, and deep knowledge of traditional biblical and rabbinic texts.
How do we understand the characteristically extensive presence of imagery in biblical prophecy? Poetic metaphor in prophetic writings has commonly been understood solely as an artistic flourish intended to create certain rhetorical effects. It thus appears expendable and unrelated to the core content of the composition—however engaging it may be, aesthetically or otherwise. Job Jindo invites us to reconsider this convention. Applying recent studies in cognitive science, he explores how we can view metaphor as the very essence of poetic prophecy—namely, metaphor as an indispensable mode to communicate prophetic insight. Through a cognitive reading of Jeremiah 1-24, Jindo amply demonstrates the advantage and heuristic ramifications of this approach in biblical studies.
Sexual Pollution in the Hebrew Bible examines the Hebrew Bible's use of pollution language to characterize sexual relationships. Eve Feinstein argues that descriptions of female pollution reflect a view of women as sexual property, while descriptions of male pollution relate to Israel's holiness. The book enables a more thorough understanding of sexual pollution, its particular characteristics, and the role that it plays in biblical literature.
Sharon Moughtin-Mumby explores the complex, and potentially subversive, power of metaphor as a tool of persuasion in the prophetic books of the Hebrew Bible. Often such language is used to speak of the worship of gods other than Yhwh, of undesirable cultic practices, or of political alliances with foreign nations. Evaluating several schools of language and biblical criticism, including a Traditional approach, a Feminist critique and a Literary-historical investigation, Moughtin-Mumby brings lucid new readings with a fresh perspective to these dramatic texts. The study emphasises the importance of context for understanding metaphorical meaning and challenges previous scholarship which has read such language in terms of the traditional concept of 'the marriage metaphor' and the hypothetical background of cultic prostitution.
The analysis of metaphors constitutes an ideal point of entry into the exegesis of Biblical Hebrew poetic texts because it forces the exegete to examine the said text from a variety of perspectives. How can one discern the presence of metaphorical speech? What are the various types of metaphorical speech available to and employed by the biblical poet? How does the structure of a piece of Hebrew poetry carry its metaphorical dimensions? How did the biblical poet make use of the various types of metaphor and to what end? Can we ultimately gain access to the poet's meaning? The present study endeavours to provide at least a partial answer to these questions. In maintaining focus on the biblical text, moreover, the author hopes to anchor some of the abstractions of metaphorical theory with chosen examples taken from the so-called 'Apocalypse of Isaiah'. The Hebrew prophets constitute fertile ground in their use of metaphorical language for speaking the unspeakable, especially concerning the relationship between the people and God.
This book is about both the fear of gender reversal and its expression in the prophet Ezekiel's reworking of the marital metaphor. Kamionkowski argues that the abomination of "wife Jerusalem" is that she is attempting to pass for a male, thereby crossing gender boundaries and upsetting the world order. This story is therefore one of confused gender scripts, ensuing chaos and a re-ordering through the reinforcement of these strictly defined prescriptions of gendered behaviour.Using socio-historical evidence and the existence of the literary motif of "men turning into women" as a framework, this book argues that Ezekiel 16, in particular, reflects the gender chaos which arises as an aftermath of social and theological crises.
Marital Imagery in the Bible. It can only be imagined that when the New Testament writers made their (albeit brief) comments on divorce and remarriage that they assumed they would be understood. So what has gone wrong? In the years after the destruction of Jerusalem in 70 CE, when Graeco-Roman culture was at its height, the Jewish perspective of marriage and divorce, and thus the context of those brief New Testament comments was lost. The Christian church of that era was influenced by the neoplatonic ideas of the day, and an idealised concept of marriage developed from on Adam and Eve’s marriage recorded in Genesis 2:23—it was love at first sight, a marriage made in heaven. These concepts frame an understanding of marriage in much of Western culture even today. However, that was never the understanding of ancient Israel. Instead they looked to Genesis 2:24: ‘Therefore a man shall leave his father and his mother and hold fast to his wife, and they shall become one flesh’—so a naturally born man chooses a wife for himself, and their union was based on a ‘covenant’—in other words an agreement. The Old Testament makes it clear what the basis of that agreement was. Furthermore, it is clear, if that agreement was broken, there could be a divorce and a remarriage. All the Bible’s marital imagery (where the Hebrew and Christian Scriptures imagine that God is married to his people) is based on that understanding of human marriage. But so strong is our concept of marriage, that when Genesis 2:24 is referred to in the New Testament, it is thought that the reference is to Adam and Eve’s marriage. It is a paradigmatic marriage that for many excludes (or greatly restricts) the possibility of divorce and remarriage. This study looks to challenge that paradigm—and to suggest that the New Testament writers would not have employed an imagery which had at its center divorce and remarriage, only to deny the possibility of such in their own human marriage teaching. Colin Hamer’s thesis represents the only recent work on metaphor theory in biblical scholarship. It challenges centuries of academic scholarship and ecclesiastical assumptions about divorce. Hamer’s detailed and well researched analysis challenges the consensus view that the marriage of Adam and Eve in Gen 2:24 represents an ontological unity, suggesting important implications for contemporary Christian teaching on marriage and divorce.
The Vanishing Hebrew Harlot is written with two objectives: First, to recover the core meaning of the Hebrew stem ZNH as a complex of non-Yahwist rituals, deities, institutions and beliefs prevalent in ancient Israel and Judah. With this understanding, the author assigns the translation value «participate in non-Yahwist religious praxis» to ZNH. The second objective is to understand how this core meaning came to be encrusted with promiscuity, prostitution, and detestable things, and, above all, with adultery, a capital offense, as well as with religious contamination and its destructive consequences. In the biblical texts, the stem ZNH, which encompasses a complex of non-Yahwist religious practices, operates in a powerful, adversarial relationship to the Yahwist complex of religious practices. Since non-Yahwist sacrifices signify the repudiation of Yahweh, non-Yahwist sacrifices arouse fierce opposition. The prophets Hosea and Jeremiah grasp this adversarial relationship and in their advocacy for Yahweh infuse non-Yahwist praxis with images of illicit sexual encounters and with the production of religious contamination that will lead to the devastation of Israel and Judah and to the exile of their inhabitants. The new structure of ZNH that emerges with Hosea and Jeremiah is one that re-visions ZNH activities by incorporating repugnant sexual imagery and devastating theological contamination into the core of non-Yahwist praxis. However, ZNH also has a sexual signification in contexts that are independent of and distinct from cultic contexts. The stem ZNH is examined in its Ancient Near Eastern environment, but the thrust of this research is the analysis of ZNH in its Hebrew textual environment using concepts from cognitive linguistics: network of associations, associated commonplaces, and blending.
This study applies several linguistic approaches to the book of Samuel in order to investigate the defining features of metaphor and the way metaphor and other forms of figurative language operate in biblical narrative. The book begins with an exploration of how to identify and interpret the metaphors in 1 Samuel 25. Next, the metaphors in 2 Samuel 16:16-17:14 are compared with other tropes, primarily metonymy and simile. Then the notion of “dead” metaphors is challenged while examining the figurative language in 1 Samuel 24. An in-depth analysis of the figurative language in these texts results in a better understanding of the mechanics of metaphor, and a richer, more nuanced reading of these stories, their characters, and language.